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Writing on the Job is the first handy reference guide for professional writing students. Each chapter teaches the essential business formats professional writers need to know and offers strategies for clear, effective business writing, illustrated with real workplace documents.

Serenity Falls is dead. No commerce, tourism, or good will. It gets worse. An historian has uncovered the town's unspeakable past: lynchings, mass murders, sexual depravity, and rumors of the birth of the anti-Christ. But the darkest secret is yet to be revealed--in the Serenity Falls trilogy.

370 pages. 8.75x6.00x1.25 inches. In Stock.

A Mystery of Medieval Ireland Christmas, 1510; the Burren, West coast of Ireland. Mara, Brehon of the Burren, has accepted the offer of marriage made by King Turlough Donn O'Brien, ruler of that tiny kingdom of stony land and terraced mountains on the shores of the Atlantic Ocean. The marriage is planned to take place at the Cistercian Abbey on Christmas Day. But, on the eve of the marriage festivities, a man kneeling in prayer beside the tomb of an ancestor in the abbey church is violently battered to death. Who could have planned to kill the king? Or was it his cousin, Mahon O'Brien, who was the planned victim? And what part did the abbot, cousin to one man, and brother to the other, play in the tragedy? A heavy fall of snow has cut off the abbey from the outside world; the assassin must still be within the cloister walls. Mara must act quickly before a second death occurs.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.25

This in-depth, process-oriented guide takes students through the research process step-by-step, following five students from across the disciplines throughout their research projects―from developing interests, investigating sources, and focusing ideas to drafting, revising, and producing finished papers.

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 0.9

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With great reverence for the Bible, Dundes offers a new and exciting way to resolve some of the mysteries and contradictions that evolved during the Bible's prewritten legacy and that persists today. Using his expert knowledge of folklore, Dundes unearths and contracts multiple versions of nearly every major biblical event, including the creation of women, the flood, the ten commandments, the Sermon on the Mount, the Lord's Prayer, and the inscription on the Cross.

History Writ in Steel, is based on almost five years of data collection and historical research of the German police during the first third of the last century. The markings they used to identify their property have long been a source of confusion for collectors of German weapons and other memorabilia from that era. Using period documents and a database of over 2,300 observed markings representing over 300 police and law enforcement agencies, the author was able to identify about 85% of these units with confidence levels ranging from probable to certain. This book will be very useful to collectors, buyers and sellers of German police artifacts (handguns, rifles, edged weapons, holsters, etc.) and those interested in the history of the police during this turbulent era in Germany. 12 X 8 1/2 inches, hardcover with dust jacket with dust jacket, 384 pages.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++Harvard Law School Libraryocm31735419Includes index.London : V. and R. Stevens & G.S. Norton, 1845. 148 p. : forms ; 19 cm.

The music alternates between mania and wonder, within a song-form that McCombs continues to expand upon lyrically, often with the humorous, wry use of stories plucked from his own life experiences. This is his first release on Domino and follows 2002's EP "Not The Way", 2002's full-length "A", and 2005's "PREfection".

Analyzes the work and influence of Dostoevsky, Ibsen, Conrad, Mann, Proust, Joyce, Eliot, Pirandelllo, Woolf, and Kafka

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 0.75

In shrink wrap. Looks like an interesting title!

Modern critical scholars divide the Pentateuch into distinct components, identifying areas of unevenness in the scriptural tradition, which point to several interwoven documents rather than one immaculate whole. While the conclusions reached by such critical scholarship are still matters of dispute, the inconsistencies which it has identified stand clearly before us and pose a serious challenge to the believer in divine revelation. How can a text marred by contradiction be the legacy of Sinai? How can there be reverence for holy scriptures that show signs of human intervention? David Weiss Halivni explores these questions, not by disputing the evidence itself or by defending the absolute integrity of the Pentateuchal words at all costs, but rather by accepting the inconsistencies of the text as such and asking how this text might yet be a divine legacy.Inconsistencies and unevenness in the Pentateuchal scriptures are not the discovery of modern textual science alone. Halivni demonstrates that the earliest stewards of the Torah, including some of those represented in the Bible itself, were aware of discrepancies within the tradition. From the Book of Chronicles through the commentaries of the Rabbis, sensitive readers have perceived maculations, which mitigate against the notion of an unblemished, divine document, and have responded to these maculations in different ways.Revelation Restored asserts that acknowledging and accounting for human intervention in the Pentateuchal text is not alien to the Biblical or Rabbinic tradition and need not belie the tradition of revelation. Moreover, it argues that through recognizing textual problems in the scriptures, as well as efforts to resolve them in tradition, we may learn not only about the nature of the Pentateuch itself but also about the ongoing relationship between its people and its source.

The celebrated thematic magazines of the notorious Process Church of the Final Judgment cult were created to be hawked on the street in order to raise money and attract like-minded adherents to their unorthodox Gnostic theology. Printed in order of their first appearance, the Sex, Fear, and Death issues are here reproduced in their entirety in a handsome clothbound book. The Feral House release Love, Sex, Fear, Death: The Inside Story of The Process Church of the Final Judgment by Timothy Wyllie and other ex-members explored the history and aftermath of the notorious organization and the accusations lodged against it. Soon after its publication, Feral House received dozens of requests for full reproduction of the original magazines that are now sold online (when they can be found) for over one thousand dollars apiece. The magazines reproduced in this book are lionized as being decades ahead of their time in terms of the sophistication of its art and design. The cult was also attacked for including in its Death issue a contribution by Charles Manson. This inclusion led the dark-robed cult to be characterized as a sinister death cult. This book provides an introduction by Adam Parfrey, and by the magazine's original art director, Timothy Wyllie. Adam Parfrey contextualizes the meanings and impact of the magazines on the world at large.

Every teen can be a leader. This easy-to-use deck of discussion and writing prompts helps instill a leadership attitude in teens by encouraging them to think about their beliefs and goals, how they communicate, what they admire in a leader, and more. Each card contains at least one prompt; many also include definitions of key words, “Imagine This!” scenarios, “What would you do?” questions, and “Stuck?” prompts that provide help for hard to talk about questions. You can build complete lessons around Everyday Leadership Cards or use them for a quick discussion between other activities. The card deck can be used independently or as a supplement to the award-winning book Building Everyday Leadership in All Teens, and is great for group or one-on-one situations. A fold-out insert with directions and suggestions for using the writing and discussion prompts also is included with the cards.

Writings by the conceptual artist Michael Asher―including notes, proposals, exhibition statements, and letters to curators and critics―most published here for the first time.The California conceptual artist Michael Asher (1943–2012) was known for rigorous site specificity and pioneering institutional critique. His decades of teaching at CalArts influenced generations of artists. Much of Asher's artistic practice was devoted to creating works that had no lasting material presence and often responded to the material, social, or ideological context of a situation. Because most of Asher's artworks have ceased to exist, his writings about them have special significance. Public Knowledge collects writings by Asher about his work―including preliminary notes and ideas, project proposals, exhibition statements, and letters to curators and critics―most of which have never been previously published. Asher gave few interviews, didn't write art criticism, and rarely published extensive accounts of his own work. Yet writing was central to his artistic practice, serving as a tool for working out ideas, negotiating institutional parameters, and describing thought processes. In these texts, he considers writing and documentation, discusses artistic practice, offers notes for gallery and museum talks, presents artist statements for exhibition-goers, describes individual works and their situational context, and reflects on teaching and art education. Among other things, Asher provides his definition of site specificity, addresses the function of art in public space, and analyzes the intersection of teaching art and institutional models of education. Readers will see an artist at work, formulating ethical and political strategies for making art in a situational world.

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