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An accessible portrait of the Nazi war machine and its downfall traces the pivotal role of economics in every aspect of Nazi power, Hitler's views about the potential of a European force strong enough to take on America, and the shortcomings of Hitler's armies.

Runway goodrs have all the running performance benefits with a universally flattering, high-fashion cateye shape. Have your cateye and eat it too! NO SLIP Our lightly-textured silicone earpieces use the all new goodr Cat Tongue Technology to offer enhanced protection against slippage. NO BOUNCE Our frame is crafted to be feather-weight, yet snug, with a comfortable fit to prevent bouncing when running. ALL POLARIZED Glare-reducing, polarized lenses and UV400 protection that blocks 100% of those harmful UVA and UVB rays. ALL FASHION Look like a model while you’re running. Isn’t that why you’re taking all those running selfies?NO CATCALLS We aspire to the day we can guarantee that you won’t be whistled at on the street; sadly, we cannot make that guarantee. We CAN, however, guarantee that no person wearing Runway goodrs has ever been telephoned by a cat. Goodr Runway Sunglasses Mind The Wage Gap Wedge

Studded all-over print button front shirt Contrast trim Hydrocore® fabric is anti-wrinkle, lightweight and wicks away sweat to keep you dry

Studded all-over print button front shirt Contrast trim Hydrocore® fabric is anti-wrinkle, lightweight and wicks away sweat to keep you dry

Studded all-over print button front shirt Contrast trim Hydrocore® fabric is anti-wrinkle, lightweight and wicks away sweat to keep you dry

Studded all-over print button front shirt Contrast trim Hydrocore® fabric is anti-wrinkle, lightweight and wicks away sweat to keep you dry

Studded all-over print button front shirt Contrast trim Hydrocore® fabric is anti-wrinkle, lightweight and wicks away sweat to keep you dry

Thanks for checking out our store! By purchasing this listing, you will receive:One (1) WAGE WAR - The Stigma Tour 2024 feat. ERRA, THROWN & FA...

Thanks for checking out our store! By purchasing this listing, you will receive: One (1) WAGE WAR - Pressure 11" x 17" Glossy Full Color Ltd Ed...

Thanks for checking out our store! By purchasing this listing, you will receive: One (1) WAGE WAR NOTHING MORE - North America Tour 2024 feat. VE...

Thank you for checking out our store! When you purchase this listing, you will receive:One (1) WAGE WAR - The Manic Tour 2023 feat. NOTHING NOWHERE...

In a squalid South American oil town, four desperate men sign on for a suicide mission to drive trucks loaded with nitroglycerin over a treacherous mountain route. As they ferry their expensive cargo to a faraway oil fire, each bump and jolt tests their courage, their friendship, and their nerves. The Wages of Fear (Le salaire de la peur) is one of the greatest thrillers ever committed to celluloid, a white-knuckle ride from France's legendary master of suspense Henri Georges-Clouzot. Blu-ray sp

Yves Montand, Charles Vanel. Four greedy drifters risk their lives to drive two truckloads of nitroglycerin 300 miles over treacherous roads. Original and uncut. In French with English subtitles. 1953/b&w/148 min/NR/fullscreen.

Revolutionary feminism is resurging across the world. But what were its origins? In the early 1970s, the International Feminist Collective began to organise around the call for recognition of the different forms of labour performed by women. They paved the way for the influential and controversial feminist campaign 'Wages for Housework' which made great strides towards driving debates in social reproduction and the gendered aspects of labour.*BR**BR*Drawing on extensive archival research, Louise Toupin looks at the history of this movement between 1972 and 1977, featuring unpublished conversations with some of its founders including Silvia Federici and Mariarosa Dalla Costa, as well as activists from Italy, Germany, Switzerland, the United States and Canada. Encompassing rich theoretical traditions, including autonomism, anti-colonialism and feminism, whilst challenging both classical Marxism and the mainstream women's movement, the book highlights the power and originality of the campaign. *BR**BR*Among their many innovations, these pathbreaking activists approached gender, sexuality, race and class together in a way that anticipated intersectionality and had a radical new understanding of sex work.

The Clinton administration's failed health care reform was not the first attempt to establish government-sponsored medical coverage in the United States. From 1915 to 1920, Progressive reformers led a spirited but ultimately unsuccessful crusade for compulsory health insurance in New York State. Beatrix Hoffman argues that this first health insurance campaign was a crucial moment in the creation of the American welfare state and health care system. Its defeat, she says, gave rise to an uneven and inegalitarian system of medical coverage and helped shape the limits of American social policy for the rest of the century. Hoffman examines each of the major combatants in the battle over compulsory health insurance. While physicians, employers, the insurance industry, and conservative politicians forged a uniquely powerful coalition in opposition to health insurance proposals, she shows, reformers' potential allies within women's organizations and the labor movement were bitterly divided. Against the backdrop of World War I and the Red Scare, opponents of reform denounced government-sponsored health insurance as "un-American" and, in the process, helped fashion a political culture that resists proposals for universal health care and a comprehensive welfare state even today.

This work highlights the growing dissatisfaction with the Succession Narrative hypothesis. Keys argues rather that 2 Samuel 10-20 is a self-contained document in its own right, a theological biography examining the nature of punishment for sin in the life of David. The nexus of sin and punishment is the motivating force behind the document. Of particular interest to many will be the opening chapter, which charts in detail the development of the Succession Narrative hypothesis from Rost until the present day. Also notable is the author's accounting for the absence of much of the David material from Chronicles.

247 pages. 9.00x6.00x0.62 inches. In Stock.

The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others' financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.

An accessible portrait of the Nazi war machine and its downfall traces the pivotal role of economics in every aspect of Nazi power, Hitler's views about the potential of a European force strong enough to take on America, and the shortcomings of Hitler's armies.

Combining classical Marxism, psychoanalysis, and the new labor history pioneered by E. P. Thompson and Herbert Gutman, David Roediger’s widely acclaimed book provides an original study of the formative years of working-class racism in the United States. This, he argues, cannot be explained simply with reference to economic advantage; rather, white working-class racism is underpinned by a complex series of psychological and ideological mechanisms that reinforce racial stereotypes, and thus help to forge the identities of white workers in opposition to Blacks.In a new preface, Roediger reflects on the reception, influence, and critical response to The Wages of Whiteness, while Kathleen Cleaver’s insightful introduction hails the importance of a work that has become a classic.