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Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 3.66

New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

10 pap/psc edition. 1390 pages. 8.75x6.00x1.75 inches. In Stock.

The student workbook is design to help you retain key chapter content. Included within this resource are chapter objective questions, key term definition queries, multiple choice, fill in the blank and true or false problems.

From out of the shadows comes this final 9-film/3 disc collection of hard to find noir classics in high definition with original aspect ratios: "The Crimson Kimono" (1959) dir/Samuel Fuller cst/Victoria Shaw, Glenn Corbett, James Shigeta "The Lineup" (1958) dir/Don Siegel cst/Eli Wallach, Robert Keith, Warner Anderson "Man on a String" (1960) dir/Andre DeToth cst/Ernest Borgnine, Kerwins Mathews, Colleen Dewhurst, Alexander Scourby "The Shadow in the Window" (1956) dir/William Asher cst/Phil Car

In this fun and breezy comedy about the battle of the sexes carefree bachelor David Sloane (Dean Martin Rio Bravo) tries to convince his best friend Harry (Eli Wallach the Godfather: Part III) to stop cheating on his wife by suggesting that his mistress is being unfaithful. David seeks out Harry's mistress to seduce her himself but mistakenly meets Carol (Stella Stevens the Nutty Professor) her next-door neighbor. What follows is a zany string of mistaken identities misunderstandings and comic a

Limited 180gm colored vinyl LP pressing. Original soundtrack to the legendary motion picture. The film's musical score was composed by Elmer Bernstein. The Magnificent Seven is a 1960 American Western film directed by John Sturges and starring Yul Brynner, Eli Wallach, Steve McQueen, Charles Bronson, Robert Vaughn, Brad Dexter, James Coburn and Horst Buchholz. The film is an Old Weststyle remake of Akira Kurosawa's 1954 Japanese film Seven Samurai. Brynner, McQueen, Bronson, Vaughn, Dexter, Cob

The sparkling memoir of a movie icon's life in the footlights and on camera, The Good, the Bad, and Me tells the extraordinary story of Eli Wallach's many years dedicated to his craft. Beginning with his early days in Brooklyn and his college years in Texas, where he dreamed of becoming an actor, this book follows his career as one of the earliest members of the famed Actors Studio and as a Tony Award winner for his work on Broadway. Wallach has worked with such stars as Marlon Brando, Paul Newman, Marilyn Monroe, Gregory Peck, and Henry Fonda, and his many movies include The Magnificent Seven, How the West Was Won, the iconic The Good, the Bad and the Ugly, and, most recently, Mystic River. For more than fifty years Eli Wallach has held a special place in film and theater, and in a tale rich with anecdotes, wit, and remarkable insight he recounts his magical life in a world unlike any other.

2006 Drafting and Design Series: Drafting and Design for Architecture Eighth Edition (H) by Dana J. Hepler, Paul Ross Wallach, & Donald E. Hepler ***ISBN-13: 9781401879952 ***728 Pages

A spirited and incisive survey of economic geography, A World Made for Money begins with the author stopped at a red light in Norman, Oklahoma. Observing the landscape of drugstores and banks, and for that matter the stoplight and roads themselves, Bret Wallach observes, “Everything I see has been built to make money” or, at the very least, to facilitate making money. This, he argues, is a global phenomenon that nonetheless has occurred only within the past hundred years or so. Although guidebooks and culture brokers often disparage these landscapes of commerce, Wallach—recipient of a MacArthur “genius grant”—argues that we would do well to pay them close attention.A World Made for Money provides a compelling, condensed tour of our world. From Silicon Valley to Sri Lanka, from post-Soviet Russia to post-apartheid South Africa, Wallach looks at how human beings are buying, manufacturing, working, growing and shipping food, and accessing the natural resources to fuel it all. These essential facets of daily life, propelled by the profit motive, represent a transnational force shaping our surroundings and environment in ways that may not always be beautiful (or even healthy) but that are fundamental to understanding how the world works in the twenty-first century. Wallach examines the relationship between acquisitiveness and landscape, reveals surprising contradictions and nuances, and provides fresh perspective on politically charged topics such as sprawl, deindustrialization, and agribusiness.

A new monograph on the work of Adam Straus published by Gli Ori, Italy, in November 2016 includes text by Adam Straus, edited with an essay by Amei Wallach, the award-winning filmmaker, art critic, journalist, and curator. Straus writes about childhood experiences, fascinating moments with collectors, and how a move to the North Fork of Long Island from Brooklyn in 2003 inspired many of his works. Straus is known for his majestic and luminous depictions of the sublime, which are often saturated with a deep concern about social and environmental issues. His penetrating dark humor can transport the viewer to post-apocalyptic worlds and often offers a wry observation on how humans have altered the natural landscape. Work by Adam Straus is in numerous museum collections including the Parrish Art Museum, Bridgehampton, NY; List Visual Center, M.I.T., Cambridge, MA; Butler Institute of American Art, Youngstown, OH; The Art Museum at F.I.U., Miami, FL; Mead Art Museum, Amherst, MA; Tufts University Art Gallery, Somerville, MA; and the William College Museum of Art, Williamstown, MA, among others. Born in Miami in 1956, Straus lives and works in Riverhead, NY.

Computers are already approving financial transactions, controlling electrical supplies, and driving trains. Soon, service robots will be taking care of the elderly in their homes, and military robots will have their own targeting and firing protocols. Colin Allen and Wendell Wallach argue that as robots take on more and more responsibility, they must be programmed with moral decision-making abilities, for our own safety. Taking a fast paced tour through the latest thinking about philosophical ethics and artificial intelligence, the authors argue that even if full moral agency for machines is a long way off, it is already necessary to start building a kind of functional morality, in which artificial moral agents have some basic ethical sensitivity. But the standard ethical theories don't seem adequate, and more socially engaged and engaging robots will be needed. As the authors show, the quest to build machines that are capable of telling right from wrong has begun.Moral Machines is the first book to examine the challenge of building artificial moral agents, probing deeply into the nature of human decision making and ethics.

This is a 155 page limited edition soft cover book titled THE POST-PRE-RAPHAELITE PRINT:Etching, Illustration, Reproduction Engraving, and Photography in England in and Around the 1860's. Published in a limited edition of 1500 copies by Miriam & Ira D. Wallach Gallery in 1995. Bookseller since 1995 (LL-Art-3-topshelf-middle) rareviewbooks

Published in conjunction with an exhibit at the Wallach Art Gallery, Columbia University.

Dr. Wallach's newest book "Truth About Nutrition" is a clear and simple way to learn the ways to live younger, longer. Dr. Wallach has dedicated his life to the prevention and curing of chronic illness and disease. From eating mineral-rich calf pellets in his cereal bowl at age 9, to founding a cutting-edge health company, Youngevity, Dr. Wallach has discovered the key to living younger, longer. In his early career, Dr. Wallach (after being fired from Emory University for discovering the cure for Cystic-Fibrosis) did thousands of autopsies in animals and humans. Through this work Dr. Wallach discovered that the cause for almost every illness or disease was a mineral deficiency! He dedicated the rest of his life to share this message, and continue to research and develop amazing products to fight deficiencies. He now spends over 300 days a year traveling and delivering this message of health and happiness.

A new monograph on the work of Adam Straus published by Gli Ori, Italy, in November 2016 includes text by Adam Straus, edited with an essay by Amei Wallach, the award-winning filmmaker, art critic, journalist, and curator. Straus writes about childhood experiences, fascinating moments with collectors, and how a move to the North Fork of Long Island from Brooklyn in 2003 inspired many of his works. Straus is known for his majestic and luminous depictions of the sublime, which are often saturated with a deep concern about social and environmental issues. His penetrating dark humor can transport the viewer to post-apocalyptic worlds and often offers a wry observation on how humans have altered the natural landscape. Work by Adam Straus is in numerous museum collections including the Parrish Art Museum, Bridgehampton, NY; List Visual Center, M.I.T., Cambridge, MA; Butler Institute of American Art, Youngstown, OH; The Art Museum at F.I.U., Miami, FL; Mead Art Museum, Amherst, MA; Tufts University Art Gallery, Somerville, MA; and the William College Museum of Art, Williamstown, MA, among others. Born in Miami in 1956, Straus lives and works in Riverhead, NY.

How secularism has been used to justify the subordination of womenJoan Wallach Scott’s acclaimed and controversial writings have been foundational for the field of gender history. With Sex and Secularism, Scott challenges one of the central claims of the “clash of civilizations” polemic―the false notion that secularism is a guarantee of gender equality.Drawing on a wealth of scholarship by second-wave feminists and historians of religion, race, and colonialism, Scott shows that the gender equality invoked today as a fundamental and enduring principle was not originally associated with the term “secularism” when it first entered the lexicon in the nineteenth century. In fact, the inequality of the sexes was fundamental to the articulation of the separation of church and state that inaugurated Western modernity. Scott points out that Western nation-states imposed a new order of women’s subordination, assigning them to a feminized familial sphere meant to complement the rational masculine realms of politics and economics. It was not until the question of Islam arose in the late twentieth century that gender equality became a primary feature of the discourse of secularism.Challenging the assertion that secularism has always been synonymous with equality between the sexes, Sex and Secularism reveals how this idea has been used to justify claims of white, Western, and Christian racial and religious superiority and has served to distract our attention from a persistent set of difficulties related to gender difference―ones shared by Western and non-Western cultures alike.

How To Play Guitar In Every Key by Howard Wallach from Santorella Publications is not only one of the best selling guitar books in print today, but possibly the best-selling title in the entire Santorella catalog. How To Play Guitar In Every Key is consistently in the top 1, 2 or 3 in sales for the last 13 years and with close to 1,000 titles in print, this is certainly a tall task. Howard Wallach walks you through the process of outlining chords with various exercises and songs in every key. The student then learns to develop confidence in playing in any key, not just the common ones. Every exercise is written in both standard notation & tablature which is ideal for advancing guitarists as well as beginners. This phenomenal Santorella title is simply a guitar teachers dream. Howard Wallach is well known for assembling material in a logical manner and this best selling Santorella Publication is no exception. How To Play Guitar In Every Key is a favorite among music educators across the country and a resource in demand throughout the world. 1-890281-28-X,9781890281281

Jennifer Jensen Wallach's nuanced history of black foodways across the twentieth century challenges traditional narratives of ""soul food"" as a singular style of historical African American cuisine. Wallach investigates the experiences and diverse convictions of several generations of African American activists, ranging from Booker T. Washington and W. E. B. Du Bois to Mary Church Terrell, Elijah Muhammad, and Dick Gregory. While differing widely in their approaches to diet and eating, they uniformly made the cultivation of ""proper"" food habits a significant dimension of their work and their conceptions of racial and national belonging. Tracing their quests for literal sustenance brings together the race, food, and intellectual histories of America. Directly linking black political activism to both material and philosophical practices around food, Wallach frames black identity as a bodily practice, something that conscientious eaters not only thought about but also did through rituals and performances of food preparation, consumption, and digestion. The process of choosing what and how to eat, Wallach argues, played a crucial role in the project of finding one's place as an individual, as an African American, and as a citizen.

Omar Sharif, James Mason, Eli Wallach. After being raised by the evil leader Jamuga, Khan escapes and forms his own tribe in the mountains. He returns to steal away and marry Jamuga's girl, and then goes to China. 1965/color/125 min/NR/widescreen.