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The second all-new, all-great Rocketeer Adventures anthology is crammed with great creators doing terrific Rocketeer stories by these high-flying talents: Marc Guggenhein, Sandy Plunkett, Peter David, Paul Dini, Bill Morrison, Bill Sienkiewicz, Walter Simonson, Louise Simonson, John Paul Leon, Tom Taylor, Colin Wilson, Stan Sakai, David Lapham, Chris Sprouse, Matt Wagner, Eric Canete, David Mandel, J Bone, and Michael Golden.

The second all-new, all-great Rocketeer Adventures anthology is crammed with great creators doing terrific Rocketeer stories by these high-flying talents: Marc Guggenhein, Sandy Plunkett, Peter David, Paul Dini, Bill Morrison, Bill Sienkiewicz, Walter Simonson, Louise Simonson, John Paul Leon, Tom Taylor, Colin Wilson, Stan Sakai, David Lapham, Chris Sprouse, Matt Wagner, Eric Canete, David Mandel, J Bone, and Michael Golden.

These rediscovered Photochrom and Photostint postcard images from the private collection of Marc Walter were produced by the Detroit Photographic Company between 1888 and 1924. Using a photolithographic process that predated the autochrome by nearly 20 years, they offered people the very first color photographs of The United States. Suddenly, the continent's colors were available for all to see. The rich ochres and browns of the Grand Canyon, the dazzle of Atlantic City, became a visual delight not only for eyewitnesses, but for Americans far and wide.Imbued with this sense of discovery and adventure, the pictures gathered here are a voyage through peoples, places and time at once. They take us through North America’s vast and varied landscape, encounter its many communities, and above all transport us back to the New World of over a century ago. Over more than 600 pages including fold-out spreads, this sweeping panorama takes us from Native American settlements to New York's Chinatown, from some of the last cowboys to Coney Island's heyday. As luminous now as they were some 120 years ago, these rare and remarkable images that brought America to Americans now bring American's past to our present.

Specially commissioned photographs by Marc Walter and fascinating archive images capture a bygone age of Romanov splendor that will captivate art lovers and historians alike Situated just south of St. Petersburg, the Russian imperial residence of Tsarskoye Selo is now more than three hundred years old. Tsarskoye Selo (“Tsar’s Village”) was once a modest estate housing a summer residence for Catherine I, second wife of Peter the Great. The building now known as the Catherine Palace was extensively rebuilt by Empress Elizabeth and then lavishly refurbished by Catherine the Great. This empress's love of art and decoration is evident in the sumptuous interiors and in the extensive park, filled with fanciful pavilions, bridges, and monuments. Catherine also commissioned the neoclassical Alexander Palace for her favorite grandson, the future Alexander I; this later became home to the last tsar, Nicholas II, and his family until their exile to Siberia. The palace is a glorious showcase for Russian art and craftsmanship in a huge variety of materials and techniques, from the mirrors and lavish gilding of the Great Hall to the blood-red beauty of the Agate Rooms, their walls lined with Siberian jasper. Tsarskoye Selo is not only a piece of art history but a living testimony to the tastes and private passions of the Romanov family. Their clothes and porcelain, their desks and bookshelves build an intimate and involving portrait of life in imperial Russia. 340 illustrations, 289 in color

L'ouvrage explore le paysage photographique des origines (vers 1850) à nos jours, des paysages des frères Bisson aux artistes actuels comme Walter Niedermayr, Jean-Marc Bustamante ou Éric Bourret. Il déploie la triple thèse suivante : 1) le paysage photographique achève ou accomplit l'ensemble du genre du paysage tel que la peinture l'a inventé à la Renaissance. 2) En l'accomplissant, le paysage photographique se libère de la tradition paysagère elle-même et ouvre au paysage un champ indéterminé d'inventions presqu'infinies. 3) Cette continuité et cette rupture créent ainsi un paysage "sans qualité" selon l'expression de Robert Musil, paysage dont la polymorphie alimente les autres arts et la créativité de l'art contemporain. Voilà pourquoi l'ouvrage dessine un parcours permettant d'articuler -- c'est son originalité -- invention du paysage (pictural), invention du paysage photographique et inventions photographiques du paysage.

Specially commissioned photographs by Marc Walter and fascinating archive images capture a bygone age of Romanov splendor that will captivate art lovers and historians alike Situated just south of St. Petersburg, the Russian imperial residence of Tsarskoye Selo is now more than three hundred years old. Tsarskoye Selo (“Tsar’s Village”) was once a modest estate housing a summer residence for Catherine I, second wife of Peter the Great. The building now known as the Catherine Palace was extensively rebuilt by Empress Elizabeth and then lavishly refurbished by Catherine the Great. This empress's love of art and decoration is evident in the sumptuous interiors and in the extensive park, filled with fanciful pavilions, bridges, and monuments. Catherine also commissioned the neoclassical Alexander Palace for her favorite grandson, the future Alexander I; this later became home to the last tsar, Nicholas II, and his family until their exile to Siberia. The palace is a glorious showcase for Russian art and craftsmanship in a huge variety of materials and techniques, from the mirrors and lavish gilding of the Great Hall to the blood-red beauty of the Agate Rooms, their walls lined with Siberian jasper. Tsarskoye Selo is not only a piece of art history but a living testimony to the tastes and private passions of the Romanov family. Their clothes and porcelain, their desks and bookshelves build an intimate and involving portrait of life in imperial Russia. 340 illustrations, 289 in color

These rediscovered Photochrom and Photostint postcard images from the private collection of Marc Walter were produced by the Detroit Photographic Company between 1888 and 1924. Using a photolithographic process that predated the autochrome by nearly 20 years, they offered people the very first color photographs of The United States. Suddenly, the continent's colors were available for all to see. The rich ochres and browns of the Grand Canyon, the dazzle of Atlantic City, became a visual delight not only for eyewitnesses, but for Americans far and wide.Imbued with this sense of discovery and adventure, the pictures gathered here are a voyage through peoples, places and time at once. They take us through North America’s vast and varied landscape, encounter its many communities, and above all transport us back to the New World of over a century ago. Over more than 600 pages including fold-out spreads, this sweeping panorama takes us from Native American settlements to New York's Chinatown, from some of the last cowboys to Coney Island's heyday. As luminous now as they were some 120 years ago, these rare and remarkable images that brought America to Americans now bring American's past to our present.