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Consisting of 68 essays, this book includes the death of father, the aging of mother, the departure of son, the missing of friends, the solidarity of brothers, failure and fragility, and apodictic nihility. It's a penetrating, dolorous and beautiful diary about life and death. From the innocently joyous Take Your Time, Child to the frank and miserable Dear Andre, Long Yingtai spares no effort to depict feebleness, just like the candlelight shining the cliff.

How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to Spike Lee's Do the Right Thing, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium.Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film—arguably the most influential of contemporary forms of representation—constitutes our pleasure, influences our thoughts, and informs our daily reality.

This lively, entertaining, and often funny history of America's supermarket tabloids is the first book to offer a behind-the-scene's look at the intriguing world of tabloid journalism, and especially the unique personalities that made it such a tremendously successful and influential force in today's media. Perhaps no one is more qualified to give the complete insider's account of the tabs than Bill Sloan, who helped guide the destinies of three major tabloids in their heyday. Sloan profiles the publishing eccentrics who conceived the first national tabloids, the greedy owners and screwball executives who called the shots, the ruthless underworld manipulators who fed off of the tabloids' phenomenal success, and the money-driven journalists who did the dirty work. He also discusses the widespread influence of the tabloids today on television journalism and the Internet, where the distinction between news and entertainment is quickly vanishing.This enjoyable, eye-opening account is must reading for anyone interested in the people and the trends that shape our popular culture.

Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.22

How Yvonne Rainer's art shaped new ways of watching as well as performing; how it connected 1960s avant-garde art to politics and activism. In her dance and performances of the 1960s, Yvonne Rainer famously transformed the performing body―stripped it of special techniques and star status, traded its costumes and leotards for T-shirts and sneakers, asked it to haul mattresses or recite texts rather than leap or spin. Without discounting these innovations, Carrie Lambert-Beatty argues in Being Watched that the crucial site of Rainer's interventions in the 1960s was less the body of the performer than the eye of the viewer―or rather, the body as offered to the eye. Rainer's art, Lambert-Beatty writes, is structured by a peculiar tension between the body and its display. Through close readings of Rainer's works of the 1960s―from the often-discussed dance Trio A to lesser-known Vietnam war-era protest dances―Lambert-Beatty explores how these performances embodied what Rainer called “the seeing difficulty.” (As Rainer said: “Dance is hard to see.”) Viewed from this perspective, Rainer's work becomes a bridge between key episodes in postwar art. Lambert-Beatty shows how Rainer's art (and related performance work in Happenings, Fluxus, and Judson Dance Theater) connects with the transformation of the subject-object relation in minimalism and with emerging feminist discourse on the political implications of the objectifying gaze. In a spectacle-soaked era, moreover―when images of war played nightly on the television news―Rainer's work engaged the habits of viewing formed in mass-media America, linking avant-garde art and the wider culture of the 1960s. Rainer is significant, argues Lambert-Beatty, not only as a choreographer, but as a sculptor of spectatorship.

Vaclav Neckar, Jitka Bendova. This poignant drama tells the story of a young Czechoslovakian train dispatcher learning about life and love during WWII. In Czech with English subtitles. 1966/color/89 min/NR/fullscreen.

Onderstroom present a reissue of Glorious Din's Closely Watched Trains, originally released in 1987. How a boy from the Sri Lankan jungle formed the greatest post-punk band you've never heard. Fronted by an intense singer with an oblique songbook and a mysterious past, Glorious Din was unlike any other group to emerge from San Francisco's '80s underground. With singer Eric Cope, the chosen persona of a Joy Division-obsessed Sri Lankan boy who travelled halfway around the world to follow his punk

I Watched Them Eat Me Alive is the first installment of The Men's Adventure Library Journal, a series focusing on specific facets of the vintage men's adventure magazines stories, artwork, and history. This deluxe, expanded hardcover contains additional material exclusive to this edition.Dedicated to exploring the lost world of vintage men’s adventure magazines (aka MAMs), The Men’s Adventure Library chronicles the mags’ three decades on American newsstands, from the early 1950s through the mid-1970s. Mixing elements from many sources—early pulp fiction, detective stories and true crime, mystery and noir films, exotic travel magazines, celebrity scandal rags and bachelor mags—MAMs ratcheted up the tension and amped up the testosterone to create explosive, entertaining, and often outrageous reading for millions of American men. Though long extinct and mostly unseen for generations, their pervasive influence continues to shape some of the most popular and enduring pop culture tropes and trends. Curated by MAM historian/collector Robert Deis and writer Wyatt Doyle, The Men’s Adventure Library reprints and provides context for classic MAM stories and artwork drawn from the mags’ rich history of gonzo pulp, with releases available in full-color trade paperback and deluxe, expanded hardcover editions. Each volume is a vivid reminder that MAMs were extremely cool, unexpectedly influential, and still pack a bare-knuckle punch. Read ’em all...if you’ve got the guts!

How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to James Cameron’s Avatar, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium. Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film―arguably the most influential of contemporary forms of representation―constitutes our pleasure, influences our thoughts, and informs our daily reality. Updated to include a discussion of 3-D and advanced special effects, this tenth anniversary edition is an essential film studies text for students and professors alike.

How Yvonne Rainer's art shaped new ways of watching as well as performing; how it connected 1960s avant-garde art to politics and activism. In her dance and performances of the 1960s, Yvonne Rainer famously transformed the performing body―stripped it of special techniques and star status, traded its costumes and leotards for T-shirts and sneakers, asked it to haul mattresses or recite texts rather than leap or spin. Without discounting these innovations, Carrie Lambert-Beatty argues in Being Watched that the crucial site of Rainer's interventions in the 1960s was less the body of the performer than the eye of the viewer―or rather, the body as offered to the eye. Rainer's art, Lambert-Beatty writes, is structured by a peculiar tension between the body and its display. Through close readings of Rainer's works of the 1960s―from the often-discussed dance Trio A to lesser-known Vietnam war-era protest dances―Lambert-Beatty explores how these performances embodied what Rainer called “the seeing difficulty.” (As Rainer said: “Dance is hard to see.”) Viewed from this perspective, Rainer's work becomes a bridge between key episodes in postwar art. Lambert-Beatty shows how Rainer's art (and related performance work in Happenings, Fluxus, and Judson Dance Theater) connects with the transformation of the subject-object relation in minimalism and with emerging feminist discourse on the political implications of the objectifying gaze. In a spectacle-soaked era, moreover―when images of war played nightly on the television news―Rainer's work engaged the habits of viewing formed in mass-media America, linking avant-garde art and the wider culture of the 1960s. Rainer is significant, argues Lambert-Beatty, not only as a choreographer, but as a sculptor of spectatorship.

DVD edition. Based on a novel by Georges Simenon, this exciting tale of crime, passion, betrayal, and murder stars Claude Rains as Kees Popinga, an honest, mild-mannered clerk at a Dutch trading company who discovers that his employer has been embezzling money to support his mistress (Mrta Torn). When his boss ends up dead, Popinga finds himself on the run with the cash, the girl, and the police in hot pursuit. With Herbert Lom, Marius Goring. AKA: "The Paris Express." 83 min. Standard; Soundt

I Watched Them Eat Me Alive is the first installment of The Men's Adventure Library Journal, a series focusing on specific facets of the vintage men's adventure magazines stories, artwork, and history. This deluxe, expanded hardcover contains additional material exclusive to this edition.Dedicated to exploring the lost world of vintage men’s adventure magazines (aka MAMs), The Men’s Adventure Library chronicles the mags’ three decades on American newsstands, from the early 1950s through the mid-1970s. Mixing elements from many sources—early pulp fiction, detective stories and true crime, mystery and noir films, exotic travel magazines, celebrity scandal rags and bachelor mags—MAMs ratcheted up the tension and amped up the testosterone to create explosive, entertaining, and often outrageous reading for millions of American men. Though long extinct and mostly unseen for generations, their pervasive influence continues to shape some of the most popular and enduring pop culture tropes and trends. Curated by MAM historian/collector Robert Deis and writer Wyatt Doyle, The Men’s Adventure Library reprints and provides context for classic MAM stories and artwork drawn from the mags’ rich history of gonzo pulp, with releases available in full-color trade paperback and deluxe, expanded hardcover editions. Each volume is a vivid reminder that MAMs were extremely cool, unexpectedly influential, and still pack a bare-knuckle punch. Read ’em all...if you’ve got the guts!

Blu-ray edition. Based on a novel by Georges Simenon, this exciting tale of crime, passion, betrayal, and murder stars Claude Rains as Kees Popinga, an honest, mild-mannered clerk at a Dutch trading company who discovers that his employer has been embezzling money to support his mistress (Mrta Torn). When his boss ends up dead, Popinga finds himself on the run with the cash, the girl, and the police in hot pursuit. With Herbert Lom, Marius Goring. AKA: "The Paris Express." 83 min. Standard; So

Kees Popinga is a solid Dutch burgher whose idea of a night on the town is a game of chess at his club. Or so it has always appeared. But one night this model husband and devoted father discovers his boss is bankrupt and that his own carefully tended life is in ruins. Before, he had looked on impassively as the trains to the outside world swept by; now he catches the first train he can to Amsterdam. Not long after that, he commits murder.Kees Popinga is tired of being Kees Popinga. He's going to turn over a new leaf—though there will be hell to pay.

The Man who watched batman is the ultimate guide to Batman:The animated series. whether it’s your first watch or your 2oth, this book walks though all 110 episodes line by line to show you not only why BTAS is oneof the best shows ever made, but how to apply that knowledge to your own favorite show.

Scandinavian crime writing at its best from the creators of hit television shows, Wallander and The Bridge.      As a heatwave blazes in Stockholm, a series of women are found brutally murdered and the Criminal Investigation Department is getting nowhere. The murders bear all the hallmarks of Edward Hinde, the serial killer jailed by psychological profiler Sebastian Bergman fifteen years earlier.     Sebastian desperately needs some order in his chaotic life. The revelation that he has a daughter, Vanja, could provide this longed-for stability. But should he tell her the truth and risk destroying her life and career?     Forcing his way into the investigation, Sebastian soon learns that the murders are connected to him and that no one around him is safe. Including Vanja.

On September 15, 1963, a Klan-planted bomb went off in the 16th Street Baptist Church in Birmingham, Alabama. Fourteen-year-old Carolyn Maull was just a few feet away when the bomb exploded, killing four of her friends in the girl’s rest room she had just exited. It was one of the seminal moments in the Civil Rights movement, a sad day in American history . . . and the turning point in a young girl’s life. While the World Watched is a poignant and gripping eyewitness account of life in the Jim Crow South—from the bombings, riots and assassinations to the historic marches and triumphs that characterized the Civil Rights movement. A uniquely moving exploration of how racial relations have evolved over the past 5 decades, While the World Watched is an incredible testament to how far we’ve come and how far we have yet to go.

This book provides an interdisciplinary introduction to the notion of fractal time, starting from scratch with a philosophical and perceptual puzzle. How subjective duration varies, depending on the way we embed current content into contexts, is explained.The complexity of our temporal perspective depends on the number of nestings performed, i.e. on the number of contexts taken into account. This temporal contextualization is described against the background of the notion of fractal time. Our temporal interface, the Now, is portrayed as a fractal structure which arises from the distribution of content and contexts in two dimensions: the length and the depth of time. The leitmotif of the book is the notion of simultaneity, which determines the temporal structure of our interfaces. Recent research results are described which present and discuss a number of distorted temporal perspectives. It is suggested that dynamical diseases arise from unsuccessful nesting attempts, i.e. from failed contextualization. Successful nesting, by contrast, manifests itself in a "win-win handshake" between the observer-participant and his chosen context. The answer as to why a watched kettle never boils has repercussions in many a discipline. It would be of immense interest to anyone who works in the fields of cognitive and complexity sciences, psychology and the neurosciences, social medicine, philosophy and the arts.

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Drawing on cultural theory and interviews with fans, cast members and producers, this book places the reality TV trend within a broader social context, tracing its relationship to the development of a digitally enhanced, surveillance-based interactive economy and to a savvy mistrust of mediated reality in general. Surveying several successful reality TV formats, the book links the rehabilitation of 'Big Brother' to the increasingly important economic role played by the work of being watched. The author enlists critical social theory to examine how the appeal of 'the real' is deployed as a pervasive but false promise of democratization.