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Carl Maria von Weber's dark Romantic era tale of love, faith, and temptation is grippingly performed by the Dresden Staatskapelle led by conductor, Christian Thielemann in this live DVD performance from early 2015. With highly acclaimed staging by Axel Khler, the singers in leading roles add to the luster of the production with the tenor Michael Knig's performance of the anti-hero Max displaying a gloriously free upper register bringing heroic weight to his role and Sara Jakubiak sweet toned a

Carl Maria von Weber's dark Romantic era tale of love, faith, and temptation is grippingly performed by the Dresden Staatskapelle led by conductor, Christian Thielemann in this live DVD performance from early 2015. With highly acclaimed staging by Axel Khler, the singers in leading roles add to the luster of the production with the tenor Michael Knig's performance of the anti-hero Max displaying a gloriously free upper register bringing heroic weight to his role and Sara Jakubiak sweet toned a

VIII, 476 S. mit Ill., SU minimal randbestossen Sprache: Deutsch Gewicht in Gramm: 1550

64 S. Gebrauchtes Exemplar in sehr gutem Zustand. KEINE Eintragungen/Markierungen. Wenn die Schatten lang werden und die Sonne untergeht, bricht in Arcadia Oaks die Zeit der finsteren Gestalten an wie die des Trolls Angor Rot, einem üblen Bösewicht, der nur ein einziges Ziel kennt: Jim Lake, den Trolljäger, auszuschalten. Doch Jim ist nicht allein. An seiner Seite stehen Tobi und Klara und zwei außergewöhnliche Trolle namens Blinky und AAARRRGGHH!!! Gemeinsam nehmen die fünf Freunde den Kampf gegen das Böse auf und der führt sie auf spannende Abenteuer in die entlegensten Winkel der Trollwelt. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 420 Gebundene Ausgabe, Maße: 21.7 cm x 1 cm x 29.4 cm

Gr.-8°. XVIII, 509 S. mit 11 Abb. u. einer Falttafel. Oln. Nachdruck der Ausgabe Antwerpen 1602 u. 1605.

EA, 405 S., OLwd. m. OU., gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Wolfgang J Mommsen, 1968-1996 Professor fur Mittlere und Neuere Geschichte an der Universitat Dusseldorf; 1977-1985 Direktor des Deutschen Historischen Instituts in London; 1988-1992 Vorsitzender des Verbandes der Historiker Deutschlands; 1976-2004 Mitherausgeber der Max Weber-Gesamtausgabe.

Wolfgang J Mommsen, 1968-1996 Professor fur Mittlere und Neuere Geschichte an der Universitat Dusseldorf; 1977-1985 Direktor des Deutschen Historischen Instituts in London; 1988-1992 Vorsitzender des Verbandes der Historiker Deutschlands; 1976-2004 Mitherausgeber der Max Weber-Gesamtausgabe.

Weber was at the forefront of the rise of German Romantic opera and sought to dethrone Rossini from his position as the leading operatic composer in Europe. In his breakthrough and most popular opera Der Freischtz ('The Marksman') composed in 1821, he succeeded in his aim of establishing a truly German form. Turning to the folklore and folk songs of his native land he took a story of a marksman who makes a pact with the Devil, vesting it with powerful intensity - not least in the famous Wolf's

Axel Khlers production of Der Freischtz at the Dresden State Opera was described by Die Presse as a minor miracle in Dresden. In the words of the Salzburger Nachrichten, Khler scored a bulleye with his sombre and satanic interpretation of Webers Romantic opera about love, temptation, souls sold to the Devil, obsession and faith. According to the Financial Times, Christian Thielemann and the Dresden Staatskapelle conjured up a sense of mortal terror from the orchestra pit. [] Thieleman

Der Freischutz Weber / Waechter / Jungwirth / Janowitz / Holm - CD 4011790732220

Der Freischutz Weber / Vienna Philharmonic / Furtwaengler, Wilhelm - CD 8051776571661

Der Freischutz Carl Maria von Weber - CD 717281903868

First performed in Berlin in 1821, Der Freischütz is recognized as the wellspring of German Romantic opera. It was immensely influential in subject matter, atmosphere, orchestration, and other aspects on all later German operatic writing, and it is still quite popular.The composition of Der Freischütz occupied Weber for an unusually long time. He started in July 1819 and did not complete the work until May 1880. Based on the short story "Der Freischütz" in the Gespensterbuch (Book of Ghosts) by August Apel and Friedrich Laun, its highly romantic aspects include a dark, mysterious forest setting, populated by lusty huntsmen and abounding in evil and magical overtones.This edition reproduces the full orchestral score in a clear, modern engraving for easy reading and study, with large legible notation. Do not confuse this with a piano rendering; it is a full orchestral score. In addition to its obvious uses for study, this score is also indispensable for anyone listening to recordings. In no other manner can the listener keep full awareness of the orchestral richness of this opera. The complete German text, including all spoken dialogue, accompanies the music.

Illustrator: Illustrationen von Ludwig Richter + Theodor Weber, Theodor Hosemann und Ludwig Burger + Otto Ubbelohde - - intern600-94 Deutsch - 831 + 477 + 943 S. 23 x 16 x 15 cm - Groß-Oktav 2900g. mit leichten Gebrauchsspuren - leicht berieben und bestoßen mit kleinen Randläsuren, Schuber an einer Kante etwas eingerissen - illustrierte Pappbände im illustrierten Schuber -

Der Freischutz / Matacic Weber / Frick - CD 024384779123

Carl Maria von Weber's opera tells the story of Max's struggle to win Agathe in marriage.

Weber was at the forefront of the rise of German Romantic opera and sought to dethrone Rossini from his position as the leading operatic composer in Europe. In his breakthrough and most popular opera Der Freischtz ('The Marksman') composed in 1821, he succeeded in his aim of establishing a truly German form. Turning to the folklore and folk songs of his native land he took a story of a marksman who makes a pact with the Devil, vesting it with powerful intensity - not least in the famous Wolf's

Frieda Hempel (1885--1955) was among the greatest sopranos of opera's Golden Age. She created the Marschallin in Der Rosenkavalier in both Berlin and at the Metropolitan Opera, where she debuted with Caruso in 1912.

28,5 x 23 cm. 256 S. mit zahlr. s/w Fotoabb. Illustr. OPpbd. Der erste große Einblick in das Werk der zu Unrecht weithin vergessenen Gesellschaftsfotografin. Frieda Riess (1890-1955), sie stammte aus einer jüdischen Kaufmannsfamilie, führte nach dem Ersten Weltkrieg ein repräsentatives Porträtatelier am Kurfürstendamm. Theaterleute, Künstler und Schriftsteller, Tänzerinnen und Varieté-Stars, aber auch der Adel und Vertreter der Diplomatie gehörten zu ihren Kunden. Sprache: deu, eng.