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Richard Pousette-Dart (1916–1992) is best known as an American painter of mid-20th-century Abstract Expressionism, although his work was distinct for its spiritual content and his elaborate layering of materials. His works on paper are remarkable for their varied use of materials and techniques, and reflect the artist’s shift from figurative representation to semi-abstract forms emerging out of free calligraphic drawing, to a form of pointillism, and a return to spontaneous drawing. Pousette-Dart’s later works include evocative graphite drawings touched with white paint, bold black and white paintings, hand-colored etchings, and colorful acrylics on handmade paper. The authors employ close stylistic and technical analysis to trace for the first time the narrative of Pousette-Dart’s career as a draftsman.  Generously illustrated with nearly 200 color images, this revelatory publication presents an unprecedented examination of the artist’s works on paper, focused on his dynamic experimentation with media and styles over nearly seven decades. 

This groundbreaking volume on Richard Pousette-Dart is the most comprehensive publication on his painting to be published since the artist’s death. It provides fresh insights into his oeuvre by five outstanding, contemporary art historians, who have interpreted the artist’s creative output from the 1930s to 1992.Richard Pousette-Dart, one of the founding members of the New York School, created paintings, drawings, sculptures, and journals for over sixty years. The youngest member of the first generation of American Abstract Expressionists, Pousette-Dart shared with his fellow artists’ interests in psychology, myth-making, anthropology, and both African and American tribal art. Along with Pollock, Rothko, de Kooning, Motherwell, and others, Pousette-Dart created the art movement known as The New York School. This book presents the evolution of Richard Pousette-Dart’s styles and philosophy and provides an in-depth look at his ever-evolving painting techniques. The essays focus on his major themes and periods, and include his contributions to the complexity of the intellectual and stylistic language of the Abstract Expressionist movement.

207 p. : ill. (chiefly col.) ; 32 cm. Notes: Catalog of the exhibition held at Schirn Kunsthalle, Frankfurt am Main, Aug. 18-Sept. 30, 2001, The Museum of Fine Arts, Houston, Jan. 20-Mar. 31, 2002, and Boca Raton Museum of Art, Boca Raton, Apr. 17-June 16, 2002.

New! This book is in the same immaculate condition as when it was published 2.62

Beautifully illustrated. Catalog for November 7, 2014-January 10, 2015 exhibition. "Richard Pousette-Dart's Luminous Geometry" by Alex Bacon. Measures 9.5x10.5 inches. Richard Pousette-Dart (1916-1992) was an American artist and a founder of the New York School of painting. His artistic output also includes drawing, sculpture, and fine-art photography.

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 1.41

Richard Pousette-Dart (1916–1992) is best known as an American painter of mid-20th-century Abstract Expressionism, although his work was distinct for its spiritual content and his elaborate layering of materials. His works on paper are remarkable for their varied use of materials and techniques, and reflect the artist’s shift from figurative representation to semi-abstract forms emerging out of free calligraphic drawing, to a form of pointillism, and a return to spontaneous drawing. Pousette-Dart’s later works include evocative graphite drawings touched with white paint, bold black and white paintings, hand-colored etchings, and colorful acrylics on handmade paper. The authors employ close stylistic and technical analysis to trace for the first time the narrative of Pousette-Dart’s career as a draftsman.  Generously illustrated with nearly 200 color images, this revelatory publication presents an unprecedented examination of the artist’s works on paper, focused on his dynamic experimentation with media and styles over nearly seven decades. 

Richard Pousette-Dart (1916-1992), one of the founding members of the Abstract Expressionist movement of the 1940s and 1950s, has been creating paintings, drawings, sculpture, and photographs, infused with an intense personal vision, for more than fifty years. This catalog, including 112 color and 42 duotone reproductions is the first comprehensive consideration of this important American artist's multifaceted work."... one of the last and most remarkable artists of an extraordinary generation—the Abstract Expressionist painters of the New York School who made their debut in the war years of the 1940’s." —Hilton Kramer, The New York Times"Well written, literate, visually descriptive, this important and thoroughly scholarly work provides a fascinating exploration of Pousette-Dart's oeuvre and adds to understanding of postwar American modernism. Color plates are generous and of excellent quality. Layout is clean, clear, and readable. Highly recommended." —Choice

This groundbreaking volume on Richard Pousette-Dart is the most comprehensive publication on his painting to be published since the artist’s death. It provides fresh insights into his oeuvre by five outstanding, contemporary art historians, who have interpreted the artist’s creative output from the 1930s to 1992.Richard Pousette-Dart, one of the founding members of the New York School, created paintings, drawings, sculptures, and journals for over sixty years. The youngest member of the first generation of American Abstract Expressionists, Pousette-Dart shared with his fellow artists’ interests in psychology, myth-making, anthropology, and both African and American tribal art. Along with Pollock, Rothko, de Kooning, Motherwell, and others, Pousette-Dart created the art movement known as The New York School. This book presents the evolution of Richard Pousette-Dart’s styles and philosophy and provides an in-depth look at his ever-evolving painting techniques. The essays focus on his major themes and periods, and include his contributions to the complexity of the intellectual and stylistic language of the Abstract Expressionist movement.

Abstract Expressionist painter Richard Pousette-Dart (1916–92) pursued photography throughout his long and distinguished career, creating brilliant nature studies and portraits, including of New York School colleagues Mark Rothko, Betty Parsons, John Graham, Barnett Newman and Theodoros Stamos. In 1948 Pousette-Dart's photographs were exhibited at the Betty Parsons Gallery and, in 1953, honored by Photography magazine, yet this body of work has been overshadowed by the artist's achievements in painting. This volume is the first in-depth consideration of the artist's photographic work. Many of the photographs are published for the first time, and include portraits of artists, musicians, filmmakers and writers drawn from the rich milieu in which Pousette-Dart flourished, as well as sumptuous studies of the natural world.

During the early 1950s, Richard Pousette-Dart (1916-1992) created one of the most anomalous bodies of work of his career: graphite drawings on undercoats of blue or ocher painted over a titanium white ground. For an artist known for his love of color and impasto, these predominantly white paintings constituted quite a departure. Twenty-five works were shown at Betty Parsons Gallery in 1955, in an exhibition titled Predominantly White; the artist returned to mine this vein in later paintings in the 1960s, 1970s and 1980s.