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This is a new thematic catalog of the works of Beethoven. It is a revised and substantially expanded new edition of the previous catalog of works by Georg Kinsky and Hans Halm, first published in 1955.

8°, X, 309 Seiten, betitelter Originalleinen mit Goldprägung - sehr guter Zustand, wie neu - 1977. M5783 ISBN: 3795202329 Sprache: Deutsch Gewicht in Gramm: 810

Hatje Cantz Verlag, Ostfildern, 2007. 440 S. mit einem Frontispiz und vielen, teils ganzseitigen Abbildungen, Pappband mit Schutzumschlag, quart---- gutes Exemplar - 2635 Gramm.

After initial successes at the beginning of the 20th century held in episode three years of internment during World War skeletons, demons, masks, warning voice, black room, brittle outlines and harsh colors collection in its imagery. Karl Hofer in 1919 professor at the Academy of Fine Arts in Berlin, whose reconstruction he has been involved since 1945 as director. The years in between are marked by the stigma of degeneracy and of inner emigration. End of the 1940s Hofer gets more and more violent in the mills of a publicly discharged fundamental dispute between figurative and abstract painting. The photo of artistic loner hover between image gewordenem humanism and striking disillusionment. Volume 1: The main works. Volume 2: catalog raisonné. Volume 3: catalog of works, detailed bibliography, list of exhibitions and checklists

1500 Exempl. 4° 237 Seiten, mit 3 Original-Lithogr., illustr. OLwd., mit Schutzumschl. Nummeriert, dies ist die Nummer 861/1500. Mit leichter Bräunung, wenig bestossen, insgesamt sehr schöner Zustand. Sprache: Deutschutsch 3,300 gr.

Formateinband: Broschierte Ausgabe [417] S. (25,5x21 cm) 1. Aufl.; (Mit zahlreichen Abbildungen); Gut und sauber erhalten. Sprache: Deutsch Gewicht in Gramm: 1600 [Stichwörter: Katalog, Ausstellungskatalog, Bildband]

ISBN: 9783765103339 Publisher Number: BV333 816 p.

Virtuosity in the front row of the contemporary art Already very early in his artistic career, Georg Baselitz showed a keen interest in printmaking. In 1965, as a scholar at the Villa Romana in Florence, he began to collect the Italian Mannerist, Parmigianino. In an interview he explained: »I liked printmaking for two reasons: Firstly, it is the simplest fixed way to realize an artistic idea. Secondly, it is made for people with little money, for common people.« His first etchings date from 1963–64, woodcuts from 1966, followed by linocuts in 1977—works that were published predominantly in black and white by Johannes Gachnang in a two-volume catalogue raisonné (Vol I: 1963–1974; Vol. II: 1974–1982). The process of cataloging is ongoing. Volumes I and II are to be reissued at some time in the distant future, amended with currently un­published information. Similar to his paintings and sculptures, his graphic works also address subject areas such as heroes, shepherds, eagles, trees and more. The book at hand brings together, with color illustrations throughout and with unique technical brilliance, the work numbers from 1983–1989. There is no question that Baselitz’ graphic work is in no way inferior to his painting and sculptural work. The artist has not only got to the heart of the media in the diversity of his different technical approaches and solutions for several decades, but his unparalleled virtuosity has placed it at the forefront of the art of postwar modernism.

Unread book in perfect condition.

560 Seiten Leichte äußere Mängel - Buch ist als Mängelexemplar gekennzeichnet - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Deutsch Gewicht in Gramm: 3450

Virtuosity in the front row of the contemporary art Already very early in his artistic career, Georg Baselitz showed a keen interest in printmaking. In 1965, as a scholar at the Villa Romana in Florence, he began to collect the Italian Mannerist, Parmigianino. In an interview he explained: »I liked printmaking for two reasons: Firstly, it is the simplest fixed way to realize an artistic idea. Secondly, it is made for people with little money, for common people.« His first etchings date from 1963–64, woodcuts from 1966, followed by linocuts in 1977—works that were published predominantly in black and white by Johannes Gachnang in a two-volume catalogue raisonné (Vol I: 1963–1974; Vol. II: 1974–1982). The process of cataloging is ongoing. Volumes I and II are to be reissued at some time in the distant future, amended with currently un­published information. Similar to his paintings and sculptures, his graphic works also address subject areas such as heroes, shepherds, eagles, trees and more. The book at hand brings together, with color illustrations throughout and with unique technical brilliance, the work numbers from 1983–1989. There is no question that Baselitz’ graphic work is in no way inferior to his painting and sculptural work. The artist has not only got to the heart of the media in the diversity of his different technical approaches and solutions for several decades, but his unparalleled virtuosity has placed it at the forefront of the art of postwar modernism.

Adolf Erbslöh is one of the most important representatives of Classic Modernism. As a cofounder of the “Neue Künstlervereinigung München” he was in close correspondence with the artists of the “Blauer Reiter” including Alexej Jawlensky, Wassily Kandinsky, Gabriele Münter and Franz Marc. This lavishly illustrated volume includes for the first time all the paintings by this outstanding artist.

New Edition of the Complete Works, Volume 25. New Edition of the Complete Works, Volume 25 576 S. - 27,5 <x 20 cm

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.69

Franz Marc was one of the most important members of the Blue Rider group of painters - this first volume of a three-part catalogue raisonné is devoted to the oil paintings.This book includes all 244 paintings and is the ultimate reference work for art lovers, art historians and collectors, offering fresh insights into the work of Franz Marc and the Blue Rider group as a whole.Franz Marc (1880-1916) was one of the most important members of the Blue Rider group of painters, together with other outstanding artists such as Wassily Kandinsky, Gabriele Münter, August Macke, Paul Klee and Alfred Kubin.The group marked the high point of German Expressionism and had a profound influence on international art during the brief period from its formation to the beginning of the First World War.The chronology of the paintings has been thoroughly revised and updated and each entry provides details of technique, provenance, exhibitions and literature.All the paintings are illustrated, most of them in colour. The resulting volume is the ultimate reference work for art lovers, art historians and collectors and offers fresh insights into the work of Franz Marc and the Blue Rider group as a whole.

Artwork by August Macke. Contributions by Ursula Heiderich.

Ganzleinen mit Schutzumschlag. 25x32cm. 410pp. Bestens erhalten

LXXVII, 841 S. : 1 Ill., Noten ; 27 cm Roter Leineneinband mit leichten Gebrauchsspuren, sonst sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 2322

Neu -Der vierte und letzte Band des Werkverzeichnisses versammelt Joan Mirós druckgrafische Arbeiten der Jahre 1976 bis 1983. Ein eigens von Miró gestalteter Schutzumschlag und zwei ins Buch eingebundene Original-Holzschnitte machen diesen Catalogue Raisonné zu einem besonderen Objekt. (Text engl.) 240 pp. Englisch

494 S. : zahlr. Ill. Monographie und Werkverzeichnis ; [Anlässlich der Ausstellung "Franz Radziwill 1895 bis 1983: "Das größte Wunder Ist die Wirklichkeit", Kunsthalle in Emden, 1995]. Lese- und Lagerspuren / Gutes Exemplar / H 183 53497 H183 ISBN 3879093814 Sprache: Deutsch Gewicht in Gramm: 2550