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317 Seiten Knaur 1990 : Frans Smit - Perfect tb HU-4RTB-2JHF Sprache: Deutsch Gewicht in Gramm: 200

117 S. Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber und kann entsprechende Merkmale aufweisen (Rückenschild, Instituts-Stempel.). Sprache: Deutsch Gewicht in Gramm: 175

(Amadeus). Mahler's 10 symphonies and Das Lied von der Erde are intensely personal statements that have touched wide audiences. This survey examines each of the works, revealing their programmatic and personal aspects, as well as Mahler's musical techniques.

A monument in Mahler studies, this volume concentrates on the composer's vocal music and, in particular, on some of his most famous, most original and best loved compositions: the late Rueckert orchestral songs and Kindertotenlieder; Das Lied von der Erde, one of the composer's supreme masterpieces, and the vast Eighth Symphony. Much new ground is broken but the author bases his conclusions on a meticulous examination of the principal manuscript sources, especially those for Das Lied. He offers an unprecedented exploration of the original Chinese texts for that work and indeed of the whole Oriental dimension of Mahler's last and greatest song-cycle. Time and time again, the composer's sketches back up the author's reading of these massive scores and there will be few among this book's readers who will not find a familiar passage or movement sharply illuminated by fresh insights and information. The scope of the book, despite its concentration, is immensely wide; and so is the readership it addresses: Mahler scholars, performers, and general readers. DONALD MITCHELL was Founder Professor of Music at the University of Sussex. He is currently Visiting Professor at Sussex and York, and formerly at King's College, London.

Mahler's 10 symphonies and Das Lied von der Erde are intensely personal statements that have touched wide audiences. This survey examines each of the works, revealing their programmatic and personal aspects, as well as Mahler's musical techniques.

252 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber und kann entsprechende Merkmale aufweisen (Rückenschild, Instituts-Stempel.). In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 550

(Amadeus). Mahler's 10 symphonies and Das Lied von der Erde are intensely personal statements that have touched wide audiences. This survey examines each of the works, revealing their programmatic and personal aspects, as well as Mahler's musical techniques.

Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911—the year of the first performance of Der Rosenkavalier—they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting.This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies.The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf."Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement

A monument in Mahler studies, this volume concentrates on the composer's vocal music and, in particular, on some of his most famous, most original and best loved compositions: the late Rueckert orchestral songs and Kindertotenlieder; Das Lied von der Erde, one of the composer's supreme masterpieces, and the vast Eighth Symphony. Much new ground is broken but the author bases his conclusions on a meticulous examination of the principal manuscript sources, especially those for Das Lied. He offers an unprecedented exploration of the original Chinese texts for that work and indeed of the whole Oriental dimension of Mahler's last and greatest song-cycle. Time and time again, the composer's sketches back up the author's reading of these massive scores and there will be few among this book's readers who will not find a familiar passage or movement sharply illuminated by fresh insights and information. The scope of the book, despite its concentration, is immensely wide; and so is the readership it addresses: Mahler scholars, performers, and general readers. DONALD MITCHELL was Founder Professor of Music at the University of Sussex. He is currently Visiting Professor at Sussex and York, and formerly at King's College, London.

Nachwort Verene Kast Von der Autorin vollsigniert! Sofortversand auf Rechnung, ordentliches, sauberes Exemplar, Einbandecken leicht bestossen, Papier etwas nachgedunkelt. Selbstabholung und Barzahlung, Banküberweisung, Internationaler Versand. In deutscher Sprache. 122 S. 200x120 mm

Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911—the year of the first performance of Der Rosenkavalier—they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting.This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies.The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf."Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement

The Decca / Deutsche Grammophon catalogue of Mahler recordings is unsurpassable. Our major contribution to the celebrations this year will be the first-ever Mahler Complete Edition, a combined effort of Decca and Deutsche Grammophon recordings as an 18-CD supe-rbudget box, with the ten symphonies, Das Lied von der Erde, Das klagende Lied, the song cycles, the Knaben Wunderhorn songs and early works - in benchmark recordings by a great assembly of Mahler conductors, singers and orchestras. Each S

Neuware -Der Name Friedrich Rückert wird heute meist automatisch mit dem Gustav Mahlers assoziiert. Dabei war er nicht nur Robert Schumanns Lieblingsdichter, sondern neben Goethe, Heine und Eichendorff einer der meistvertonten Autoren des 19. Jahrhun-derts. Aus der unglaublichen Zahl von über 20.000 Gedichten bedienten sich über 850 Komponistinnen und Komponisten. Die tatsächliche Anzahl von Liedern nach Rückert-Vorlagen lässt sich nur annähernd beziffern und beläuft sich auf über 2000. 'Warum Rückert ' ist eine naheliegende Frage, wenn man bedenkt, dass sein Name heute weit-gehend unbekannt ist. Sämtliche Rückert-Lieder von Franz Schubert, Wolfgang Marschner, Ferdinand Hiller, Carl Loewe und Robert und Clara Schumann werden hier auf ihre Wort-Ton-Beziehungen untersucht, um der Antwort auf diese Frage ein Stück weit näher zu kommen. Musikwissenschaftliche Aspekte kommen dabei ebenso zum Tragen wie der Blick auf das Werk des 'gelehrten Dichters', dessen Kenntnis verschie-dener Sprachen und Kulturen und die daraus resultierenden Ideen zur 'Welt-Versöhnung' ebenso Beachtung verdienen wie seine oft originellen Schilderungen und sein virtuoser Umgang mit der Form. 426 pp. Deutsch

In Das Lied von der Erde, Gustav Mahler fused the two forms that most obsessed him — song and symphony — into a masterpiece that epitomized his musical genius and the very spirit of late Romanticism. It is a work of stunning power, one that musical artists and audiences worldwide have made a repertoire favorite, and it is reprinted here from the original full score published in Vienna by Universal-Edition in 1912.Based on a cycle of six poems translated from the Chinese by Hans Bethge, Das Lied von der Erde, scored for tenor, alto (or baritone), and orchestra, expresses a dualism of feeling — ecstatic pleasure shadowed by dark foreboding — that characterizes not only Mahler himself but the peculiarly autumnal mood of late Romanticism as well. Throughout, Mahler calls on the orchestra to suggest the exotic atmosphere summoned by the text, and to sustain and supplement the solos with all its resources, both in the accompaniment and the extensive connecting interludes.This sturdily bound, finely produced full score, containing an English translation of the song text is printed on fine-quality paper. It offers both amateur and professional singers and musicians — along with music lovers who enjoy following a love or recorded performance, score in hand — a lifetime of pleasurable study and intimate enjoyment of one of the most celebrated classics of 20th-century music.

This item is printed on demand - it takes 3-4 days longer - Neuware -Die im Jahre 1905 von Gustav Gröber ins Leben gerufene Reihe der Beihefte zur Zeitschrift für romanische Philologie zählt zu den renommiertesten Fachpublikationen der Romanistik. Die Beihefte pflegen ein gesamtromanisches Profil, das neben den Nationalsprachen auch die weniger im Fokus stehenden romanischen Sprachen mit einschließt. Zur Begutachtung können eingereicht werden: Monographien und Sammelbände zur Sprachwissenschaft in ihrer ganzen Breite, zur mediävistischen Literaturwissenschaft und zur Editionsphilologie. Mögliche Publikationssprachen sind Französisch, Spanisch, Portugiesisch, Italienisch und Rumänisch sowie Deutsch und Englisch. Sammelbände sollten thematisch und sprachlich in sich möglichst einheitlich gehalten sein. 284 pp. Deutsch

Includes such contents as: Preface (J Marvin Spiegelman); How I Do It (Baroness Vera von der Heydt); How I Do Analysis (Michael Fordham, MRCP, MD); How I Do It (Gustav Dreifuss, Dr Phil); Therapy: How I Do It (Arwind Vasavada, Dr Litt); How I Do It (Dr Med Fritz Beyme, FMH); and, Autobiographical Notes & Contact with Jung.