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In the first half of the twentieth century, a small corner of southern New Jersey became the first and probably the only rural global village of its kind and size in America. Here, in a township that did not appear on most state maps, thousands of men, women, and children from more than 20 countries and speaking as many languages, most of them uprooted and displaced by war or poverty, came to work at what "Life" magazine called in 1955, 'the biggest vegetable factory in the world'. That factory was Seabrook Farms, which pioneered frozen vegetables for Clarence Birdseye and became the prime provider for America's fighting men in both World Wars and the free world's population as well.You can meet some of the people who worked and lived together harmoniously when multiculturalism wasn't even a word. This extraordinary population formed the base of a very remarkable food processing operation. Harrison has written a compelling study of the Seabrook Farms global village. Combining the technological history of agriculture and the social history of its labour force, "Growing a Global Village" offers a heartening and enlightening look at an important but little known episode in America's past.

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Premium Thick-Wrap Canvas entitled Fall on the Farm. A contemporary painting of a countryside village scene in autumn. Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Young readers visit the artisans and tradespeople of a country farm and a small village in nineteenth-century England, in an oversized watercolor picture book.

One hundred kilometers from Seville lies the small village of Marinaleda, which for the last thirty-five years has been the center of a tireless struggle to create a living utopia. Today, Marinaleda is a place where the farms and the processing plants are collectively owned and provide work for everyone who wants it.As Spain's crisis becomes ever more desperate, Marinaleda also suffers from the international downturn. Can the village retain its utopian vision? Can the iconic mayor Sánchez Gordillo hold on to the dream against the depredations of the world beyond his village?

Among German crimes of the Second World War, the Nazi massacre of 642 men, women, and children at Oradour-sur-Glane on June 10, 1944, is one of the most notorious. On that Saturday afternoon, four days after the Allied landings in Normandy, SS troops encircled the town in the rolling farm country of the Limousin. Soldiers marched the men to nearby barns, lined them up, and shot them. They then locked the women and children in the church, shot them, and set the building and the rest of the town on fire. Residents who had been away for the day returned to a blackened scene of horror, carnage, and devastation.In 1946 the French State expropriated and preserved the entire ruins of Oradour. The forty acres of crumbling houses, farms and shops became France's village martyr, set up as a monument to French suffering under the German occupation. Today, the village is a tourist destination, complete with maps and guidebooks.In this first full-scale study of the destruction of Oradour and its remembrance over the half century since the war, Sarah Farmer investigates the prominence of the massacre in French understanding of the national experience under German domination. Through interviews with survivors and village officials, as well as extensive archival research, she pieces together a fascinating history of both a shattering event and its memorial afterlife.Complemented by haunting photographs of the site, Farmer's eloquent dissection of France's national memory addresses the personal and private ways in which, through remembrance, people try to come to terms with enormous loss. Martyred Village will have implications for the study of the history and sociology of memory, testimonies about remembrances of war and the Holocaust, and postmodern concerns with the presentation of the past.

Marc knew he was different from other boys. He saw things they didn't see.A beautiful introduction to the life and work of Marc ChagallIn the imagination of Marc Chagall, all of life was an inspiration for the beautiful and strange pictures he created. He painted people, farm animals, religious symbols, visions, and feelings in a way no other artist had attempted. With vivid prose and exuberant illustrations this book chronicles the life of Marc Chagall-born to a humble Jewish family in a Russian ghetto-who became one of the most celebrated artists of the twentieth century.

A record of China's unique informal settlements - from the rise of "handshake houses" to their downfall - and how they parallel nationwide urban and demographic change  Countless Chinese villages have been engulfed by modern cities. They no longer consist of picturesque farms and fengshui groves, but of high-rise buildings so close to each other that they create dark claustrophobic alleys - jammed with dripping air-conditioners, hanging clothes, caged balconies and bundles of buzzing electric wires, and crowned with a small strip of daylight, known as "thin line sky." At times, buildings stand so close to each other they are dubbed "kissing buildings" or "handshake houses" - you can literally reach out from one building and shake hands with your neighbor.Although it is easy to see these villages as slums, a closer look reveals that they provide an important, affordable, and well-located entry point for migrants into the city. They also offer a vital mixed-use, spatially diverse and pedestrian alternative to the prevailing car-oriented modernist-planning paradigm in China. Yet most of these villages are on the brink of destruction, affecting the homes of millions of people and threatening the eradication of a unique urban fabric.Villages in the City argues for the value of urban villages as places. To reveal their qualities, a series of drawings and photographs uncover the immense concentration of social life in the dense structures, and provide a peek into residents' homes and daily lives. Essays by a number of experts offer a deeper understanding of the topic, and help imagine how reinstating the focus on the village could lead to a richer, more variegated pathway of urbanization.Contributors include Margaret Crawford, Jiong Wu, Marco Cenzatti, Jiang Jun, Nick Smith, and Laurence Liauw.

This colourful, perceptive portrayal of English country life reverberates with the voices of the village inhabitants, from the reminiscences of survivors of the Great War evoking days gone by, to the concerns of a younger generation of farm-workers and the fascinating and personal recollections of, among others, the local schoolteacher, doctor, blacksmith, saddler, district nurse and magistrate. Providing insights into farming, education, welfare, class, religion and death, Akenfield forms a unique document of a way of life that has, in many ways, disappeared.

The author uses paintings and drawings to depict her childhood in a Polish farm village, and describes her family and neighbors, and how their way of life was devastated by World War II

Fiction. Asian & Asian American Studies. Filipino American Studies. Shortlisted for the 2016 Saroyan Prize for Fiction. A retired Filipino farm worker looks back on his long and costly struggle for civil rights. Fausto Empleo is the last manong—one of the first wave of Filipinos immigrating to the United States in the 1920s and 1930s—at the home for retired farm workers in the agricultural town of Delano, California. Battling illness and feeling isolated in the retirement village built by the United Farm Workers Union, Fausto senses it's time to die. But he cannot reconcile his boyhood dream of coming to the "land of opportunity" with the years of bigotry and backbreaking work in California's fields. Then, his estranged cousin Benny comes with a peace offering and tells Fausto that Benny's son will soon visit—with news that could change Fausto's life. In preparation for the impending visit, Fausto forces himself to confront his past. Just as he was carving out a modest version of the American Dream, he walked out of the vineyards in 1965, in what became known as the Great Delano Grape Strikes. He threw himself headlong into the long, bitter, and violent fight for farm workers' civil rights—but at the expense of his house and worldly possessions, his wife and child, and his tightknit Filipino community, including Benny. In her debut novel, Patty Enrado highlights a compelling but buried piece of American history: the Filipino- American contribution to the farm labor movement. This intricately detailed story of love, loss, and human dignity spans more than eight decades and sweeps from the Philippines to the United States. In the vein of The Grapes of Wrath, A VILLAGE IN THE FIELDS pays tribute to the sacrifices that Filipino immigrant farm workers made to bring justice to the fields.

This colourful, perceptive portrayal of English country life reverberates with the voices of the village inhabitants, from the reminiscences of survivors of the Great War evoking days gone by, to the concerns of a younger generation of farm-workers and the fascinating and personal recollections of, among others, the local schoolteacher, doctor, blacksmith, saddler, district nurse and magistrate. Providing insights into farming, education, welfare, class, religion and death, Akenfield forms a unique document of a way of life that has, in many ways, disappeared.

Paint picturesque country scenes--complete with barns, cottages and gingerbread-trimmed Victorian houses--on everything from teapots to cabinets! Each of these 9 nostalgic acrylic projects features a lovingly detailed scene of a house, farm or building. Have fun painting picket fences, flowerpots, the warm glow of a lamp and other special little touches. Step-by-step instructions, patterns, materials lists and full-page finished shots are included to guarantee great results.

A record of China's unique informal settlements - from the rise of "handshake houses" to their downfall - and how they parallel nationwide urban and demographic change  Countless Chinese villages have been engulfed by modern cities. They no longer consist of picturesque farms and fengshui groves, but of high-rise buildings so close to each other that they create dark claustrophobic alleys - jammed with dripping air-conditioners, hanging clothes, caged balconies and bundles of buzzing electric wires, and crowned with a small strip of daylight, known as "thin line sky." At times, buildings stand so close to each other they are dubbed "kissing buildings" or "handshake houses" - you can literally reach out from one building and shake hands with your neighbor.Although it is easy to see these villages as slums, a closer look reveals that they provide an important, affordable, and well-located entry point for migrants into the city. They also offer a vital mixed-use, spatially diverse and pedestrian alternative to the prevailing car-oriented modernist-planning paradigm in China. Yet most of these villages are on the brink of destruction, affecting the homes of millions of people and threatening the eradication of a unique urban fabric.Villages in the City argues for the value of urban villages as places. To reveal their qualities, a series of drawings and photographs uncover the immense concentration of social life in the dense structures, and provide a peek into residents' homes and daily lives. Essays by a number of experts offer a deeper understanding of the topic, and help imagine how reinstating the focus on the village could lead to a richer, more variegated pathway of urbanization.Contributors include Margaret Crawford, Jiong Wu, Marco Cenzatti, Jiang Jun, Nick Smith, and Laurence Liauw.

Among German crimes of the Second World War, the Nazi massacre of 642 men, women, and children at Oradour-sur-Glane on June 10, 1944, is one of the most notorious. On that Saturday afternoon, four days after the Allied landings in Normandy, SS troops encircled the town in the rolling farm country of the Limousin. Soldiers marched the men to nearby barns, lined them up, and shot them. They then locked the women and children in the church, shot them, and set the building and the rest of the town on fire. Residents who had been away for the day returned to a blackened scene of horror, carnage, and devastation.In 1946 the French State expropriated and preserved the entire ruins of Oradour. The forty acres of crumbling houses, farms and shops became France's village martyr, set up as a monument to French suffering under the German occupation. Today, the village is a tourist destination, complete with maps and guidebooks.In this first full-scale study of the destruction of Oradour and its remembrance over the half century since the war, Sarah Farmer investigates the prominence of the massacre in French understanding of the national experience under German domination. Through interviews with survivors and village officials, as well as extensive archival research, she pieces together a fascinating history of both a shattering event and its memorial afterlife.Complemented by haunting photographs of the site, Farmer's eloquent dissection of France's national memory addresses the personal and private ways in which, through remembrance, people try to come to terms with enormous loss. Martyred Village will have implications for the study of the history and sociology of memory, testimonies about remembrances of war and the Holocaust, and postmodern concerns with the presentation of the past.

Lisa, who tells the story, lives on Middle Farm with her parents and two brothers. Britta and Anna live at North Farm and Olaf and Kerstin live at South Farm. It is because the houses are right next door to each other and because the children make so much racket that the farmhouses came to be so honestly and happily named. A large linden tree grows between Middle and South Farms and so the boys in the two houses visit each other by climbing through the branches—even the girls do it sometimes, like the night they all waited for Olaf to go to sleep so that they could pull out his loose tooth without his knowing it! That is only one of the many escapades designed to make readers young and old wish they could step right into the pages of this little book. Join the fun in this companion volume to The Children of Noisy Village. Illustrated with delightful line drawings by Ilon Wikland; translated by Florence Lamborn.

Photos by Dorthea Lange and other FSA photographers whose names are less familiar. Focus is on agricultural communities, settlers fleeing the Dust Bowl, the classic Pie Town series, and various New Mexico villages. Further high-grade ore from the mine of 270,000 negatives now held by the Library of Congress. Annotation copyright Book News, Inc. Portland, Or.

These mini essays reflect on the natural landscape, the changing seasons, village life, art, poetry, the stories that ancient churches tell, and the Christian year. They refresh one's vision of one's own daily routine and surroundings and can be read over and over again, like poetry.

When Richard Benson was growing up he felt like 'the village idiot with O'levels' - glowing school reports aren't much help when you're trying to help a sow give birth, or drive a power harrow in a straight line without getting half the hedgerow stuck in the tines. He left Yorkshire to work as a journalist in London, but returned when his dad called with the news that they were going to have to sell the family farm, and, in so doing, leave the home and livelihood that the Bensons had worked for generations. This is not only a moving personal account, but also one that reflects a profound change in rural life.

In Japan as in the United States, family farming is on the wane, increasingly rejected by the younger generation in favor of more promising economic pursuits and more sophisticated comforts. Yet for centuries past, the village and the family farm have constituted the world of the vast majority of Japanese women, as of Japanese men. The dramatic economic and demographic developments of the past two decades have orced extensive changes in the lives of Japanese farm women, many of hwom have been left virtually in charge of their family farms.This book is a study of Japanese farm women’s lives in the present era: its central figure is 42-year-old Haruko, a complex, vibrant woman who both exemplifies and makes a mockery of the stereotype of Japanese women. Through Haruko we learn the work routine, family relationships, and social life of the women who are the mainstay of Japanese agriculture. Other women from Haruko’s village also figure in the story, and the author’s observations of them, based largely on a six-month stay with Haruko and her family in 1974-75, are supplemented with data from questionnaires and personal interviews.An epilogue recounts the author’s return to Haruko’s village in 1982 and describes the changes that have occurred since 1975 in the lives of Haruko’s family and other village women. The book is illustrated with photographs.