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"The Germanic Languages" may easily be read by scholars with limited knowledge of Germanic philology. It provides a solid introduction to the debate generated by attempts at classification. In addition, it contains an extensive bibliography of related works and pays considerable attention to necessary background information."--Language

The pioneering work of Jacob Grimm and Wilhelm Grimm in the areas of Germanic comparative and historical linguistics, lexicography, philology, and medieval studies places them squarely among the most important figures in the history of the language sciences. The contributions to this volume present a fascinating and timely reevaluation and reaffirmation of the significance of the Grimm Brothers' work in these areas, all of which the Grimms viewed as necessary components in their search for the essence of the German and Germanic Volksgeist.

"The Germanic Languages" may easily be read by scholars with limited knowledge of Germanic philology. It provides a solid introduction to the debate generated by attempts at classification. In addition, it contains an extensive bibliography of related works and pays considerable attention to necessary background information."--Language

The first volume of this set views the development of writing in German with respect to broad aspects of the early Germanic past, drawing on a range of disciplines including archaeology, anthropology, and philology in addition to literary history. The first part considers the whole concept of Germanic antiquity and the way in which it has been approached, examines classical writings about Germanic origins and the earliest Germanic tribes, and looks at the two great influences on the early Germanic world: the confrontation with the Roman Empire and the displacement of Germanic religion by Christianity. A chapter on orality -- the earliest stage of all literature -- provides a bridge to the earliest Germanic writings. The second part of the book is devoted to written Germanic -- rather than German -- materials, with a series of chapters looking first at the Runic inscriptions, then at Gothic, the first Germanic language to find its way onto parchment (in Ulfilas's Bible translation). The topic turns finally to what we now understand as literature, with general surveys of the three great areas of early Germanic literature: Old Norse, Old English, and Old High and Low German. A final chapter is devoted to the Old Saxon Heliand.Contributors: T. M. Andersson, Heinrich Beck, Graeme Dunphy, Klaus Düwel, G. Ronald Murphy, Adrian Murdoch, Brian Murdoch, Rudolf Simek, Herwig Wolfram.Brian Murdoch and Malcolm Read both teach in the German Department of the University of Stirling in Scotland.

The pioneering work of Jacob Grimm and Wilhelm Grimm in the areas of Germanic comparative and historical linguistics, lexicography, philology, and medieval studies places them squarely among the most important figures in the history of the language sciences. The contributions to this volume present a fascinating and timely reevaluation and reaffirmation of the significance of the Grimm Brothers' work in these areas, all of which the Grimms viewed as necessary components in their search for the essence of the German and Germanic Volksgeist.

This book is designed especially for the literary student of English, and provides a single compact grammar primarily concerned with Classical Old English, rather than the other Old English dialects. The book takes a descriptive approach and avoids assuming a knowledge of Germanic philology. The introduction provides a minimum background of knowledge and indicates the kinds of evidence on which the grammatical description is based.

"The best (and the best written) book about Austen that has appeared in the last three decades."—Nina Auerbach, Journal of English and Germanic Philology"By looking at the ways in which Austen domesticates the gothic in Northanger Abbey, examines the conventions of male inheritance and its negative impact on attempts to define the family as a site of care and generosity in Sense and Sensibility, makes claims for the desirability of 'personal happiness as a liberating moral category' in Pride and Prejudice, validates the rights of female authority in Emma, and stresses the benefits of female independence in Persuasion, Johnson offers an original and persuasive reassessment of Jane Austen's thought."—Kate Fullbrook, Times Higher Education Supplement