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The string machine of the future has arrived! The Wilson Baiardo is the most technically advanced and highest quality string machine on the market, and the features and precision are sure to be the envy of the tennis community. Here are some of the special features included:Wilson’s B.E.S.T. System- Biomechanically Efficient Stringing Technology adjusts the machine 3 times during a string job, first when mounting the frame, then stringing the mains, then stringing the crosses. The machine adjusts the height and tilt to make your stringing more comfortable and efficient.Modular Design- The parts for this machine were created for easy replacement, so should a part need service or a replacement, it will be very easy to remove or install.Most Customizable- Customizable settings include mounting height, mounting tilt, main string tilt, cross string tilt, cross string height, main string height, pull speed, pre-stretch, knot over-pull, pounds or kilograms, cross string tension difference, tension reached sound on/off, and multiple languages. When you make a change, Baiardo will remember it for the next time!Pullerhead- The design of the puller head allows for one motion to lock the string and pull tension with the flick of a finger. You won’t need to look where the string is going, the machine does all the work for you.Easy Set-Up- This machine only requires 6 screws to attach the base and column, and only 6 more to attach the base to top. There are two cable connectors, and a power cord that plugs into a regular outlet.Touch Screen- Features the industries first LED touch screen user interface.Assembled Weight- 124 poundsWidth- 41’Height at maximum extension- 52’Height at minimum extension- 41’Angle of stand- 7 degreesPower Supply- External Switching, 100-240 VoltsMachine Top box size- 47’L x 21.5’W x 19’HMachine Top Box Weight- 90 poundsMachine Base Box Size- 31’L x 20’W x 11.5’HMachine Base Box Weight- 50 poundsMain material- Aluminum (25% recycled)Included Stringing Tools- Diamond dusted starter clamp, needle nose pliers, cutter, awlIncluded assembly tools- All necessary Hex keys

He is the most performed contemporary composer in the world. And yet he rarely ventures out in public, prefers to keep quiet about his music, feels at home in the forests of Estonia and generates therewith - perhaps involuntarily - the impression of a recluse, which is attributed to him again and again: Arvo Part. In The Lost Paradise, we follow him over a period of one year in his native Estonia, to Japan and the Vatican. The documentary is framed by the stage production of Adam's Passion, a mu

Stage director Robert Wilson has devoted himself to the integration of elements from a range of creative fields into the realm of theater. Light and movement have played an especially central role in his productions, not only as compositional elements but as symbolic features. In this publication, his wildly creative, discipline-crossing oeuvre is approached through a framework of five suggestive sections: "The Deaf Man's Gaze," "The Automaton's Freedom," "What Marlene Dietrich Knew," "The Prisms of Silence" and "The Theater in Infinite Space."

Shows examples of Wilson's work as set designer, director, artist, and sculptor, and discusses his recent ventures into television

Sir Robert Wilson--few men saw as much as he did of the wars that followed the French Revolution, who fought in Flanders, Holland, South Africa, Egypt, Poland, Portugal, Spain, Russia, and Germany. This is the story of his life by military historian Michael Glover. 224 pages with Bibliography, References, and Index. 8.75 x 5.6 inches. Oxford University Press, 1978.

Vitto Acconci, EleanorAntin, Colette, Tina Girouard, Joan Jonas, Robert Wilson. Exhibition document. Contemporary Arts Museum, Houston, Texas, August 1- September 27, 1981. 24 pages. 16-1/8 x 11-1/2" / 40.7 x 29.1cm. Printed self-wraps. Designed by Alisa Bales and Peter Layne, this publication documents an exhibition curated, and with an introduction and essays on each artist, by Marti Mayo. It includes extensive lists of selected exhibitions and bibliographies, and 53 photographs by David Crossley.

Cosmic Trigger deals with a process of deliberately induced brain change. This process is called 'initiation' or 'vision quest' in many traditional societies and can loosely be considered some dangerous variety of self-psychotherapy in modern terminology. I do not recommend it for everybody. The main thing I learned in my experiments is that 'reality' is always plural and mutable. -- From the Preface

Robert Wilson, the leading American avant-garde theatre director, revolutionised the stage by making visual communication more important than words. His productions cut across the boundaries that traditionally have defined theatre, dance, opera and the visual arts to create a total work of art. This book, the first comprehensive study of Wilson, traces the evolution of the director's astonishing career as well as his complex relationship to language and his visual rhetoric. It explains how he renovated the stage and describes in detail major productions such as: Deafman Glance, Einstein on the Beach, and the Civil Wars. Arthur Holmberg's numerous personal interviews and first-hand observations of Wilson's creative process, provide an intimate, behind-the-scenes view of one of our most original directors. Photographs and sketches from Wilson's private collection are included, along with a chronology of his work.

Shows examples of Wilson's work as set designer, director, artist, and sculptor, and discusses his recent ventures into television

Founded in 1992 by internationally renowned theater artist Robert Wilson, the Watermill Center on Long Island, New York, is a unique performance art laboratory for young and emerging artists. This compendium of documents, texts and images includes contributions by artists Marina Abramovic and Jonathan Meese, long-time Wilson collaborators Lucinda Childs and Philip Glass, performers Isabella Rossellini and Isabelle Huppert, curators Chrissie Iles and Elisabeth Sussman, singer-songwriter Rufus Wainwright, scholars Antonio Damasio and Bonnie Marranca, collector Jean Paul Barbier-Mueller, writers Jay McInerney and Barbara Goldsmith, as well as many Watermill Center alumni artists. Covering every aspect of life at the Center, Wilson’s summer workshops, the year-round residency programs, the extensive collection, outreach programs with community, landscaped gardens and architecture, this is the first extensive glimpse into the world of Watermill and an intimate look at Wilson’s artistic process and the legacy he is creating for future generations.

Founded in 1992 by internationally renowned theater artist Robert Wilson, the Watermill Center on Long Island, New York, is a unique performance art laboratory for young and emerging artists. This compendium of documents, texts and images includes contributions by artists Marina Abramovic and Jonathan Meese, long-time Wilson collaborators Lucinda Childs and Philip Glass, performers Isabella Rossellini and Isabelle Huppert, curators Chrissie Iles and Elisabeth Sussman, singer-songwriter Rufus Wainwright, scholars Antonio Damasio and Bonnie Marranca, collector Jean Paul Barbier-Mueller, writers Jay McInerney and Barbara Goldsmith, as well as many Watermill Center alumni artists. Covering every aspect of life at the Center, Wilson’s summer workshops, the year-round residency programs, the extensive collection, outreach programs with community, landscaped gardens and architecture, this is the first extensive glimpse into the world of Watermill and an intimate look at Wilson’s artistic process and the legacy he is creating for future generations.

Through 25 interviews with prominent figures in the performing and visual arts worlds, this is a complete and revelatory portrait of Robert Wilson and his inspired craft. Robert Wilson has put his original stamp on masterpieces from Mozarts The Magic Flute and Puccinis Madame Butterfly to William Shakespeares sonnets. Through his extraordinary use of light and his understanding of the significance of language in theater and the importance of movement on stage, gleaned from his experience as a dancer, Wilson has become one of the worlds most esteemed and revolutionary figures working in theater today. Wilson is well-known for pushing the boundaries of theater, and has won over sixty awards and honors for his work, including a nomination for the Pulitzer Prize for Drama, an Obie, two Guggenheim Fellowship awards and the Rockefeller Foundation Fellowship, election to the American Academy of Arts and Letters, and the National Design Award for Lifetime Achievement. A critical text features interviews with twenty-five world-renowned artists, composers, actors, writers, theater directors, costume designers, scenographers, scholars, and curators who offer their perspectives on Wilsons work and on working with Wilson. The artist and his craft are elucidated by Marina Abramovic, Pierre Berg, Daniel Conrad, Giuseppe Frigeni, Gao Xingjian, Philip Glass, Sacha Goldman, Jonathan Harvey, Isabelle Huppert, Ivan Nagel, John Rockwell, Viktor & Rolf, Serge von Arx, Rufus Wainwright, and Robert Wilson himself. His creative development is further documented through images chosen by the artist for this publication, and a list of his complete works completes the monograph. This book celebrates the singular achievements of this unique artist, from his earliest works to his collaborations with the Berliner Ensemble to his most recent work, The Life and Death of Marina Abramovic.

Robert Wilson, the leading American avant-garde theatre director, revolutionised the stage by making visual communication more important than words. His productions cut across the boundaries that traditionally have defined theatre, dance, opera and the visual arts to create a total work of art. This book, the first comprehensive study of Wilson, traces the evolution of the director's astonishing career as well as his complex relationship to language and his visual rhetoric. It explains how he renovated the stage and describes in detail major productions such as: Deafman Glance, Einstein on the Beach, and the Civil Wars. Arthur Holmberg's numerous personal interviews and first-hand observations of Wilson's creative process, provide an intimate, behind-the-scenes view of one of our most original directors. Photographs and sketches from Wilson's private collection are included, along with a chronology of his work.

Robert Wilson's theatre is the stuff of legend. He has taught theatre-goers to see the world with different eyes.

Robert Wilson's theatre is the stuff of legend. He has taught theatre-goers to see the world with different eyes. Stefan Brecht's book provides detailed documentation and analysis of a number of Wilson's earliest groundbreaking works including The Life of Sigmund Freud, Deafman Glance and Einstein on the Beach. "Never since I was born have I seen anything more beautiful on this earth, never ever has there been another performance to equal this one, because it is simultaneously life at its most vivid and life with its eyes closed, reality mixed with dreaming, the inexplicability of everything in a deaf man's glance." (Louis Aragon Open Letter to Andre Breton)"His theatre is a world of its own" (Heiner Muller)

Debuting at the Avignon Festival in France in 1976, Robert Wilson and Philip Glass’ Einstein on the Beach completely reinvented opera, synthesizing the musical and theatrical avant-gardes of its time into one spectacular five-hour extravaganza. Colossal in ambition, length and scale, it appeared on paper to obey all the conventions of opera--four acts, the singers on the stage, duets, choirs, an orchestra pit--but it drastically departed from them in all other respects. Einstein on the Beach had no plot, the singers did not play characters, the music was minimalist and repetitive, and connections between the images and the music were also fairly minimal. Nonetheless, the opera successfully stormed the gates of classical opera and seized the public imagination. Following its 1976 premiere, the work was staged twice, in 1984 (at the Brooklyn Academy of Music) and 1992 (at Princeton)--and then, for the first time in 20 years, it was performed in January 2012 at the University of Michigan, Ann Arbor, an event that paved the way for an official tour that commences in March 2012, with stops in London, Toronto, Brooklyn, Berkeley, Mexico City and Amsterdam. This anniversary volume gathers previously unpublished material that includes Robert Wilson’s original workbook, sketches and storyboards annotated with Philip Glass’ notes, as well as photographs from the opera’s various world tours. Together these documents illustrate the genesis of a collaboration that created a revolution in contemporary opera.

Stage director Robert Wilson has devoted himself to the integration of elements from a range of creative fields into the realm of theater. Light and movement have played an especially central role in his productions, not only as compositional elements but as symbolic features. In this publication, his wildly creative, discipline-crossing oeuvre is approached through a framework of five suggestive sections: "The Deaf Man's Gaze," "The Automaton's Freedom," "What Marlene Dietrich Knew," "The Prisms of Silence" and "The Theater in Infinite Space."

In shrink wrap. Looks like an interesting title!

Cosmic Trigger deals with a process of deliberately induced brain change. This process is called 'initiation' or 'vision quest' in many traditional societies and can loosely be considered some dangerous variety of self-psychotherapy in modern terminology. I do not recommend it for everybody. The main thing I learned in my experiments is that 'reality' is always plural and mutable. -- From the Preface

Highlights Robert Wilson's work