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Description. Step into the cosmic realm with Chroma Magic, our new liquid eyeshadows ready to make your eyes sparkle and shine!. With a lightweight formula and buildable coverage, it’s easier than ever to take your look to the next level. Thanks to its quick-drying formula, Chroma Magic ensures long-lasting wear and no fall out - a super easy way to add a bit of sparkle to any look.. Formulated with high-intensity pigments and light reflecting particles, Chroma Magic ensures a dazzling multidimensional finish with every swipe.. Full Bundle: Witchcraft, Voodoo, Sorcery, Eclipse, Conjuring, Cosmic, Neptune, Fairy Dust, Phantom & Icicles.. PLEASE STORE OUT OF DIRECT SUNLIGHT, THEN SUN CAN CHANGE THE LOOK OF THE PIGMENT OVER TIME.. Product Information. For external use only. Avoid direct contact with eyes and keep out of reach of children. Discontinue use if signs of irritation or rash appear. If you are allergic, or are under treatment/medication for any skin or hair disorders, you must consult with your healthcare professional before using any of our products. To check for skin sensitivity do a small patch test on inner elbow. Glisten Cosmetics will not be held responsible for any reactions that occur due to the customer not taking due care.. All sales are subject to UK & EU law.Please read our disclaimer before purchasing.. INGREDIENTS: AQUA, ALCOHOL, SILICA, PROPYLENE GLYCOL, GLYCERIN, POLYVINYLPYRROLIDONE, CARBOMER, PHENOXYETHANOL.. MAY CONTAIN: TIN OXIDE·SYNTHETIC FLUORPHLOGOPITE·ALUMINUM·CALCIUM ALUMINUN BOROSILICATE·CI 77891·CI 77491·CI 77492·CI 77499· CI 77820·CI 42090·CI 16035·CI 19140·CI 77510. Net Weight 1.5g. Once opened use within 24 months. Made in PRC

Lot of 15 Chroma Q Magic Box EtherSwitch 7. More available upon request. Item is located in the USA. If looking to pick up locally please contact u...

This classic reproduction Vintage 1926-Vintage Carter The Great - Condemned for Witchcraft Magic Poster shows a raging mob cheering for the hanging of the great magician Carter. The poster reads: In Carter the Great - Carter condemned to death for witchcraft cheats the gallows in Printed on heavyweight matte art paper, this fascinating vintage looking magic poster is ready to frame, mount, or display as a poster directly on the wall. PERFECT FOR ANY SPACE: Living room, family room, bedroom, office, kitchen, dining room, game room, bar, and more. Color: Multicolor.

Stephen A. Mitchell here offers the fullest examination available of witchcraft in late medieval Scandinavia. He focuses on those people believed to be able—and who in some instances thought themselves able—to manipulate the world around them through magical practices, and on the responses to these beliefs in the legal, literary, and popular cultures of the Nordic Middle Ages. His sources range from the Icelandic sagas to cultural monuments much less familiar to the nonspecialist, including legal cases, church art, law codes, ecclesiastical records, and runic spells.Mitchell's starting point is the year 1100, by which time Christianity was well established in elite circles throughout Scandinavia, even as some pre-Christian practices and beliefs persisted in various forms. The book's endpoint coincides with the coming of the Reformation and the onset of the early modern Scandinavian witch hunts. The terrain covered is complex, home to the Germanic Scandinavians as well as their non-Indo-European neighbors, the Sámi and Finns, and it encompasses such diverse areas as the important trade cities of Copenhagen, Bergen, and Stockholm, with their large foreign populations; the rural hinterlands; and the insular outposts of Iceland and Greenland.By examining witches, wizards, and seeresses in literature, lore, and law, as well as surviving charm magic directed toward love, prophecy, health, and weather, Mitchell provides a portrait of both the practitioners of medieval Nordic magic and its performance. With an understanding of mythology as a living system of cultural signs (not just ancient sacred narratives), this study also focuses on such powerful evolving myths as those of "the milk-stealing witch," the diabolical pact, and the witches' journey to Blåkulla. Court cases involving witchcraft, charm magic, and apostasy demonstrate that witchcraft ideologies played a key role in conceptualizing gender and were themselves an important means of exercising social control.

Early modern Finland is rarely the focus of attention in the study of European history, but it has a place in the context of northern European religious and political culture. While Finland was theoretically Lutheran, a religious plurality – embodied in ceremonies and interpreted as magic – survived and flourished. Blessing candles, pilgrimages, and offerings to forest spirits merged with catechism hearings and sermon preaching among the lay piety. What were the circumstances that allowed for such a continuity of magic? How were the manifestations and experiences that defined faith and magic tied together? How did western and eastern religious influences manifest themselves in Finnish magic? Faith and Magic in Early Modern Finland shows us how peripheral Finland can shed light on the wider context of European magic and religion.

A fascinating examination into the belief and practice of magic by ordinary people in Scotland in the medieval and early modern period. The book explains not only what was done but, crucially, also why, with sections on healing rituals, use of wells, stones and talismans, and festivals. Harmful magic is then described, how this overlapped with folk belief, the diabolic pact and elite thought, and the horrors of witchcraft prosecutions in the 16th and 17th centuries. Also included is a section on sacred sites, museums, and other places of interest which can be visited, and there are many illustrations, a map, and a full index.

This is an authoritative examination of the history and traditions of magic and witchcraft, from very early times to the present.

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

This concise introductory textbook emphasizes the major concepts of both anthropology and the anthropology of religion. It is aimed at students encountering anthropology for the first time.   Reviewers describe the text as vivid, rich, user-friendly, accessible, and well-organized. It examines religious expression from a cross-cultural perspective while still incorporating the key theoretical concepts. In addition to providing a basic overview of anthropology, including definition of key terms and exposure to ethnographies, the text exposes students to the varying complexity of world religions.

Witchcraft of Boskednan the Lost Magic of Cornwall 1.73

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.15

New Book. Shipped From Uk. This Book Is Printed On Demand. Established Seller Since 2000.

Book is in NEW condition. 1.63

This comparative reader takes an anthropological approach to the study of religious beliefs and practices, both strange and familiar. The engaging articles on all key issues related to the anthropology of religion grab the attention of students, while giving them an excellent foundation in contemporary ideas and approaches in the field. The multiple authors included in each chapter represent a range of interests, geographic foci, and ways of looking at each subject. Divided into 10 chapters, this book begins with a broad view of anthropological ways of looking at religion and moves on to some of the core topics within the subject, such as myth, ritual, and the various types of religious specialties.

Broomsticks and cauldrons, familiars and spells: magic and witchcraft conjure vivid pictures in our modern imaginations. The History of Magic and Witchcraft offers a window into the past, illuminating the lives of ordinary people and shining a light on the fascinating pop culture of the pre-modern world.Blowing away folkloric cobwebs, this enlightening new history dispels many of the misconceptions rooted in superstition and myth that surround witchcraft and magic today. Historian Frances Timbers brings together elements of Ancient Greek and Roman philosophy, Christianity, popular culture, and gender beliefs that evolved throughout the middle ages and early modern period and contributed to the construction and eventual persecution of the figure of the witch. While demonologists were developing the new concept of Devil worship and the witches' sabbat, elite men were actually attempting to practice ceremonial magic. In the twentieth century, elements of ceremonial magic and practices of cunning folk were combined with the culturally constructed idea of a sect of witches to give birth first to modern Wicca in England and then to other neopagan movements in North America.Witchcraft is a metaphor for oppression in an age in which persecution is an everyday occurrence somewhere in the world. Fanaticism, intolerance, prejudice, authoritarianism, and religious and political ideologies are never attractive. Beware the witch hunter!

This concise introductory textbook emphasizes the major concepts of both anthropology and the anthropology of religion.  It is aimed at students encountering anthropology for the first time.  Reviewers describe the text as vivid, rich, user-friendly, accessible, and well-organized. The Anthropology of Religion, Magic, and Witchcraft examines religious expression from a cross-cultural perspective while incorporating key theoretical concepts.  In addition to providing a basic overview of anthropology, including definition of key terms and exposure to ethnographies, the text exposes students to the varying complexity of world religions.

From raising the dead and foretelling the future to possession, curses, Kabbalah, alchemy, and more, this historical tour of the occult offers a captivating exploration of sorcery and ceremonial magic. Prepared by a noted French historian, it ventures into virtually all of the classical arts, with 375 high-quality black-and-white illustrations derived from paintings, illuminated manuscripts, sculpture, and architecture, as well as a vast body of literature that includes many rare and beautiful manuscripts from private collections.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.71

This book explores the relationships between ancient witchcraft and its modern incarnation, and by doing so fills an important gap in the historiography. It is often noted that stories of witchcraft circulated in Greek and Latin classical texts, and that treatises dealing with witch-beliefs referenced them. Still, the role of humanistic culture and classical revival in the developing of the witch-hunts has not yet been fully researched. Marina Montesano examines Greek and Latin literature, revealing how particular features of ancient striges were carried into the Late Middle Ages, through the Renaissance and into the fifteenth century, when early Italian trials recall the myth of the strix common in ancient Latin sources and in popular memory. The final chapter also serves as a conclusion, to show how in Renaissance Italy and beyond, classical accounts of witchcraft ceased to be just stories, as they had formerly been, and were instead used to attest to the reality of witches' powers.

Photographs of one hundred objects from Cornwall's Museum of Witchcraft and Magic, accopanied by informative texts from Sara Hannant and Museum director Simon Costin, as well as an introduction by the leading historian of British witchcraft and magic, Ronald Hutton.One hundred objects, exuding magic and mystery, emerge from the darkness of Cornwall's much-loved Museum of Witchcraft and Magic in this book of haunting photographs.Artist and photographer Sara Hannant has captured the very essence of these carefully-selected artifacts, including wax dolls, wands, statues, daggers, pendants, robes and amulets. Each striking image tells its own vivid tale of belief and ceremonial practice.Accompanying the photographs are informative texts from Sara Hannant and Museum director Simon Costin, as well as an illuminating introduction by the leading historian of British witchcraft and magic, Ronald Hutton.