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38 pages. 11.00x8.50x0.09 inches. This item is printed on demand.

Today, Lawman Guitars is Presenting..A Stella we have not seen before. We sell a ton of Stella guitars and to have one that was sold in Woolworths ...

Monica Randall grew up on the Gold Coast of Long Island and was fascinated by the massive estates and their tantalizing stories. Millionaire F. W. Woolworth built Winfield, the grandest of its manors in the 1910s. On a clear day, you can see the New York City skyline from its balustraded roof, yet for nearly a century few have been allowed to enter its gates. In the 1960s Monica was living in one of the fabled mansions built by a Five-and-Dime heiress. While there, she began a career scouting locations for movie; she used many of the surrounding estates including Winfield. After a brief incarnation as a charm school, Winfield was closed and auctioned off. At the auction, Monica met a mysterious European businessman, who bought the house. After a whirlwind romance, they became engaged, and Monica moved in to Winfield, only to have her suspicions confirmed: Winfield is haunted. Amid magnificent gilded carvings and marble, a labyrinth of secret passageways, hidden chambers, and deserted tunnels help reveal the true nature of its eccentric builder. Through exhaustive research and countless interviews, Monica gradually uncovered stories of the Woolworths’ sad past: the suicide of Edna Woolworth (Barbara Hutton’s mother), Woolworth’s obsession with Napoleon and the Egyptian occult, and the rumors surrounding the unsolved fire which burnt the first Winfield to the ground. This riveting memoir explores the culture and history of an era gone by, filled with enthralling stories of infamous scandals and breathtaking Gilded Age tales of New York society. Captivating and impossible to put down, this book will enchant readers everywhere. Throughout the last fifty years the Gold Coast mansions were regularly razed for subdevelopments; Winfield is the last of the marble palaces still standing.

Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York.             Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them.            As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.

Millions of Americans have fond memories of shopping at Woolworth's, wandering the aisles in search of a humble spool Woolco thread, festive Christmas decorations, a goldfish or parakeet, or a blue bottle of Evening in Paris perfume. And who could forget the special treat of grilled-cheese sandwich or ice-cream sundae at the famous lunch counter?These and countless other memories are celebrated in Remembering Woolworth's. Packed with photos, first-hand remembrances, vivid anecdotes, and a lively, well-researched narrative, the book tells the story of how a poor potato farmer named Frank Woolworth created a merchandising empire that touched the lives of Americans in small towns, big cities, and everywhere in between. Chapters cover the store's humble beginnings, surviving the Great Depression, the civil rights sit-ins, Woolworth's around the globe, the popularity of Woolworth's collectibles, and much more.

Book is in NEW condition. 1.32

Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York.             Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them.            As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.

Once in a great while, a certain photograph captures the essence of an era: Three people--one black and two white--demonstrate for equality at a lunch counter while a horde of cigarette-smoking hotshots pour catsup, sugar, and other condiments on the protesters' heads and down their backs. This iconic image strikes a chord for all who lived through those turbulent times of a changing America. The photograph, which plays a central role in the book's perspectives from frontline participants, caught a moment when the raw virulence of racism crashed against the defiance of visionaries. It now shows up regularly in books, magazines, videos, and museums that endeavor to explain America's largely nonviolent civil rights battles of the late 1950s and early 1960s. Yet for all of the photograph's prominence, the people in it and the events they inspired have only been sketched in civil rights histories. It is not well known, for instance, that it was this event that sparked to life the civil rights movement in Jackson, Mississippi, in 1963. Sadly, this same sit-in and the protest events it inspired led to the assassination of Medgar Evers, who was leading the charge in Jackson for the NAACP. Winner of the 2014 Lillian Smith Book Award, We Shall Not Be Moved puts the Jackson Woolworth's sit-in into historical context. Part multifaceted biography, part well-researched history, this gripping narrative explores the hearts and minds of those participating in this harrowing sit-in experience. It was a demonstration without precedent in Mississippi--one that set the stage for much that would follow in the changing dynamics of the state's racial politics, particularly in its capital city.

F.W. Woolworth & Co. Ltd opened their first Irish outlet in Grafton Street in 1914. Twelve months later, a second branch was launched in Belfast's High Street. In the ensuing decades, almost 40 more stores were established. For generations of Irish shoppers, a visit to their nearest Woolworths store was regarded as an essential part of a day's outing. When the Shopping was Good presents a lively and entertaining account of this distinctive chain's retailing style in Ireland. The Woolworth's story reflects the social changes that were taking place in the lives of ordinary people: new shopping habits, new career and employment opportunities, and the life-long friendships for the staff. Taking each decade in turn, the narrative examines the lives of the people who worked for Woolworths, the products they sold, and the competition they faced. Turbulent times in the 1920s and 1930s, the domestic political situation, two world wars, and subsequent shaking up of the retail scene in the 1960s and 1970s provide the backdrop to a world now gone.

'How I loathe that kind of novel which is about a lot of sisters'; so proclaims Deirdre at the beginning of The Brontës Went to Woolworths, one of three sisters.London, 1931. As growing up looms large in the lives of the Carne sisters, Deirdre, Katrine and young Sheil still share an insatiable appetite for the fantastic. Eldest sister Deirdre is a journalist, Katrine a fledgling actress and young Sheil is still with her governess; together they live a life unchecked by their mother in their bohemian town house. Irrepressibly imaginative, the sisters cannot resist making up stories as they have done since childhood; from their talking nursery toys, Ironface the Doll and Dion Saffyn the pierrot, to their fulsomely-imagined friendship with real high-court Judge Toddington who, since Mrs Carne did jury duty, they affectionately called Toddy.However, when Deirdre meets Toddy's real-life wife at a charity bazaar, the sisters are forced to confront the subject of their imaginings. Will the sisters cast off the fantasies of childhood forever? Will Toddy and his wife, Lady Mildred, accept these charmingly eccentric girls? And when fancy and reality collide, who can tell whether Ironface can really talk, whether Judge Toddington truly wears lavender silk pyjamas or whether the Brontës did indeed go to Woolworths?The Brontës Went to Woolworths is part of The Bloomsbury Group, a new library of books from the early twentieth-century chosen by readers for readers.

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Once in a great while, a photograph captures the essence of an era: Three people--one black and two white--demonstrate for equality at a lunch counter while a horde of cigarette-smoking hotshots pour catsup, sugar, and other condiments on the protesters' heads and down their backs. The image strikes a chord for all who lived through those turbulent times of a changing America.The photograph, which plays a central role in the book's perspectives from frontline participants, caught a moment when the raw virulence of racism crashed against the defiance of visionaries. It now shows up regularly in books, magazines, videos, and museums that endeavor to explain America's largely nonviolent civil rights battles of the late 1950s and early 1960s. Yet for all of the photograph's celebrated qualities, the people in it and the events they inspired have only been sketched in civil rights histories. It is not well known, for instance, that it was this event that sparked to life the civil rights movement in Jackson, Mississippi, in 1963. Sadly, this same sit-in and the protest events it inspired led to the assassination of Medgar Evers, who was leading the charge in Jackson for the NAACP.Winner of the 2014 Lillian Smith Book Award, We Shall Not Be Moved puts the Jackson Woolworth's sit-in into historical context. Part multifaceted biography, part well-researched history, this gripping narrative explores the hearts and minds of those participating in this harrowing sit-in experience. It was a demonstration without precedent in Mississippi--one that set the stage for much that would follow in the changing dynamics of the state's racial politics, particularly in its capital city.

Collection of BBC recordings from the Scottish indie legends. So it's coming up for the 20th anniversary of the We Are Urusei Yatsura album, so what better time to look back at the broken Woolworths guitars, damaged eardrums and bleeding knuckles of Glasgow's lo-fi, Tokyo dreaming geek rock quartet! You could say it all began at the Glasgow Sound City event, when legendary BBC DJ John Peel came along to check out Urusei Yatsura at the 13th Note at the invitation of future Franz Ferdinand front-m

Twelve-year-old Willie Tarrant, a black girl in Turner, Virginia, sees her family--and her whole world--turned upside down when eight college students stage a sit-in for civil rights at the local Woolworth's department store.

"A collection of unexpected characters, intriguing characters, lovingly assembled. It's a fine read."--Mike Wallace This book is a tribute to some of America's greatest characters, people holding on to unique ways of life at all costs. A castle builder, a forty-year veteran Woolworth's lunch-counter waitress, a moonshiner, and the president of The Brooklyn Elite Checker Club are among this varied group of ordinary people who prevail against all odds. They are Dewey Chafin and Barbara Elkins, snake handlers for the Church of the Lord Jesus in Jolo, West Virginia; Amos Powers, caretaker of America's only coon-dog graveyard in Colbert County, Alabama; Dixie Evans, curator of Exotic World, Museum of Burlesque in Helendale, California; and Mike Gashwarza of the Hopi tribe, fighting against electricity being brought to Old Oraibi, Arizona, the oldest town in North America. David Isay's compelling, often humorous profiles are accompanied by Harvey Wang's wonderful portraits of fifty such people, die-hard individualists who speak for themselves, illuminating their remarkable lives and personalities. Henry Roth's foreword is a moving testament to the creativity, tenacity, and dignity these people possess. Photographs

In twelve essays on such diverse Smithsonian Institution holdings as the Hope Diamond, the Wright Flyer, wooden Zuni carvings, and the Greensboro, North Carolina Woolworth lunch counter that became a symbol of the Civil Rights movement, Exhibiting Dilemmas explores a wide range of social, political, and ethical questions faced by museum curators in their roles as custodians of culture. Focusing on the challenges posed by the transformation of exhibitions from object-driven “cabinets of curiosities” to idea-driven sources of education and entertainment, the contributors—all Smithsonian staff members—provide a lively and sometimes provocative discussion of the increasingly complex enterprise of acquiring and displaying objects in a museum setting.

In her lifetime, the wealth and glamour of the Woolworth heiress Barbara Hutton were legendary. Her much-publicized and extravagant lifestyle encompassed lavish parties, seven marriages and many affairs, and her name was constantly linked with film stars and royalty. But there was another side to her life that remained shrouded in mystery for all but a close circle of friends. This was Barbara Hutton the alcoholic, the anorexic, the woman who misused drugs and money, dissipating a huge fortune before her lonely death in 1979. This biography, which makes use of her diaries, letters and journals, is published to tie in with a TV dramatization of her life, starring Farah Fawcett.

“Immigrants, Ornaments and Legacies” tells the stories of the companies who created 20th century Christmas tree decorations. The Shiny Brite™ story of Max Eckardt and Sons is chronicled along with rival firms that competed to win the key customers of Woolworth’s and Sears. Bernhard Wilmsen was one of the first Christmas vendors to Woolworth’s and continued to be for decades. George Franke emigrated from Germany to America at the time of the U.S. Civil War and employed hundreds of people in Baltimore, Maryland. National Tinsel Manufacturing in Manitowoc, Wisconsin would be a recognized Christmas industry leader until a 1991 merger worth $90 million. Before millions of Christmas bulbs were manufactured and sold in America, thousands were imported by Woolworth’s and Sears. Beginning as a family business in Lauscha, Germany many husbands, wives and children hand crafted glass ornaments. As early German immigrants came to the United States they evolved the industry with inventions and patents. Survival and prosperity were never guaranteed as the companies struggled during precarious times of tariffs, trade wars and world wars. If not for Corning Glass Works inventing the means to make 80 million glass bulbs a year, the modern era of Christmas tree decorations would have stopped with German blockades and boycotts. With rich details using photographs and statistics, the industry of American glass bulb Christmas ornaments is documented from the 1800’s to the 1960’s. In their own words, family descendants of ornament makers tell their favorite memories of being surrounded by Christmas all year long and their special holiday traditions that live on today. “Immigrants, Ornaments and Legacies” is a family centered story of decades of Christmas tree decorations that are highly collectible today. An ornament identification section is included to help collectors date their precious Shiny Brite™ and George Franke ornaments passed down lovingly from generation to generation.

Architect Cass Gilbert (1859-1934) is famous for his soaring vision and classical designs, demonstrated in such landmarks as the U.S. Supreme Court Building in Washington, D.C., and the Woolworth Building in New York City. Gilbert first honed his craft in Minnesota from 1882 to 1895, achieving national recognition when he earned the commission to design the state's capitol building.In this biography, Geoffrey Blodgett grounds Gilbert's personal and professional life in national and regional history, offering detailed political context for the opening decades of his career. In 1882, after training at the Massachusetts Institute of Technology and apprenticing with the renowned architectural firm McKim, Mead & White, Gilbert was ready to set out on his own. He chose the familiar territory of St. Paul, his hometown, as the starting point for his career. Teaming for several years with close friend James Knox Taylor, Gilbert designed numerous residences, churches, and urban structures in and around the Twin Cities. Suffering through the Panic of 1893, with a wife and four children to support, Gilbert fought hard to win the plum commission of Minnesota's capitol building. His success with this project gave his fame a national dimension, and he soon moved his practice to New York.In focusing on the architect's Minnesota years, Blodgett encourages readers to measure Gilbert's achievements against his times and offers valuable insight on the famous architect he would soon become.

Buffalo boasts many attractions, from sports teams to unique culinary offerings. The city also once was a shopper's paradise, and those fond memories live on today for generations of locals. Buffalo native Seymour Knox helped his cousin Frank Woolworth open his famous chain of stores nationwide, and Cresbury Clothes remained a multigenerational family business for most of the twentieth century. Well-recognized national chains, like the A&P, and local department stores like AM&A's and Sattler's were among the great retailers that dotted the main streets of the Queen City. Others, like Tops Markets, were bought out by larger corporations. In this new, updated edition, join Buffalo native Michael Rizzo as he revisits the days when Buffalo's streets were lined with stores and its sidewalks crowded with shoppers.