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In Best Words, Best Order Stephen Dobyns explains the mystery of the poet's work and the ability of poetry to communicate thought and feeling between the mind of the writer and the mind of the reader.

In Best Words, Best Order Stephen Dobyns explains the mystery of the poet's work and the ability of poetry to communicate thought and feeling between the mind of the writer and the mind of the reader.

When can word order be considered expressive? And what we do mean by “expressiveness”? This work, based upon a statistical and stylistical enquiry into Virgil’s Aeneid as well of other hexametric poetry, aims to answer these questions from an appropriate perspective. Through offering a detailed analysis of selected passages, the author stresses the evident recurrence of the same figures in similar contexts and with the same stylistic effects. In this view, a rare word order as well as a relevant metrical and syntactical pattern appear to constitute a deviation from the norm stylistically motivated, that can highlight significant words or iconically stress the semantics of a passage. By combining the main notes on style from the Aeneid commentaries and the stylistic readings also applied to modern texts, the author, with a clear approach, systematically discusses the various structures of Latin hexameter–enjambement, synaloepha, hiatus, four-word lines, name-lines, relevant juxtapositions etc. – in terms of “effects”, showing how they interact and converge in the text. This introduction to Virgil’s expressiveness aims to be an effective tool for a stylistic reading of any Latin hexametric text.

A poet and mystery writer explores the art and craft of poetry. Stephen Dobyns explains the ability of poetry to communicate thoughts and feeling between the writer and the reader. Through essays on memory and metaphor, pacing, the intricacies of voice and tone, and appreciation of classic writers such as Chekhov and Rilke, Dobyns guides readers through poetry's mystery.

This study tackles the neglected subject of word order in biblical Hebrew poetry. The fact that the order of clause constituents frequently differs from that found in prose has often been noted, but no systematic attempt has been offered by way of explanation. Here two separate factors are taken into consideration: that of purely poetic variation (defamiliarisation), and that of pragmatic markedness. This work offers a new approach to the poetry of the Old Testament that will aid towards more accurate translation, exegesis, and discourse analysis of poetic texts.

In this new edition of Best Words, Best Order, Stephen Dobyns further explains the mystery of the poet's work. Through essays on memory and metaphor, pacing, and the intricacies of voice and tone, and thoughtful appreciations of Chekhov, Ritsos, Mandelstam, and Rilke, Dobyns guides readers and writers through poetry's mysterious twilight communiques. For this new second edition, Dobyns has added two new essays, one dealing with the idea of "beauty" in poetry and another dealing with the almost mystical way poets connect seemingly disparate elements in a single work.

A poet and mystery writer explores the art and craft of poetry. Stephen Dobyns explains the ability of poetry to communicate thoughts and feeling between the writer and the reader. Through essays on memory and metaphor, pacing, the intricacies of voice and tone, and appreciation of classic writers such as Chekhov and Rilke, Dobyns guides readers through poetry's mystery.

Want to know what subject-verb-object REALLY means? Unsure about where to place your adverbs? Need to rearrange sentences confidently?This is the book for you.A complete foundation in word order and sentence structure for the English language, Word Order in English Sentences can be used both for reference and as a full self-study guide. From basic rules through to the many considerations of adverbial phrases, prepositions and complex sentences, with exercises in between, this grammar guide contains everything you need for a strong understanding of how sentences are put together.The rules and patterns for forming and reforming phrases and sentences are all presented with easy-to-follow explanations, clear examples and exercises to test understanding.With his engaging style, Phil Williams takes you beyond the basics, making flexible and advanced English accessible to all - try it today.

This study tackles the neglected subject of word order in biblical Hebrew poetry. The fact that the order of clause constituents frequently differs from that found in prose has often been noted, but no systematic attempt has been offered by way of explanation. Here two separate factors are taken into consideration: that of purely poetic variation (defamiliarisation), and that of pragmatic markedness. This work offers a new approach to the poetry of the Old Testament that will aid towards more accurate translation, exegesis, and discourse analysis of poetic texts.

In this new edition of Best Words, Best Order, Stephen Dobyns further explains the mystery of the poet's work. Through essays on memory and metaphor, pacing, and the intricacies of voice and tone, and thoughtful appreciations of Chekhov, Ritsos, Mandelstam, and Rilke, Dobyns guides readers and writers through poetry's mysterious twilight communiques. For this new second edition, Dobyns has added two new essays, one dealing with the idea of "beauty" in poetry and another dealing with the almost mystical way poets connect seemingly disparate elements in a single work.

Word order is not a subject anyone reading Latin can afford to ignore: apart from anything else, word order is what gets one from disjoint sentences to coherent text. Reading a paragraph of Latin without attention to the word order entails losing access to a whole dimension of meaning, or at best using inferential procedures to guess at what is actually overtly encoded in the syntax. This book begins by introducing the reader to the linguistic concepts, formalism and analytical techniques necessary for the study of Latin word order. It then proceeds to present and analyze a representative selection of data in sufficient detail for the reader to develop both an intuitive grasp of the often rather subtle principles controlling Latin word order and a theoretically grounded understanding of the system that underlies it. Combining the rich empirical documentation of traditional philological approaches with the deeper theoretical insight of modern linguistics, this work aims to reduce the intricate surface patterns of Latin word order to a simple and general crosscategorial system of syntactic structure which translates more or less directly into constituents of pragmatic and semantic meaning.

In this volume the eminent classicist K. J. Dover presents a decade of work on the problems of Greek word order. Based on a series of lectures he gave at the University of Cambridge in 1959, the book is written in a lucid manner that maintains the reader's interest. He explains that although Greek appears to be indeterminate, there are certain conventions that are followed in its construction. He then develops his argument at a more technical level focusing on lexical, semantic, syntactical and 'logical' determinants. This is an insightful study for all classicists as well as those generally interested in languages.

For some time the assumption has been widely held that for a majority of the world's languages, one can identify a “basic” order of subject and object relative to the verb, and that when combined with other facts of the language, the “basic” order constitutes a useful way of typologizing languages. New debate has arisen over varying definitions of “basic”, with investigators encountering languages where branding a particular order of grammatical relations as basic yielded no particular insightfulness. This work asserts that explanatory factors behind word order variation go beyond the syntactic and are to be found in studies of how the mind grammaticizes forms, processes information, and speech act theory considerations of speakers' attempts to get their hearers to build one, rather than another, mental representation of incoming information. Thus three domains must be distinguished in understanding order variation: syntactic, cognitive and pragmatic. The works in this volume explore various aspects of this assertion.

Word order is not a subject anyone reading Latin can afford to ignore: apart from anything else, word order is what gets one from disjoint sentences to coherent text. Reading a paragraph of Latin without attention to the word order entails losing access to a whole dimension of meaning, or at best using inferential procedures to guess at what is actually overtly encoded in the syntax. This book begins by introducing the reader to the linguistic concepts, formalism and analytical techniques necessary for the study of Latin word order. It then proceeds to present and analyze a representative selection of data in sufficient detail for the reader to develop both an intuitive grasp of the often rather subtle principles controlling Latin word order and a theoretically grounded understanding of the system that underlies it. Combining the rich empirical documentation of traditional philological approaches with the deeper theoretical insight of modern linguistics, this work aims to reduce the intricate surface patterns of Latin word order to a simple and general crosscategorial system of syntactic structure which translates more or less directly into constituents of pragmatic and semantic meaning.

In this volume the eminent classicist K. J. Dover presents a decade of work on the problems of Greek word order. Based on a series of lectures he gave at the University of Cambridge in 1959, the book is written in a lucid manner that maintains the reader's interest. He explains that although Greek appears to be indeterminate, there are certain conventions that are followed in its construction. He then develops his argument at a more technical level focusing on lexical, semantic, syntactical and 'logical' determinants. This is an insightful study for all classicists as well as those generally interested in languages.

While Celtic languages are nominally VSO in basic word order, the languages of the Brythonic branch have exhibited striking synchronic and historical variations from the prototype. This volume comprises the very latest research in word order in Welsh, reton and Cornish from nine of the leading scholars in the field. The studies deal with historical, typological and descriptive issues from several approaches (including philological, functional and government and binding). The scope ranges over all the Brythonic languages, as well as the entire diachronic spectrum from the proto-language up to the most recent colloquial trends. The volume provides the expert with a collection of state-of-the-art research and the non-specialist with a comprehensive survey of the problems and debates in a language grouping fraught with intricate questions of word order and word order change.

This monograph exemplifies a new trend in grammatical theory in which researchers combine findings from more than one area of linguistics. Specifically, the author looks at the relationship between phrasal prominence and focus in Romance and Germanic languages to provide new insights into how these properties are grammatically articulated. Building upon previous results in the field, she argues that phrasal prominence (nuclear stress) reflects syntactic ordering. There are two varieties of syntactic ordering. The first is the standard asymmetric c-command ordering. The second is the ordering derived from the primitive relation of selection holding between a head and its associated argument.Part of the difference between Germanic and Romance languages stems from a difference in the way the two syntactic orderings interact in the mapping onto phrasal prominence. The author shows that the symmetry between syntactic ordering and phrasal prominence so defined may be broken because of the independent requirement that a focused constituent must contain the most prominent element in the sentence. Two kinds of processes come into play to repair the broken symmetry. One is a process of deaccenting. The other is a process of movement, called "p-movement." The author shows that a proper understanding of the properties of p-movement can be attained within the framework of the Minimalist Program.

Shlonsky uses Chomsky's Government and Binding Approach to examine clausal architecture and verb movement in Hebrew and several varieties of Arabic. He establishes a syntactic analysis of Hebrew and then extends that analysis to certain aspects of Arabic clausal syntax. Through this comparative lens of Hebrew, Shlonsky hopes to resolve a number of problems in Arabic syntax. His results generate some novel and important conclusions concerning the patterns of negations, verb movement, the nature of participles, and the gamut of positions available to clausal subjects in both languages.

To be used as a companion in your One Word journey, this journal gives plenty of space to focus on and record your thoughts, spiritual insights, prayers and God’s answers. This will become a written record and witness of your personal change as you examine your heart and life for the next year. The journal includes 168 lightly lined pages with 16 scriptures and inspirational sayings based on your chosen word, space to record your reason for choosing your word, and pages for reflection on how your word impacted you and others. If you’re reading: My One Word: Change Your Life With Just One Word (Mike Ashcraft), One Word That Will Change Your Life (Jon Gordon and Dan Britton) or One Perfect Word (Debbie Macomber) then this book is the journal is what you need for the next step in your year-long adventure.

To be used as a companion in your One Word journey, this journal gives plenty of space to focus on and record your thoughts, spiritual insights, prayers and God’s answers. This will become a written record and witness of your personal change as you examine your heart and life for the next year. The journal includes 168 lightly lined pages with 16 scriptures and inspirational sayings based on your chosen word, space to record your reason for choosing your word, and pages for reflection on how your word impacted you and others. If you’re reading: My One Word: Change Your Life With Just One Word (Mike Ashcraft), One Word That Will Change Your Life (Jon Gordon and Dan Britton) or One Perfect Word (Debbie Macomber) then this book is the journal is what you need for the next step in your year-long adventure.