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Whether you're enjoying a cozy evening on the couch, working from home, or hosting a gathering, the Wrexham flip top C table effortlessly adapts to your needs. Need extra surface space? Simply flip the top open on either or both sides for an instant tabletop, or fold it down when not in use to save space. It's the perfect solution for compact living areas or those seeking a convenient sidekick for their sofa or armchair. A magazine rack discreetly nestled on the back is also the perfect spot to hold an iPad, tablet, or paperwork. Ideal for use as an end table, side table, or even an accent table. The brown amber finish will complement any home decor, and a wood top and metal frame ensure durability and stability, so you can enjoy it for years to come. Assembled open table dimensions: 24" W x 18" D x 27.5" H; One side open dimensions: 18" W x 18" D x 27.5" H; Closed table dimensions: 12" W x 18" D x 27.5" H. Color: Amber Brown.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.1

Buy with confidence! Book is in new, never-used condition 1.1

Book is in NEW condition. 1.43

Limited purple colored vinyl LP pressing. Wishful Thinking was the 2014 debut studio album by the Welsh pop punk band Neck Deep. In March 2013, the band started recording material at Celestial Recordings in Wrexham, where they began recording guitar, bass and vocals. The group then moved to Outhouse Studio in Reading, where they recorded drums. Material was produced by Seb Barlow and the band. In mid-August, the group had signed to Hopeless, and by late August, they announced the album had been

Rain in July is the first release from Neck Deep, a Welsh pop punk band from Wrexham, Wales, formed in 2012, consisting of Ben Barlow (vocals), Lloyd Roberts (guitar), Matt West (guitar), Fil Thorpe-Evans (bass) and Dani Washington (drums). Neck Deep formed in 2012 as a bedroom project of Lloyd Roberts and Ben Barlow. After releasing two tracks, that would eventually form part of Rain In July, the online response inspired them to pursue Neck Deep further and release their first EP a few months l

"So remarkable in truth is this novel that I cannot understand why it is not universally known and admired." - Hugh Walpole "I Am Jonathan Scrivener remains a tantalizing, highly diverting philosophical novel of rare elegance and wit." - Michael Dirda James Wrexham is thirty-nine, lonely, and stuck in a dead-end job when he comes upon an advertisement for a position as secretary to Mr. Jonathan Scrivener. Much to his surprise, he is hired at a lavish salary despite never even meeting Scrivener, and he is told to take up residence at once in the flat of his new employer, who has suddenly disappeared. Mystified by Scrivener's strange conduct and desperate to learn something about him, it seems Wrexham will get the answers he seeks when Scrivener's friends begin to visit the flat: Pauline Mandeville, an ethereal beauty, Francesca Bellamy, a widow who may responsible for the death of her husband, Andrew Middleton, a disillusioned alcoholic, and Antony Rivers, a handsome playboy. But as each of them unfolds his story about Scrivener, it seems that none of them are describing the same person, though all are obsessed with finding him. Why has he hired Wrexham, and why does he seem to have thrust this unlikely group of people together? Is Scrivener engaged in an inscrutable experiment, or could he be laying some kind of trap? And will this enigmatic figure ever appear and say, "I am Jonathan Scrivener"? Popular in his time for his psychological thrillers, Claude Houghton (1889-1961) was admired by writers as diverse as P. G. Wodehouse, Henry Miller, Hugh Walpole, and Graham Greene, but has fallen into neglect in the past half-century. This new edition restores his masterpiece I Am Jonathan Scrivener (1930) to print and includes Walpole's introduction from the 1935 edition and an essay by Pulitzer Prize winning critic and Washington Post columnist Michael Dirda.