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Unread book in perfect condition.

Own a piece of official UFC memorabilia; this event worn fight walkout jersey was used by Jordan Wright during the UFC Fight Night: Lemos vs Andrade event. The fight night took place on April 23, 2022 and featured a Preliminary Card bout between Jordan Wright and Marc-Andre Barriault. It was a catchweight bout which resulted in a win for Barriault via submission during the first round, which lasted 2 minutes and 36 seconds. This jersey was worn by Wright for the event as he took to the Octagon for the fight. This jersey has also been autographed by Jordan Wright. This product is exclusive to UFC Collectibles.

Hand-built to scale of the original plan, this c1903 Wright Brothers Flyer Model is a meticulous replica of the original successful aircraft. Built with a scale of 1:10 this accurate model was built with fabric over the wings and a sturdy red cedar wood frame. It's a great model to add to any home or office decor. 10.25 in. x 47.5 in. 24.5 in.. Color: Brown and White.

FOR USE IN SCHOOLS AND LIBRARIES ONLY. As young boys, Orville and Wilbur Wright loved all things mechanical. As young men, they gained invaluable skills essential for their success by working with printing presses, bicycles, motors, and any sort of machinery they could get their hands on. As adults, the brothers worked together to invent, build, and fly the world's first successful airplane. This is the fascinating story of the two inventors and aviation pioneers who never lost sight of their dream: to fly, and to soar higher!

Working with Mr Wright. is a personal recollection by one of Frank Lloyd Wright's former apprentices of his years at the Taliesin Fellowship. Curtis Besinger provides a lively account of daily life in this community of architects established by Wright in Wisconsin and Arizona. An apprenticeship with the Fellowship entailed architectural tasks, such as drafting, designing, and overseeing projects, including the actual building of Taliesin West; as well as humbler assignments - from milking the cows to harvesting wheat - related to maintaining the farm that surrounds the Fellowship in Wisconsin. The social life of the Fellowship, filled with music and film, and planned in detail by Wright himself, is also recounted with wit and humor. Through these engaging recollections, illustrated with photographs, plans, and drawings made during Besinger's years at the Fellowship, Wright's eccentric personality, his working practices, and his unique creative vision emerge, along with a host of personalities who contributed to the unique Taliesin experience.

Working with Mr Wright. is a personal recollection by one of Frank Lloyd Wright's former apprentices of his years at the Taliesin Fellowship. Curtis Besinger provides a lively account of daily life in this community of architects established by Wright in Wisconsin and Arizona. An apprenticeship with the Fellowship entailed architectural tasks, such as drafting, designing, and overseeing projects, including the actual building of Taliesin West; as well as humbler assignments - from milking the cows to harvesting wheat - related to maintaining the farm that surrounds the Fellowship in Wisconsin. The social life of the Fellowship, filled with music and film, and planned in detail by Wright himself, is also recounted with wit and humor. Through these engaging recollections, illustrated with photographs, plans, and drawings made during Besinger's years at the Fellowship, Wright's eccentric personality, his working practices, and his unique creative vision emerge, along with a host of personalities who contributed to the unique Taliesin experience.

FOR USE IN SCHOOLS AND LIBRARIES ONLY. As young boys, Orville and Wilbur Wright loved all things mechanical. As young men, they gained invaluable skills essential for their success by working with printing presses, bicycles, motors, and any sort of machinery they could get their hands on. As adults, the brothers worked together to invent, build, and fly the world's first successful airplane. This is the fascinating story of the two inventors and aviation pioneers who never lost sight of their dream: to fly, and to soar higher!

Instanbul Mehmet 22 Erik Smith Versa Ride in mint condition. Was kept in a studio environment and used minimally. No keyholing or cracks.Feel fr...

One of the most profound thinkers of the twentieth century, Erik H. Erikson was the architect of the "identity crisis" and the "life cycle" -- concepts that are now a familiar part of today's culture. Identity's Architect is the first comprehensive and authorized biography of Erikson, postwar America's most influential psychoanalyst, who acutely reshaped our views of human development. Drawing on private materials and extensive interviews with Erikson's family, students, and closest colleagues around the world, award-winning historian Lawrence J. Friedman illuminates the relationship between Erikson's personal life and his groundbreaking ideas. This book lays bare the identity crisis that was at the root of this remarkable man's lifelong quest to discover who his father was. Friedman insightfully shows how Erikson's famous eight-stage model of the human life cycle grew from the birth of his third son, who was born developmentally handicapped. Even Erikson's acclaimed studies of Luther, Gandhi, Jefferson, and Jesus were inseparable from his life circumstances. The writing and ideas of Erik Erikson have had a remarkably lasting influence on our culture. Erikson's fascination with India and with Gandhi earned him the Pulitzer Prize for his book Gandhi's Truth and foreshadowed the contemporary West's growing interest in Eastern thought. His students at Harvard in the 1960s have gone on to great prominence -- Carol Gilligan, Robert Coles, Mary Catherine Bateson, and Howard Gardner to name a few. Trained in Vienna by Sigmund and Anna Freud, Erikson came to depart from psychoanalytic orthodoxy in deeply innovative ways -- insisting that social circumstances were no less important than the inner psyche in determining human personality. This exhaustively researched, compelling biography, which has been ten years in the making, is indispensable for anyone who hopes to fully understand one of the most significant intellectual figures of our time.

A study dealing with the life of Erik Leidzen, a band arranger and composer for the Salvation Army, who was among the first generation of American musicians to be able to maintain a profession as a writer/arranger of band music.

This book examines the early twentieth-century movement that was sparked by the premiere of Erik Satie's ballet Parade in May 1917. Perloff argues that Satie and his colleagues, including Darius Millhaud, Francis Poulenc, Max Jacob, and Jean Cocteau, led French music away from Impressionism by infusing their compositions with French and American popular idioms. They also adopted aesthetic principles of parody, diversity, nostalgia, and repetition from the Parisian cabaret, cafe-concert, circus, fair, and music hall. With their collaborators Pablo Picasso, Fernand Legér, and Francis Picabia, they shared a radical disregard for traditional divisions separating popular and classical forms of creative expression.

The debut thriller in the internationally acclaimed series? available for the first time in the United States A long-time number one bestseller in his native Sweden, Åke Edwardson?s profile was conspicuously raised when his novel Frozen Tracks was chosen as a finalist for a 2008 Los Angeles Times Book Prize. Until now, however, the novel that launched Edwardson?s critically acclaimed Erik Winter series has never been available in the United States. With a new series translator who fully captures Edwardson?s signature atmospheric style, Death Angels is America?s introduction to Sweden?s youngest Chief Inspector as he teams up with Scotland Yard to solve the mysterious parallel killings of young British and Swedish tourists. Richly evocative of mid-nineties South London and Gothenburg, Sweden, Death Angels is a brilliant opening to a mesmerizing series that has become a phenomenon in international crime fiction.

"In its equally deceptive artlessness, Templier's aesthetic-personal vignette of Crin-Crin (as Satie was known to his family) leaves the impression of a rather disagreeable, fiercely independent figure whose droll calligraphic doodles, and delicately perfect musical penmanship, sampled in the present volume, are more than a little characteristic of the man and his legacy." —Los Angeles Times The text consists essentially of three major subjects: Satie's life, his character, and his works, with an appended, up-to-date discography. Well illustrated.

New! This book is in the same immaculate condition as when it was published 3.18

Few people recall the name of Eirik Thorvaldsson, who began life in Jaederen, Norway, around 950. When he was nine years old, his father killed a man or maybe two and was forced to flee with his family to Iceland. Young Eirik grew up in the harsh environs of that wind-swept isle in the North Atlantic. Harsh lands breed harsh men, and Eirik fit the mold. Like his father before him, he battled with neighbors and killed several men in blood feuds. Banished from Iceland for three years, he sailed west to seek refuge in an unexplored land. After three years in exile, Eirik returned to Iceland with tales of his discoveries in that new land to the west. He called it Greenland to entice others to join him there. Around 985, he sailed west again from Iceland with twenty-five ships of colonists. History records him as the founder of the first European settlement in Greenland and the father of Leif Eriksson. People remember him best as Erik the Red.

Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional composer, Satie initially earned a living as a café pianist and moved in bohemian circles which prized satire, popular culture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but is to be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartre and Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season.

This book examines the early twentieth-century movement that was sparked by the premiere of Erik Satie's ballet Parade in May 1917. Perloff argues that Satie and his colleagues, including Darius Millhaud, Francis Poulenc, Max Jacob, and Jean Cocteau, led French music away from Impressionism by infusing their compositions with French and American popular idioms. They also adopted aesthetic principles of parody, diversity, nostalgia, and repetition from the Parisian cabaret, cafe-concert, circus, fair, and music hall. With their collaborators Pablo Picasso, Fernand Legér, and Francis Picabia, they shared a radical disregard for traditional divisions separating popular and classical forms of creative expression.

"In its equally deceptive artlessness, Templier's aesthetic-personal vignette of Crin-Crin (as Satie was known to his family) leaves the impression of a rather disagreeable, fiercely independent figure whose droll calligraphic doodles, and delicately perfect musical penmanship, sampled in the present volume, are more than a little characteristic of the man and his legacy." —Los Angeles Times The text consists essentially of three major subjects: Satie's life, his character, and his works, with an appended, up-to-date discography. Well illustrated.

With Ben Franklin wanting the turkey to be the national symbol and George Washington preferring the eagle, the debate to pick one of the two began and so, with the help of Drew Duck and the lively counsel of the animals of Wilderbrush Forest, democratic procedures were put into action and a decision was finally made.

Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional composer, Satie initially earned a living as a café pianist and moved in bohemian circles which prized satire, popular culture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but is to be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartre and Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season.