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In each walk, a scene. In each journey, a story. To tread any well-travelled path is to step upon layers of history and to add to them. What was seen by yesterday’s rambler? Who were they? What was their Britain?  Peter Fiennes follows in the footsteps of writers, spiritualists, economists, farmers, churchmen and artists, from the eleventh century to the twentieth. Traversing past and present, he searches for signs of what his absent guides once saw and, through their words, opens up a new way of seeing what is there today. Footnotes is full of wonders and wanders, old stories and fresh connections, worn roads and wild places. It is a mesmerising quest to picture these isles anew.     Fiennes’s fellow travellers include Enid Blyton (Isle of Purbeck, Swanage, Weymouth); Wilkie Collins (Cornwall, Plymouth, Land’s End, Looe, St Ives); Ithell Colquhoun (Lamorna Cove); Celia Fiennes (Glastonbury, Wells, Bath, Bristol, Gloucester, Hereford); Gerald of Wales (Hereford, Hay on Wye, Newport, Cardiff, St Davids, Snowdonia); Somerville & Ross (north Wales); JB Priestley & Beryl Bainbridge (Stoke, Liverpool, Manchester, Blackpool, Bradford, Newcastle, York, Hull); Charles Dickens (Lake District, Doncaster, London); Johnson & Boswell (Edinburgh, Skye, Aberdeen).

An enlightening study of three writers, Flaubert, Joyce and Beckett: The Stoic Comedians begins with an explanation of the effect of the printing press on books. The "book as book" has been removed from the oral tradition by such features as prefaces, footnotes, and indexes. Books have become voiceless in some sense--they are to be read silently, not recited aloud. How this mechanical change affected the possibilities of fiction is Kenner's subject. Each of the three featured authors approached this situation in a unique, yet connected way: Flaubert as the "Comedian of the Enlightenment," categorizing man's intellectual follies; Joyce as the "Comedian of the Inventory," with his meticulously constructed lists; and Beckett as the "Comedian of the Impasse," eliminating facts and writing novels about a man alone writing.

An enlightening study of three writers, Flaubert, Joyce and Beckett: The Stoic Comedians begins with an explanation of the effect of the printing press on books. The "book as book" has been removed from the oral tradition by such features as prefaces, footnotes, and indexes. Books have become voiceless in some sense--they are to be read silently, not recited aloud. How this mechanical change affected the possibilities of fiction is Kenner's subject. Each of the three featured authors approached this situation in a unique, yet connected way: Flaubert as the "Comedian of the Enlightenment," categorizing man's intellectual follies; Joyce as the "Comedian of the Inventory," with his meticulously constructed lists; and Beckett as the "Comedian of the Impasse," eliminating facts and writing novels about a man alone writing.

An enlightening study of three writers, Flaubert, Joyce and Beckett: The Stoic Comedians begins with an explanation of the effect of the printing press on books. The "book as book" has been removed from the oral tradition by such features as prefaces, footnotes, and indexes. Books have become voiceless in some sense--they are to be read silently, not recited aloud. How this mechanical change affected the possibilities of fiction is Kenner's subject. Each of the three featured authors approached this situation in a unique, yet connected way: Flaubert as the "Comedian of the Enlightenment," categorizing man's intellectual follies; Joyce as the "Comedian of the Inventory," with his meticulously constructed lists; and Beckett as the "Comedian of the Impasse," eliminating facts and writing novels about a man alone writing.

"Good cooking depends on two things: common sense and good taste."In England, no food writer's star shines brighter than Simon Hopkinson's, whose breakthrough Roast Chicken and Other Stories was voted the most useful cookbook ever by a panel of chefs, food writers, and consumers. At last, American cooks can enjoy endearing stories from the highly acclaimed food writer and his simple yet elegant recipes.In this richly satisfying culinary narrative, Hopkinson shares his unique philosophy on the limitless possibilities of cooking. With its friendly tone backed by the author's impeccable expertise, this cookbook can help anyone -- from the novice cook to the experienced chef -- prepare down-right delicious cuisine . . . and enjoy every minute of it!Irresistible recipes in this book include:Eggs FlorentineChocolate TartPoached Salmon with Beurre BlancAnd, of course, the book's namesake recipe, Roast ChickenWinner of both the 1994 Andr Simon and 1995 Glenfiddich awards (the gastronomic world's equivalent to an Oscar), this acclaimed book will inspire anyone who enjoys sharing the ideas of a truly creative cook and delights in getting the best out of good ingredients.

Kuzma Sergeevich Petrov-Vodkin, (1878 – 1939) was an important Russian and Soviet painter and writer. Petrov-Vodkin extensively used an aesthetic of Orthodox icon together with brighter colors and unusual compositions. His works were often deemed irreligious and erotic. From 1924 to 1926 Petrov-Vodkin lived in France with his family. During his earlier years, Petrov-Vodkin developed his "spherical perspective": a unique twist that distorted the drawing as to represent the viewer high enough to actually notice the spherical curve of the globe. He used it extensively through his works like Death of a Commissar and In the Line of Fire, which make the observer seem more distant, but actually close. It is argued that this twist has been built upon Byzantine perspective - an inverted perspective used in iconography. Petrov-Vodkin used darker tones with time, but his paintings became more detailed. He started painting still life and portraits, stepping further away from his previous themes.

"A master of her craft, and a writer whose star shines ever brighter." --RT Book Reviews"An incredible storyteller." --Los Angeles Daily News"Heather Graham sparkles!" --Kat Martin, New York Times bestselling authorBold and beautiful, Lady Eleanor of Clarin--sole heir to her ancestral lands--chooses to marry an aging French noble rather than Edward I's choice of a brutal knight. To preserve Clarin and defeat the rebellious Scots who killed her father, she would gladly give her hand to the devil himself. But when the fiery Highland outlaw Brendan Graham takes her hostage, he also inspires her deepest desires. Now, as Eleanor is swept away from her beloved land and into an arranged marriage, she will be surrounded by treachery and accused of murder. Only one man can rescue her from the torture and death that lie ahead. The man who should remain her greatest enemy...yet holds her heart--and her very life--in his hands.