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Tyranny comes in many guises, and tyrants will thrive in palaces and one room hovels, in back alleys and playgrounds. Tyrants abound on the verges of civilization, where disorder frays the rule of civil conduct, and all propriety surrenders to brutal imposition. Millions are made to kneel and yet more millions die horrible deaths in a welter of suffering and misery. But we ll leave all that behind as we plunge into escapist fantasy of the most irrelevant kind, and in the ragged wake of the tale told in Lees of Laughter s End, our most civil adventurers, Bauchelain and Korbal Broach, along with their suitably phlegmatic manservant, Emancipor Reese, make gentle landing upon a peaceful beach, beneath a quaint village above the strand and lying at the foot of a majestic castle, and therein make acquaintance with the soft-hearted and generous folk of Spendrugle, which lies at the mouth of the Blear River and falls under the benign rule of the Lord of Wurms in his lovely keep. Make welcome, then, to Spendrugle s memorable residents, including the man who should have stayed dead, the woman whose prayers should never have been answered, the tax collector everyone ignores, the ex-husband town militiaman who never married, the beachcomber who lives in his own beard, and the now singular lizard cat who used to be plural, and the girl who likes to pee in your lap. And of course, hovering over all, the denizen of the castle keep, Lord Ah, but there lies this tale, and so endeth this blurb, with one last observation: when tyrants collide, they have dinner. And a good time is had by all.

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Your Tone Must Flow, so Tame the Terror "The earth, once so tranquil and serene, started to shake more ominously than ever beneath her feet. After ...

Slithering across the ravaged landscape, the behemoth advances. With each thrust, the beast drags thousands of years of grinding grief and mauling ...

Elevate your sound with the KMA Machines WURM 2, an exceptional high-gain distortion pedal featuring an active 4-band EQ. Ideal for metal...

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A new novella from New York Times bestselling author Steven Erikson, set in the world of the Malazan Book of the Fallen, The Wurms of Blearmouth.Tyranny comes in many guises, and tyrants thrive in palaces and one-room hovels, in back alleys and playgrounds. Tyrants abound on the verges of civilization, where disorder frays the rule of civil conduct and propriety surrenders to brutal imposition. Millions are made to kneel and yet more millions die horrible deaths in a welter of suffering and misery. But leave all that behind and plunge into escapist fantasy of the most irrelevant kind, and in the ragged wake of the tale told in Lees of Laughter's End, those most civil adventurers, Bauchelain and Korbal Broach, along with their suitably phlegmatic manservant, Emancipor Reese, make gentle landing upon a peaceful beach, beneath a quaint village at the foot of a majestic castle. There they make acquaintance with the soft-hearted and generous folk of Spendrugle, which lies at the mouth of the Blear River and falls under the benign rule of the Lord of Wurms in his lovely keep. Make welcome, then, to Spendrugle's memorable residents, including the man who should have stayed dead, the woman whose prayers should never have been answered, the tax collector everyone ignores, the ex-husband town militiaman who never married, the beachcomber who lives in his own beard, the now singular lizard cat who used to be plural, and the girl who likes to pee in your lap. And of course, hovering over all, the denizen of the castle keep, Lord―Ah, but there lies this tale.

A new novella from New York Times bestselling author Steven Erikson, set in the world of the Malazan Book of the Fallen, The Wurms of Blearmouth.Tyranny comes in many guises, and tyrants thrive in palaces and one-room hovels, in back alleys and playgrounds. Tyrants abound on the verges of civilization, where disorder frays the rule of civil conduct and propriety surrenders to brutal imposition. Millions are made to kneel and yet more millions die horrible deaths in a welter of suffering and misery. But leave all that behind and plunge into escapist fantasy of the most irrelevant kind, and in the ragged wake of the tale told in Lees of Laughter's End, those most civil adventurers, Bauchelain and Korbal Broach, along with their suitably phlegmatic manservant, Emancipor Reese, make gentle landing upon a peaceful beach, beneath a quaint village at the foot of a majestic castle. There they make acquaintance with the soft-hearted and generous folk of Spendrugle, which lies at the mouth of the Blear River and falls under the benign rule of the Lord of Wurms in his lovely keep. Make welcome, then, to Spendrugle's memorable residents, including the man who should have stayed dead, the woman whose prayers should never have been answered, the tax collector everyone ignores, the ex-husband town militiaman who never married, the beachcomber who lives in his own beard, the now singular lizard cat who used to be plural, and the girl who likes to pee in your lap. And of course, hovering over all, the denizen of the castle keep, Lord―Ah, but there lies this tale.

A horror brought up from the ocean floor provides a cult with its object of worship once again--and the rest of humankind with a nightmare

A new novella from New York Times bestselling author Steven Erikson, set in the world of the Malazan Book of the Fallen, The Wurms of Blearmouth.Tyranny comes in many guises, and tyrants thrive in palaces and one-room hovels, in back alleys and playgrounds. Tyrants abound on the verges of civilization, where disorder frays the rule of civil conduct and propriety surrenders to brutal imposition. Millions are made to kneel and yet more millions die horrible deaths in a welter of suffering and misery. But leave all that behind and plunge into escapist fantasy of the most irrelevant kind, and in the ragged wake of the tale told in Lees of Laughter's End, those most civil adventurers, Bauchelain and Korbal Broach, along with their suitably phlegmatic manservant, Emancipor Reese, make gentle landing upon a peaceful beach, beneath a quaint village at the foot of a majestic castle. There they make acquaintance with the soft-hearted and generous folk of Spendrugle, which lies at the mouth of the Blear River and falls under the benign rule of the Lord of Wurms in his lovely keep. Make welcome, then, to Spendrugle's memorable residents, including the man who should have stayed dead, the woman whose prayers should never have been answered, the tax collector everyone ignores, the ex-husband town militiaman who never married, the beachcomber who lives in his own beard, and the now singular lizard cat who used to be plural, and the girl who likes to pee in your lap. And of course, hovering over all, the denizen of the castle keep, Lord―Ah, but there lies this tale.

Austrian artist-provocateur Erwin Wurm has gained an international reputation for challenging traditional notions of sculpture, photography, performance art, and drawing. His classic One Minute Sculptures invite audiences to participate in the creation of temporary sculptures by combining their bodies with a variety of common objects according to the artist's instructional drawings. Erwin Wurm: I Love My Time, I Don't Like My Time is a comprehensive survey that highlights more than 10 years of intelligent, elegant, and humorous production. It includes staged scenarios for the creation of select One Minute Sculptures; the photo series Instructions for Idleness (2001), How to Be Politically Incorrect (2002-2003), Thinking About Philosophy (2004), and Hotel Rooms (2001); a selection of video images from 59 Positions (1992), Flight Simulator (1998), and Adelphi Sculptures (1999); and other projects. The centerpiece is Wurm's I Love My Time, I Don't Like My Time (2003), the latest in the artist's Fat series, which explores the wild and dark potential of digital animation.

Austrian artist-provocateur Erwin Wurm has gained an international reputation for challenging traditional notions of sculpture, photography, performance art, and drawing. His classic One Minute Sculptures invite audiences to participate in the creation of temporary sculptures by combining their bodies with a variety of common objects according to the artist's instructional drawings. Erwin Wurm: I Love My Time, I Don't Like My Time is a comprehensive survey that highlights more than 10 years of intelligent, elegant, and humorous production. It includes staged scenarios for the creation of select One Minute Sculptures; the photo series Instructions for Idleness (2001), How to Be Politically Incorrect (2002-2003), Thinking About Philosophy (2004), and Hotel Rooms (2001); a selection of video images from 59 Positions (1992), Flight Simulator (1998), and Adelphi Sculptures (1999); and other projects. The centerpiece is Wurm's I Love My Time, I Don't Like My Time (2003), the latest in the artist's Fat series, which explores the wild and dark potential of digital animation.

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 0.75

In his wonderfully ambiguous One Minute Sculptures, which are only humorous at first glance, the Vienna-based conceptualist, Erwin Wurm, takes a literal approach to sculpture while also taking the medium apart: anyone can be a piece of art for a minute by following his instructions. The non-human works by which he is best known, the overinflated and floppy Fat Car and Fat House, are likewise spirited, thoughtful critiques, in this case of consumer culture. Their strained poses, like those of his One Minute participants, raise immediate, simple questions concerning normality and the meaning or lack of it in both artistic conventions and human actions. Wurm's profoundly humane work is an eye-opener to social forces, and always playful. Those who know it look forward to each new piece. This informative monograph assembles many previously unpublished videos, sculptures, installations and performances.

39 pages. 10.94x8.50x0.24 inches. This item is printed on demand.

Unread book in perfect condition.

39 pages. 11.00x8.50x0.09 inches. This item is printed on demand.

Thirty trios for the intermediate and advanced violinist and cellist. Violin 1, Violin 2 and Cello

Thirty trios for the intermediate and advanced violinist and cellist. Violin 1, Violin 2 and Cello