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This guide to Yoruba language collects the most common Yoruba phrases and expressions as well as an English-Yoruba/Yoruba-English dictionary. This phrasebook includes greetings, food items, directions, sightseeing and many other categories of expressions that will help anyone wanting to learn Yoruba.

In songs, dance, and drama, the fame of the Yoruba of Nigeria is firmly established and universally acknowledged. Also with an established writing and literary tradition, the Yoruba have asserted themselves as a dominant force in the world of creativity, touching on various genres and producing men and women of fame. Such stars are represented here, as in the works of Wole Soyinka and Zulu Sofola. The power of language forms a crucial element of their creativity, with various authors examining the nature of Yoruba language and education, and the multiple uses to which language has been put to compose plays and songs. Chanters of words and famous recorders of music such as Haruna Isola and Fela Anikulapo Kuti are presented in this volume, not as competitors but as companions in the ever-expanding horizons of Yoruba eclectic manifestations of creativity. The future of the language, in the making of new idioms and dictionaries, is examined in an attempt to position the Yoruba and their cultures in the ever-changing world of cultural inventions.

The Yoruba are one of the largest ethnic groups in West Africa, with significant populations in Nigeria, Benin and Togo, as well as a sizeable diasporic community around the world. By considering the art, religion, economics and political systems of the Yoruba, Aribidesi Usman and Toyin Falola chart the history of the Yoruba through the lens of the group's diverse and dynamic cultural and social practices. Using archaeological data, oral, and archival sources alongside rarely-discussed local histories Usman and Falola form a rich and detailed picture of the Yoruba from a period of early occupation and agriculture, the growth of complex societies and empires, the turbulent colonial period to the present day, constructing a comprehensive account of Yoruba history brought together in a single volume.

The Yoruba, with other West African groups, represent a high level of cultural achievement in sub-Saharan Africa and are one of the most interesting and important peoples of the continent. The author offers detailed descriptions of the elaborate economic, political, and social structures of the Yoruba, their complex set of religious beliefs, and their world-famous art forms.

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The Yoruba in Brazil, Brazilians in Yorubaland focuses on multivalent manifestations of the Yoruba Atlantic. Unique in its examination of an African ethnic group that was implicated in the transatlantic slave trade and that subsequently made the diaspora home (or through other forms of migration returned to the continental homeland ), this volume argues that despite traumatic encounter with modernity and resilience, the Yoruba Atlantic may be under erasure due to the exigencies of globalization. What we call Yoruba Atlantic today is indeed a hybridized identity. Through colonialism and slavery, historical realities are appropriately anchored in the quest for a Yoruba diaspora, and yet are compounded by the new, shifting migration patterns out of the Yorubaland in the search for greener pastures in a globalized world. The contributors assert the vitality and unity of this group while complicating those same essences through multiple crossroads of shifting historical, cultural, political, and spiritual agencies.

Bumped edges. Slight scratches to cover. Creased pages. Corners bumped. Appears unread, may have minor damage from transit/storage. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

Yoruba peoples of southwestern Nigeria conceive of rituals as journeys sometimes actual, sometimes virtual. Performed as a parade or a procession, a pilgrimage, a masking display, or possession trance, the journey evokes the reflexive, progressive, transformative experience of ritual participation. "Yoruba Ritual" is an original and provocative study of these practices. Using a performance paradigm, Margaret Thompson Drewal forges a new theoretical and methodological approach to the study of ritual that is thoroughly grounded in close analysis of the thoughts and actions of the participants. Challenging traditional notions of ritual as rigid, stereotypic, and invariant, Drewal reveals ritual to be progressive, transformative, generative, and reflexive and replete with simultaneity, multifocality, contingency, indeterminacy, and intertextuality. Throughout the book prominence is given to the intentionality of actors as knowledgeable agents who transform ritual itself through play and improvisation. Integral to the narrative are interpolations about performances and their meanings by Kolawole Ositola, a scholar of Yoruba oral tradition, ritual practitioner, diviner, and master performer. Rich descriptions of rituals relating to birth, death, reincarnation, divination, and constructions of gender are rendered all the more vivid by a generous selection of field photos of actual performances.

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The Yoruba, with other West African groups, represent a high level of cultural achievement in sub-Saharan Africa and are one of the most interesting and important peoples of the continent. The author offers detailed descriptions of the elaborate economic, political, and social structures of the Yoruba, their complex set of religious beliefs, and their world-famous art forms.

In the quest to promote "universal knowledge" and create Western institutions in Africa, the intellectual contributions of Africans without university certificates or connections to the academy have been maligned, ignored or slighted. Yet, as Toyin Falola's book points out, there are African scholars and thinkers without academic credentials doing important works. Here is a book that shows that intellectual contributions need not be divorced from the concerns of local communities or deliberately promote narrative inequality and distance.

“Yoruba Girl Dancing is at once acerbic and moving and painfully honest about the cost of emigration and adjustment.”—The Washington Post Born into a privileged Nigerian family, Remi Foster has a life in Africa that is a celebration of love and family, eccentricity and ritual. But at the age of six she is uprooted when her father sends her to a posh all-girls boarding school in England. There, the only black in a school of perfect English girls, she navigates the labyrinth of race, caste, and culture, enduring taunting classmates and foreign holidays celebrated with strangers. Finally, caught between two cultures, Remi must discover who she truly is—a Yoruba girl dancing. “Effortless, elegant, charming . . . Bedford has created a gutsy girl . . . of naturally hot temper, undercut by a canny survival instinct, a cool number, yet all too capable of bewilderment and hurt.”—Chicago Tribune

“The leopard’s stealthy gait is not a result of cowardice; it is simply stalking a prey.” (Do not mistake people’s gentle nature for spinelessness.) “The rabbit that eats yams and enjoys them will return for more.” (People remember good experiences and seek their repetition.) “The chicken sweats, but its down prevents us from knowing.” (Everybody has his or her problems, although strangers may not guess.) “The mouth does not say, ‘I ate once before.’” (Hunger is not something one assuages once and for all.) “It is a light rain that chases a child indoors; it is a raging torrent that shakes the raffia palm to its roots.” (Every person, however lowly or mighty, has his or her nemesis.) Yoruba Proverbs is the most comprehensive collection to date of more than five thousand Yoruban proverbs that showcase Yoruba oral tradition. Following Oyekan Owomoyela’s introduction, which provides a framework and description of Yoruba cultural beliefs, the proverbs are arranged by theme into five sections: the good person; the fortunate person (or the good life); relationships; human nature; rights and responsibilities; and truisms. Each proverb is presented in Yoruba with a literal English translation, followed by a brief commentary explaining the meaning of the proverb within the oral tradition. This definitive source book on Yoruba proverbs is the first to give such detailed, systematic classification and analysis alongside a careful assessment of the risks and pitfalls of submitting this genre to the canons of literary analysis.

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As one of the salient forces in the ritual life of those who worship the pre-Christian and Muslim deities called orishas, the Yorùbá god of drumming, known as Àyàn in Africa and Añá in Cuba, is variously described as the orisha of drumming, the spirit of the wood, or the more obscure Yorùbá praise name AsòròIgi (Wood That Talks). With the growing global importance of orisha religion and music, the consequence of this deity's power for devotees continually reveals itself in new constellations of meaning as a sacred drum of Nigeria and Cuba finds new diasporas.Despite the growing volume of literature about the orishas, surprisingly little has been published about the ubiquitous Yorùbá music spirit. Yet wherever one hears drumming for the orishas, Àyàn or Añá is nearby. This groundbreaking collection addresses the gap in the research with contributions from a cross-section of prestigious musicians, scholars, and priests from Nigeria, the Americas, and Europe who have dedicated themselves to studying Yorùbá sacred drums and the god sealed within. As well as offering multidisciplinary scholarly insights from transatlantic researchers, the volume includes compelling first-hand accounts from drummer-priests who were themselves history-makers in Nigerian and Cuban diasporas in the United States, Venezuela, and Brazil. This collaboration between diverse scholars and practitioners constitutes an innovative approach, where differing registers of knowledge converge to portray the many faces and voices of a single god.

This unique bilingual dictionary gives English speakers and other non-Yoruba a tool with which to learn one of the national languages of Nigeria, while simultaneously giving Yoruba scholars, students, and educators a voice to reach each other and the rest of the world in their native language. Includes: a comprehensive review of the Yoruba alphabet and tonal system; more than 26,000 total word-to-word dictionary entires (no definitions), which include medical terms, the basic elements, and plant and animal taxonomy; a grammar section that includes part of speech and sentence structure; a list of Yoruba and English word roots, prefixes, and suffixes; and an appendix of scientific measurements and rudimentary mathematical terminology.

Book by Henry John Drewal, John Pemberton

Yoruba Proverbs Handbook provides over 2,500 Yoruba Proverbs along with their concise English translations in a clear, breezy and easy-to-read style. The proverbs have been listed alphabetically to make it easy to search for and find specific proverbs. The book should prove a handy reference to anyone on the go. Treat it as a companion; take it wherever you go; treat it like a good friend and watch how proficient you become at Yoruba proverbs and Yoruba language as a whole.

The Nigerian diaspora is now world-wide, and when Yoruba travel, they take with them their religious organizations. As a member of the Cherubim and Seraphim church in London for over thirty years, anthropologist Hermione Harris explores a world of prayer, spirit possession, and divination through dreams and visions.

The Yoruba in Brazil, Brazilians in Yorubaland focuses on multivalent manifestations of the Yoruba Atlantic. Unique in its examination of an African ethnic group that was implicated in the transatlantic slave trade and that subsequently made the diaspora home (or through other forms of migration returned to the continental homeland ), this volume argues that despite traumatic encounter with modernity and resilience, the Yoruba Atlantic may be under erasure due to the exigencies of globalization. What we call Yoruba Atlantic today is indeed a hybridized identity. Through colonialism and slavery, historical realities are appropriately anchored in the quest for a Yoruba diaspora, and yet are compounded by the new, shifting migration patterns out of the Yorubaland in the search for greener pastures in a globalized world. The contributors assert the vitality and unity of this group while complicating those same essences through multiple crossroads of shifting historical, cultural, political, and spiritual agencies.