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Enhance your photographic archiving with the Paterson Photographic 35mm Negative Filing System. This premium storage solution is meticulously designed to accommodate 7 strips of 6 frames each, ensuring your cherished memories are organized and easily accessible. Crafted from high-quality materials, this filing system is a durable and stylish choice for both professional photographers and enthusiasts alike.The Paterson Photographic filing system stands out for its protective features, safeguarding your negatives against common threats such as scratches, dust, and moisture. Its spacious design allows for ample storage, making it an ideal option for those with extensive collections of 35mm negatives.Users have praised the filing system's material, preferring it over plastic alternatives that can cause negatives to stick and potentially damage them. The thoughtful inclusion of four rings, as opposed to the standard three, provides additional security and ease of use, allowing sleeved negatives to be stored without hassle.Whether you're looking to preserve your work for future generations or simply keep your negatives in pristine condition, the Paterson Photographic 35mm Negative Filing System offers a high-quality, protective, and spacious environment for your valuable film. Its durability and stylish design make it a superior choice for anyone serious about the long-term archival storage of their 35mm negatives.

Almost like new but with very few cosmetic defects.

Roughly 1.7 million people died in Cambodia from untreated disease, starvation, and execution during the Khmer Rouge reign of less than four years in the late 1970s. The regime’s brutality has come to be symbolized by the multitude of black-and-white mug shots of prisoners taken at the notorious Tuol Sleng prison, where thousands of “enemies of the state” were tortured before being sent to the Killing Fields. In Archiving the Unspeakable, Michelle Caswell traces the social life of these photographic records through the lens of archival studies and elucidates how, paradoxically, they have become agents of silence and witnessing, human rights and injustice as they are deployed at various moments in time and space. From their creation as Khmer Rouge administrative records to their transformation beginning in 1979 into museum displays, archival collections, and databases, the mug shots are key components in an ongoing drama of unimaginable human suffering. Winner, Waldo Gifford Leland Award, Society of American Archivists Longlist, ICAS Book Prize, International Convention of Asia Scholars

Photographic Memory, Claxon's first-ever monograph of these images, features more than 100 such wonderful and revealing portraits, only a handful of which have ever been seen before. Anecdotal stories by Claxton accompanying the images reveal the intimate and first-name basis with which he photographed the well-known icons of celebrity, wit, and style from the past five decades, many of them his dear personal friends. Here for the first time Claxton describes a backstage photo session with Marlene Dietrich; antique shopping with Gloria Swanson; unwittingly provoking Shirley MacLaine into a bawdy comment on a tense, crowded film set during a love scene; and many other unforgettable moments. A stunningly intimate document of our most-loved film and entertainment icons, Claxton's Photographic Memory is sure to become an instant pop-culture heirloom.

Jack Delano's "photographic memories" include the struggles of migrant workers and the homefront contributions of ethnic and minority groups living in the shadow of the Depression. Employed as a photographer by the Historical Section of the Farm Security Administration (FSA), Delano later settled in Puerto Rico, where he has been a constant participant in the island's cultural life. This memoir includes rare photos from his FSA years, along with cartoons, personal snapshots and film stills.

Rafael Goldchain’s "I Am My Family" is a family album of traditional portrait photographs with an unconventional twist: the only subject is Goldchain himself. In an elaborate process involving genealogical research, the use of make-up, hair styling, costume, and props, Goldchain transforms himself into his ancestors and captures their personifications with the camera. Taking some liberties with historical accuracy, Goldchain has assembled a fascinating cast of characters: from his short-story-writing grandfather, to his great-aunts Pola and Fela, to the Rabbi Gur’s nephew in wedding dress, Goldchain reinvents himself over and over again. These beautifully reproduced self-portraits trace the evolution of Jewish culture from tradition to modernity and invite us to engage the history of a family decimated and scattered by the traumatic events of the 20th century. Featuring an insightful essay by curator Martha Langford, the portraits are complemented by a selection of the archival images on which they are based as well as selections from the artist’s handwritten sketchbooks.

The photographs of artist Peter Schlesinger are a visual diary of an extraordinary life that has intersected with some of the brightest names in the worlds of art, fashion and society. Schlesinger's remarkable journey began in 1966 when as an 18-year-old student at UCLA he met the artist David Hockney. The two moved to London, where Schlesinger was introduced to the city's fashionable bohemian society. There, as well as on trips, Schlesinger met and photographed some of the great personalities of the day, including Cecil Beaton, Paloma Picasso, Grace Coddington, Tina Chow, Christopher Isherwood and Manolo Blahnik, to name just a few. This beautifully produced book presents an overview of 30 years of photographic work from Schlesinger's archives. In addition to intimate portraits, it includes Schlesinger's evocative still lifes, which convey the romance, humor and elegance of their time. This is the first monograph to present the full range of Schlesinger's photographic work.Peter Schlesinger was born and raised in California. His sculptures and paintings have been exhibited widely and are in the collections of the Parrish Art Museum, The Farnsworth Museum, and Manchester Gallery of Art, England. He currently resides in New York City with his partner, the photographer Eric Boman.

Reprinted Edition. Part of the 'Photographic Memories' series. Showing Devon from mid-Victorian times, this book also depicts the considerable changes it has undergone during the twentieth century. 126 pages. Nearly 150 b/w photographs. Laminated pictorial boards in jacket. Every book is sent in a rigid cardboard posting box. Size: 25.5 Cm x 19.5 Cm

Paul R. Halmos, eminent mathematician and brilliant expositor, is also a snapshot addict. Between 1943 and 1988, Halmos photographed mathematicians, their spouses, their brothers and sisters and other relatives, their offices, their dogs, and their carillon towers. From the 6000 or so photographs in his collection, Halmos has chosen about 600 for this book. The pictures are candid shots showing mathematicians just being themselves. The accompanying captions, in addition to identifying the subjects, contain anecdotes and bits of history that reveal Halmos's inimitable wit, charm, and insight. This delightful collection of mathematical memorabilia has become a favorite browsing book as well as a valuable historical record. It is now available in a paperback edition.

BOX has Slight wear on corners and slight discoloration on one side. They book has a few pages in the back with a fingernail size slight indentation. The inscription can be covered with the third grey page. The point has a small white blemish that would be easy for a pro to fix. ALL ABOVE DESCRIPRION IS MINIMAL

In shrink wrap. Looks like an interesting title!

As photography became an increasingly accessible medium in the twentieth century, the popularity of the photographic album exploded, yielding a wonderful range of objects made for varying purposes—to memorialize, document (officially or unofficially), promote, or educate and sometimes simply to channel creative energy. Photographic Memory: The Album in the Age of Photography traces the rise of the album from the turn of last century to the present day, showcasing some of the most important examples in the history of the medium, as collected by the Library of Congress. The book includes albums by acclaimed photographers and filmmakers, among them Walker Evans, Danny Lyon, Holland Day, Jim Goldberg, Dorothea Lange, Duane Michals, Leni Riefenstahl and W. Eugene Smith, as well as lesser-known but equally significant albums. Each album is beautifully reproduced over numerous spreads with an accompanying detailed explanatory text. An insightful history of the album format, as well as an informative essay about caring for and restoring albums are included. At a time when the physical collection of photographs is becoming increasingly immaterial through the ascent of digital publishing, and at a time in which radical shifts have occurred in the status of handmade artists' objects, Photographic Memory is a comprehensive illustrated history of a form of presentation that became something of an art in itself.

Book is in NEW condition. 1.85

The photographs of artist Peter Schlesinger are a visual diary of an extraordinary life that has intersected with some of the brightest names in the worlds of art, fashion and society. Schlesinger's remarkable journey began in 1966 when as an 18-year-old student at UCLA he met the artist David Hockney. The two moved to London, where Schlesinger was introduced to the city's fashionable bohemian society. There, as well as on trips, Schlesinger met and photographed some of the great personalities of the day, including Cecil Beaton, Paloma Picasso, Grace Coddington, Tina Chow, Christopher Isherwood and Manolo Blahnik, to name just a few. This beautifully produced book presents an overview of 30 years of photographic work from Schlesinger's archives. In addition to intimate portraits, it includes Schlesinger's evocative still lifes, which convey the romance, humor and elegance of their time. This is the first monograph to present the full range of Schlesinger's photographic work.Peter Schlesinger was born and raised in California. His sculptures and paintings have been exhibited widely and are in the collections of the Parrish Art Museum, The Farnsworth Museum, and Manchester Gallery of Art, England. He currently resides in New York City with his partner, the photographer Eric Boman.

Paul R. Halmos, eminent mathematician and brilliant expositor, is also a snapshot addict. Between 1943 and 1988, Halmos photographed mathematicians, their spouses, their brothers and sisters and other relatives, their offices, their dogs, and their carillon towers. From the 6000 or so photographs in his collection, Halmos has chosen about 600 for this book. The pictures are candid shots showing mathematicians just being themselves. The accompanying captions, in addition to identifying the subjects, contain anecdotes and bits of history that reveal Halmos's inimitable wit, charm, and insight. This delightful collection of mathematical memorabilia has become a favorite browsing book as well as a valuable historical record. It is now available in a paperback edition.

Jack Delano's "photographic memories" include the struggles of migrant workers and the homefront contributions of ethnic and minority groups living in the shadow of the Depression. Employed as a photographer by the Historical Section of the Farm Security Administration (FSA), Delano later settled in Puerto Rico, where he has been a constant participant in the island's cultural life. This memoir includes rare photos from his FSA years, along with cartoons, personal snapshots and film stills.

Setting off for York in search of adventure--and leaving painful memories of her unrequited love for George Clarence behind her--Miss Hannah Pym decides to try to find a match for Yvonne Grenier, a charming young Frenchwoman

Setting off for York in search of adventure--and leaving painful memories of her unrequited love for George Clarence behind her--Miss Hannah Pym decides to try to find a match for Yvonne Grenier, a charming young Frenchwoman

Yvonne Jacquette has for more than thirty years been depicting the landscape from elevated vantage points. Her art combines elements of abstraction and representation, surface pattern and illusion of depth, and observation, imagination, and memory.

Yvonne Jacquette has for more than thirty years been depicting the landscape from elevated vantage points. Her art combines elements of abstraction and representation, surface pattern and illusion of depth, and observation, imagination, and memory.