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Wojciech Sumlinski, najbardziej inwigilowany dziennikarz sledczy w Polsce, i Tomasz Budzynski, major Agencji Bezpieczenstwa Wewnetrznego, w swojej najmocniejszej ksiazce odslaniaja nam niebezpieczne zwiazki Donalda Tuska z niemieckim wywiadem, swiatem sluzb specjalnych i mafijnym pólswiatkiem. Starannie przygotowane 300 stron rzetelnie zebranych i az dotad opatrzonych klauzula najwyzszej tajnosci informacji dotyczacych jednego z najwazniejszych europejskich polityków od kilkudziesieciu lat odgrywajacego kluczowa role w wydarzeniach, które mialy i wciaz maja wielki wplyw na polska rzeczywistosc. Rzetelnie napisana ksiazka, która czyta sie jak thriller polityczny, lecz na która skladaja sie zweryfikowane fakty, ujawniajaca porazajaca, a zupelnie nieznana opinii publicznej prawde o ludziach na szczytach wladzy.

The volume 1 from Bosz Publishing series of albums with art of Zbigniew Beksinski, presents some of the most important paintings of acclaimed Polish visual arts visionary. The albums also includes introductory notes written by professor Tomasz Gryglewicz, and Wieslaw Banach, the director of the Sanok History Museum. All material presented in this album came from from rom various private collections, and the archives of the Historical Museum in Sanok, famous for world s largest selection of Beksinski s works.

"Graydon House's ISBN is 9781525823565 Synopsis: Since she was nine years old, Alina Dziak knew she would marry her best friend, Tomasz. Now fifteen and engaged, Alina is unconcerned by reports of Nazi soldiers at the Polish border, believing her neighbors that they pose no real threat, and dreams instead of the day Tomasz returns from college in Warsaw so they can be married. But little by little, injustice by brutal injustice, the Nazi occupation takes hold, and Alina's tiny rural village, its families, are divided by fear and hate. Then, as the fabric of their lives is slowly picked apart, Tomasz disappears. Where Alina used to measure time between visits from her beloved, now she measures the spaces between hope and despair, waiting for word from Tomasz and avoiding the attentions of the soldiers who patrol her parents' farm. But for now, even deafening silence is preferable to grief. Slipping between Nazi-occupied Poland and the frenetic pace of modern life, Kelly Rimmer creates an emotional and finely wrought narrative that weaves together two women's stories into a tapestry of perseverance, loyalty, love and honor. The Things We Cannot Say is an unshakable reminder of the devastation when truth is silenced...and how it can take a lifetime to find our voice before we learn to trust it."--

"Graydon House's ISBN is 9781525823565 Synopsis: Since she was nine years old, Alina Dziak knew she would marry her best friend, Tomasz. Now fifteen and engaged, Alina is unconcerned by reports of Nazi soldiers at the Polish border, believing her neighbors that they pose no real threat, and dreams instead of the day Tomasz returns from college in Warsaw so they can be married. But little by little, injustice by brutal injustice, the Nazi occupation takes hold, and Alina's tiny rural village, its families, are divided by fear and hate. Then, as the fabric of their lives is slowly picked apart, Tomasz disappears. Where Alina used to measure time between visits from her beloved, now she measures the spaces between hope and despair, waiting for word from Tomasz and avoiding the attentions of the soldiers who patrol her parents' farm. But for now, even deafening silence is preferable to grief. Slipping between Nazi-occupied Poland and the frenetic pace of modern life, Kelly Rimmer creates an emotional and finely wrought narrative that weaves together two women's stories into a tapestry of perseverance, loyalty, love and honor. The Things We Cannot Say is an unshakable reminder of the devastation when truth is silenced...and how it can take a lifetime to find our voice before we learn to trust it."--

Polish producer Tomasz Bednarczyk returns to Room40 with Illustrations For Those Who, his first full length edition in almost a decade. Across the late 2000s, Bednarczyk created a series of acclaimed ambient recordings that married the unsteadiness of archival technologies with an extensive palette of pastoral timbres. These recordings quietly set a particular tenor of work for a new generation of Middle Eastern European ambient composers. Following these recordings, however, Bednarczyk's energi

Like his early hero Miles Davis, Polish trumpeter Tomasz Stanko has a gift for shaping great bands, and this one, formed in the worlds jazz capital, overflows with promise. The bass and drums team of Thomas Morgan and Gerald Cleaver is one of the most sensitive in contemporary improvising, and Cuban-born pianist David Virelles, inspired by ritual music as well as by Thelonious Monk and Andrew Hill, seems particularly well-attuned to the brooding darkness and sophisticated dread of Stankos free b

Inspired by actual events, Remembrance depicts a remarkable love story that blossomed amidst the terror of a German concentration camp in Poland in 1944. In a daring escape Tomasz, a young Polish political prisoner, rescues his Jewish fiancee Hannah. With the Nazis in pursuit, Hannah and Tomasz make their way into hiding. Chaos ensues and the two are torn apart and each becomes convinced that the other is lost.

New Rome, the latest project from Polish composer Tomasz Bednarczyk, presents Nowhere. In the late 2000s, Bednarczyk emerged with a trilogy of electronic records that set pastoral-tonality against grainy smears of pulse and rhythm. His previous Room40 editions Summer Feelings and Painting Sky Together were lilting, melancholic affairs, littered with a deeply personal approach to music making that felt as therapeutic as it did artistic. In hindsight, they were records that stamped out a virgin te