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Catalogo della mostra tenutasi presso l'Internationale Kunstaussellung, Berlino, 1982, a cura di  Norman Rosenthal e Christos M. Joachimides. Testi di Norman Rosenthal, Christos M. Joachimides, Robert Rosemblum, Hilton Kramer, Walter Bachauer et al. Numerose illustrazioni a colori (opere di Georg Baselitz, Joseph Beuys, Pierpaolo Calzolari, Francesco Clemente, Enzo Cucchi, Gilbert e George, Dieter Hacker, Cy Twombly, Salomé, Sandro Chia, Barry Flanagan, Jannis Kounellis, David Salle, Mario Merz, A. R. Penck, Sigmar Polke, Julian Schnabel, Andy Warhol et al.). Biografie degli artisti e Catalogo delle opere . 8vo (cm 28x21,5) pp. 120 Brossura (wrappers) Ottimo (Fine)

- A spectacular 3CD live recording of the already legendary 2010 performance at Royal Albert Hall by the critically adored, hugely influential band Tangerine Dream! - Opening with a dramatic cello quartet followed by an improvisational piano piece, this breathtaking show includes vibrant takes on classic TD material from the blockbuster albums Phaedra, Rubycon, and so much more!

Untendentious and highly informative... "―Virginia Quarterly Review... extremely useful and intellectually stimulating... " ―SeminarZeitgeist in Babel vividly displays the confluence of discourse-formations concerning postmodernism as they take shape in the different disciplines of aesthetic mediums and philosophical discourse. The twenty contributors include Umberto Eco, Jacques Derrida, Clement Greenberg, Martin Jay, Charles Jencks, Susan Rubin Suleiman, and Richard Rorty.Other contributors are Charles Boone, Matei Calinescu, C. Barry Chabot, Erika Fischer-Lichte, David Hayman, Jost Hermand, Ingeborg Hoesterey, Peter Koslowski, Rosalind E. Krauss, Donald B. Kuspit, Stefano Rosso, Maureen Turim, and Gianni Vattimo.

It’s 1999, and in the Turkish half of Cyprus, the ever-enterprising Leggy Starlitz has alighted — pausing on his mission to storm the Third World with the G-7 girls, the cheapest, phoniest all-girl rock group ever to wear Wonderbras and spandex.His market is staring him in the face: millions of teenagers trapped in a world of mullahs and mosques, all ready to blow their pocket change on G-7’s massive merchandising campaign — and to wildly anticipate music the band will never release.Leggy’s brilliant plan means doing business with some of the world’s most dangerous people. Among these thieves, schemers, and killers, he must act quickly and decisively. Y2K is just around the corner — and the only rule to live by is that the whole scheme stops before the year 2000.But Leggy’s G-7 Zeitgeist is in serious jeopardy, for in Istanbul his former partners are getting restless — and the G-7 girls are beginning to die....

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Hermann Broch achieved international recognition for his brilliant use of innovative literary techniques to present the entire range of human experience, from the biological to the metaphysical. Concerned with the problem of ethical responsibility in a world with no unified system of values, he turned to literature as the appropriate form for considering those human problems not subject to rational treatment.Late in life, Broch began questioning his artistic pursuits and turned from literature to devote himself to political theory. While he is well known and highly regarded throughout the world as a novelist, he was equally accomplished as an essayist. These six essays give us a fascinating glimpse into the mind of one of the twentieth century's most original thinkers.

Although it is appealing to think that fashion has taken a sharp turn away from conventions established in the industry over the past century and more, is this really the case? Or are 'pioneering' designs simply part of a cyclical revival of forgotten fashions? Looking at some of the most influential designers of the twentieth century, Vinken considers the politics and philosophies that have been the driving forces directing their sense of style.Vinken describes 'Fashion Zeitgeist' as a trend characterized by representations of traces of the past. She considers the key concepts behind designers such as Yamamoto, Gaultier, and Lagerfeld. The originality of Yamamoto's multi-layered look stems from his philosophy that it is the individual sum of experience that is important, not the collective consequences of history. Martin Margiela, although he himself refuses to be photographed or appear in the public eye, brings new individuality into fashion. Chanel, under the direction of Karl Lagerfeld, is viewed as the only fashion house to have remained fresh after 100 years, yet is this success essentially proof of the self-referential qualities fashion has adopted? What inspired the fetish for labels at the end of the twentieth century? Answering these questions and many more, this concise and thought-provoking book shows how beauty, gender, sexuality, commerce and dandyism have persisted in defining the fashion system.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

So you want to be a rock 'n' roll star? In a future that isn't distant enough, you'll have to sell your soul to MTV just to pick up a guitar. And then they start carving you up, making you over in the mega-media image of glitter and bone. Poor Ben Tendo, he just wanted to play music and make love to Jessika. . . _Tonguing the Zeitgeist_, finalist for the 1995 Philip K. Dick Award for best science fiction novel, is a social satire in the tradition of Anthony Burgess's _A Clockwork Orange_ about the music industry and the commercialization of the arts.

Although it is appealing to think that fashion has taken a sharp turn away from conventions established in the industry over the past century and more, is this really the case? Or are 'pioneering' designs simply part of a cyclical revival of forgotten fashions? Looking at some of the most influential designers of the twentieth century, Vinken considers the politics and philosophies that have been the driving forces directing their sense of style.Vinken describes 'Fashion Zeitgeist' as a trend characterized by representations of traces of the past. She considers the key concepts behind designers such as Yamamoto, Gaultier, and Lagerfeld. The originality of Yamamoto's multi-layered look stems from his philosophy that it is the individual sum of experience that is important, not the collective consequences of history. Martin Margiela, although he himself refuses to be photographed or appear in the public eye, brings new individuality into fashion. Chanel, under the direction of Karl Lagerfeld, is viewed as the only fashion house to have remained fresh after 100 years, yet is this success essentially proof of the self-referential qualities fashion has adopted? What inspired the fetish for labels at the end of the twentieth century? Answering these questions and many more, this concise and thought-provoking book shows how beauty, gender, sexuality, commerce and dandyism have persisted in defining the fashion system.

Although it is appealing to think that fashion has taken a sharp turn away from conventions established in the industry over the past century and more, is this really the case? Or are 'pioneering' designs simply part of a cyclical revival of forgotten fashions? Looking at some of the most influential designers of the twentieth century, Vinken considers the politics and philosophies that have been the driving forces directing their sense of style.Vinken describes 'Fashion Zeitgeist' as a trend characterized by representations of traces of the past. She considers the key concepts behind designers such as Yamamoto, Gaultier, and Lagerfeld. The originality of Yamamoto's multi-layered look stems from his philosophy that it is the individual sum of experience that is important, not the collective consequences of history. Martin Margiela, although he himself refuses to be photographed or appear in the public eye, brings new individuality into fashion. Chanel, under the direction of Karl Lagerfeld, is viewed as the only fashion house to have remained fresh after 100 years, yet is this success essentially proof of the self-referential qualities fashion has adopted? What inspired the fetish for labels at the end of the twentieth century? Answering these questions and many more, this concise and thought-provoking book shows how beauty, gender, sexuality, commerce and dandyism have persisted in defining the fashion system.

Why would an American girl-child, born into a good, Irish-Catholic family in the thick of the McCarthy era – a girl who, when she came of age, entered a convent – morph into an atheist, feminist, and Marxist? The answer is in Helena Sheehan’s fascinating account of her journey from her 1940s and 1950s beginnings, into the turbulent 1960s, when the Vietnam War, black power, and women’s liberation rocked her bedrock assumptions and prompted a volley of life-upending questions – questions shared by millions of young people of her generation. But, for Helena Sheehan, the increasingly radicalized answers deepened through the following decades.Beginning by overturning such certainties as America-is-the-world’s-greatest-country and the-Church-is-infallible, Sheehan went on to embrace existentialism, philosophical pragmatism, the new left, and eventually Marxism. Migrating from the United States to Ireland, she became involved with Irish republicanism and international communism in the 1970s and 1980s. Sheehan’s narrative vividly captures the global sweep and contradictions of second-wave feminism, antiwar activism, national liberation movements, and international communism in Eastern and Western Europe – as well as the quieter intellectual ferment of individuals living through these times. Navigating the Zeitgeist is an eloquently articulated voyage from faith to enlightenment to historical materialism that informs as well as entertains. This is the story of a well-lived political and philosophical life, told by a woman who continues to interrogate her times.

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Where do major scientific breakthroughs come from? Do they arise from the logic of the scientific method, or do they result from flashes of genius? Are they the products of some mysterious zeitgeist, or spirit of the times, or do they emerge from chance or serendipity? Dean Simonton provides an answer, not by choosing one explanation and ignoring the others, but rather by unifying all four perspectives into a single theory in which chance plays the primary role, but with the significant involvement of logic, genius and zeitgeist.

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Zeitgeist Novo - CD 882951720226

Elevated into the zeitgeist with rumors started by Tool's Adam Jones, the Silverburst Custom is a wild, yet classy finish on a top notch instrument...

Vinyl LP pressing. The ten new songs on My New Moon were all written by Amos Lee, and are the product of a period of intense connection and loss, marking his most personal collection to date. It was recorded at Zeitgeist Studio in Los Angeles and produced by Tony Berg (Phoebe Bridgers, Andrew Bird) with contributions from an incomparable group of studio aces including multi-instrumentalists Ethan Gruska and Blake Mills, Benmont Tench and Patrick Warrenon keyboards, Greg Leisz on pedal steel, Rob