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The Zentrum Paul Klee, which opened its doors during the summer of 2005, is not an art museum in the traditional sense--just as its raison d'etre, Paul Klee, was by no means a traditional artist. Klee, who was also a musician, teacher and poet, ranks comfortably as one of the twentieth century's most significant and beloved artists. His artworks, which partook marvelously in the spirit of the naif and the childlike, were the visual wonder of an intellect that also produced fascinating theoretical and educational treatises. The center, housed in a marvelously undulating building designed by renowned architect Renzo Piano, is set to become the leading resource worldwide for mediations on the life and work of Paul Klee, as well as the reception of his art. The diversity of Klee's artistic activities will be thoroughly represented here, with nearly 40 percent of the artist's entire oeuvre accounted for, totalling some 4,000 paintings, watercolors and drawings, as well as plentiful archives and biographical material. The collection has been compiled from a number of contributing sources, including generous donations and loans from the founding Klee and Mller families, the former Paul Klee foundation and numerous private holdings.

Valborg are undisputed masters of sophisticated primitivism. In the course of six albums, the Germans have been cherished by the likes of metal pioneer Tom G. Warrior (Celtic Frost/Triptykon) for their exceptional uniquess, and now "Zentrum" ("center") combines the best of its two predecessors, the atmospheric depth of "Romantik" and the rawness of "Endstrand". Once again, an evocative cover artwork by Peter Bhme visualizes the music perfectly: as simple as singular , powerfully striking. Thema

Valborg are undisputed masters of sophisticated primitivism. In the course of six albums, the Germans have been cherished by the likes of metal pioneer Tom G. Warrior (Celtic Frost/Triptykon) for their exceptional uniquess, and now "Zentrum" ("center") combines the best of its two predecessors, the atmospheric depth of "Romantik" and the rawness of "Endstrand". Once again, an evocative cover artwork by Peter Bhme visualizes the music perfectly: as simple as singular , powerfully striking. Thema

The Zentrum Paul Klee, which opened its doors during the summer of 2005, is not an art museum in the traditional sense--just as its raison d'etre, Paul Klee, was by no means a traditional artist. Klee, who was also a musician, teacher and poet, ranks comfortably as one of the twentieth century's most significant and beloved artists. His artworks, which partook marvelously in the spirit of the naif and the childlike, were the visual wonder of an intellect that also produced fascinating theoretical and educational treatises. The center, housed in a marvelously undulating building designed by renowned architect Renzo Piano, is set to become the leading resource worldwide for mediations on the life and work of Paul Klee, as well as the reception of his art. The diversity of Klee's artistic activities will be thoroughly represented here, with nearly 40 percent of the artist's entire oeuvre accounted for, totalling some 4,000 paintings, watercolors and drawings, as well as plentiful archives and biographical material. The collection has been compiled from a number of contributing sources, including generous donations and loans from the founding Klee and Mller families, the former Paul Klee foundation and numerous private holdings.

Das Römisch-Germanische Museum Köln besitzt weltweit die grösste Sammlung an römischem und fränkischem Glas - und durch Ausgrabungen im Kölner Stadtgebiet wächst sie fast täglich. Dieser Schatz bildet den Kern der Ausstellung, die einen Querschnitt durch 1000 Jahre antiker Glaskunst vor Augen stellt.

The federal state of Vorarlberg holds a distinguished position in wooden construction with an active and innovative scene, where tradespeople, planers and industrial enterprises build upon their possibilities and develop their field together. Hermann Kaufmann, as one of the key protagonists has been working with his team to push the material to its limits for decades. In regards to its size and industrial manufacturing, the Illwerke Zentrum Montafon has successfully made a quantum leap in wooden construction. The publication describes the emergence of the approximately 10,000m2 administration centre: from the influence of the water and the topography, from the development of the cubature defined by the static structure of the building system and the uniform conditions for all working spaces, to the change of the office culture due to the architecture, and finally, the integration of art in the construction.

Zustand: Sehr gut - Gepflegter, sauberer Zustand. 4. Auflage. Außen: Kleiner Riss. Sprache: Englisch Produktart: Bücher

The federal state of Vorarlberg holds a distinguished position in wooden construction with an active and innovative scene, where tradespeople, planers and industrial enterprises build upon their possibilities and develop their field together. Hermann Kaufmann, as one of the key protagonists has been working with his team to push the material to its limits for decades. In regards to its size and industrial manufacturing, the Illwerke Zentrum Montafon has successfully made a quantum leap in wooden construction. The publication describes the emergence of the approximately 10,000m2 administration centre: from the influence of the water and the topography, from the development of the cubature defined by the static structure of the building system and the uniform conditions for all working spaces, to the change of the office culture due to the architecture, and finally, the integration of art in the construction.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

English summary: While Jungel currently seems to have accepted or is at least no longer opposed to the ratification of the Joint Declaration, this book retains its value for its systematic, thorough, and clear exposition of the centrality and contemporary relevance of the doctrine of justification as the criterion of truth in Protestant theology.Mark C. Mattes in Lutheran Quarterly, 2002, pp. 477-479 German description: Der Tubinger Systematiker Eberhard Jungel hat die Diskussion uber die GE [Gemeinsame Erklarung zur Rechtsfertigungslehre] ausgelost und massgeblich bestimmt, aber sein innerhalb Jahresfrist in drei Auflagen erschienenes Buch ist keine polemische Streitschrift. Die grosse Resonanz verdankt das wohl wichtigste Buch vom Ende des 20. Jahrhunderts der Tatsache, dass es in grossartiger Klarheit die Botschaft von der Rechtfertigung des Sunders entfaltet. [...] die Durchfuhrung bietet eine klare, differenzierte Argumentation mit grosser Tiefenscharfe, die zwar bisweilen erhebliche Anspruche an den Leser stellt, aber diesen auch mit vielfaltigen Einsichten belohnt.Gerhard Ringshausen in Wissenschaftlicher Literaturanzeiger 1 (2001) S. 54f. [...] eine Fundamentaltheologie des Protestantismus.Robert Leicht in Die Zeit Nr. 50 vom 3.12.1998

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Im Zentrum der 1874 erschienenen bewußtseinspsychologischen Abhandlungen Brentanos (1838-1917) steht die Beschreibung und Analyse des Psychischen. Damit bahnte sich jene Abwendung von der sensualistischen Tradition der philosophischen Bewußtseinslehre an, die in der Phänomenologie Edmund Husserls vollendet wurde. Unveränderter Print-on-Demand-Nachdruck Ausgabe von 1925 bzw. 1971.

Since 2006, specialists, doctors, psychologists, and therapists of Parzival-Zentrum Karlsruhe have taken part in emergency education crisis interventions, carried out by the organization Friends of Friends of Waldorf Education. They work with psychologically traumatized children and young people in war zones and disaster areas, including Lebanon, China, the Gaza Strip, Indonesia, Haiti, Kyrgyzstan, and most recently in Japan following the tsunami there and the Fukushima Daiichi nuclear disaster.Bernd Ruf, who heads these operations, describes in his book in various ways the basics of anthroposophically extended “emergency education,” including the anthroposophic understanding of trauma itself. In addition, he describes processes and experiences, focusing on recent experiences in Japan at the center of his descriptions. Educating Traumatized Children offers much-needed insight into this little-known area of education and healing for traumatized children and young people. This book will be valuable not only for those working in areas of disaster and armed conflict, but also for any teacher or parent who is teaching or caring for a traumatized child.

The many books on Paul Klee (1879–1940) published over the years should not obscure the fact that there has been no new, comprehensive Klee overview since Will Grohmann’s much reprinted 1954 monograph. With Paul Klee: Life and Work, the Zentrum Paul Klee has set out to fill this gap, drawing on a wealth of new resources including the Klee family’s archives, much of which is published here for the first time. Life and work are truly integrated in this massive, 344-page volume: Klee’s vast body of work is surveyed chronologically, as the book narrates his life alongside the abundant reproductions of drawings, paintings, watercolors, sculptures, puppets and numerous archival documents and photographs (500 reproductions in total, half of which are color). The book divides Klee’s career into eight periods: “Childhood and Youth”; “Munich and the Encounter with the Avant Garde”; “World War I and the Breakthrough to Success”; “At the Bauhaus in Weimar”; “Master of Modern Art”; “The Move to Dusseldorf and the Nazi Rise to Power”; “First Years of Emigration in Bern”; and “Final Years.” The result of many years of research and labor, this magisterial publication demonstrates conclusively why Klee numbers among the most influential and best loved artists of the past 100 years.

Comprehensive in scope and elegant in design, Paul Klee: Bauhaus Master is a landmark publication resulting from several years of work in collaboration with the Zentrum Paul Klee in Bern, and based on a recent critical publication on Klee's "pedagogical legacy." The book contextualizes a selection of 137 works--including paintings, watercolors and drawings, made between 1899 and 1940--with nearly 100 handwritten notes selected from classes Klee gave at the Bauhaus, alongside an extensive array of archival objects and documents ranging from archival photographs to the artist's herbaria through to his reading, sketchbooks and publications. Demonstrating the unity of Klee's art and pedagogy--the unity of his hand and mind--Bauhaus Master presents an artist thinking with and through his materials and image-making practices, endlessly testing both.Paul Klee (1879-1940) was born in Switzerland and studied at Munich's Academy of Fine Arts. Klee participated in several exhibitions between 1911 and 1913, but the breakthrough in his career was a 1914 trip to Tunis with August Macke and Louis Moillet, after which he painted his first abstract work. From 1919 he was represented by influential dealer Hans Goltz. Klee taught at the Bauhaus from 1921 to 1931; when the ascent of Nazism forced the closure of the Bauhaus, Klee emigrated to Switzerland. Although still working, he was in ill health until his death in 1940.

Neuware - Die Großstadt als Denkmal: Der vorliegende Band über den Bereich der Wiener Innenstadt ist Teil des erstmals umfassend vor Ort erarbeiteten Denkmälerinventars der Stadt Wien, des historisch-kontinuierlichen Zentrums Mitteleuropas.Wie in allen bisher erschienen Bänden der neuen Dehio-Reihe wurde auch hier aufgrund topographisch-systematischer flächendeckender Bestandsaufnahmen ein Verzeichnis erstellt, das alle denkmalrelevanten Objekte auflistet und in ihren Zusammenhang innerhalb der überaus kompakten Großstadtstruktur darzustellen versucht. Mit Vorliegen von Band 1 zur Wiener Innenstadt ist nach Erscheinen von Band 2 zu den ehem. Wiener Vorstädten (1993) und Band 3 zu den ehem. Wiener Vororten (1996) die Wien-Serie abgeschlossen. Wien, ein architektonisches Ensemble von höchstem internationalen Rang, verfügt damit über ein einzigartiges flächendeckendes Inventar einer europäischen Großstadt. Speziell das historische 'Herz' der Millionenmetropole zeichnet sich durch seine jahrtausendealten Siedlungsstrukturen wie die hohe Dichte und außerordentliche Qualität seiner Bau- und Kunstsubstanz aus. 2001 wurde Wien mit seinem Zentrum zum UNESCO_Weltkulturerbe ernannt, das über die Kernzone bis weit in die Vorstädte reicht.Neben weltweit bedeutenden Einzeldenkmälern, allen voran Stephansdom und Hofburg, beeindruckt die dichte Verbauung mit Kirchen, Klöstern, Palästen, öffentlichen Monumentalbauten und Bürgerhäusern sowie die Bandbreite der mittelalterlichen und neuzeitlichen Stilrichtungen. Die Fülle an Denkmälern, Freiplastiken und Brunnen wie auch die ausgedehnten Park- und Gartenanlagen bereichern die Vielfalt des kulturellen Erbes, daneben auch Einrichtungen des Verkehrs und der Technik.Pläne und Grundrisse der wichtigsten Bauten und Anlagen veranschaulichen und ergänzen die Texte, ein Übersichtsplan zeichnet die Entwicklung des Wiener Stadtzentrums nach. Die ausführlichen Register erleichtern die Auffindbarkeit der zahlreichen Detailinformationen.

In der Reihe Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft (BZAW) erscheinen Arbeiten zu sämtlichen Gebieten der alttestamentlichen Wissenschaft. Im Zentrum steht die Hebräische Bibel, ihr Vor- und Nachleben im antiken Judentum sowie ihre vielfache Verzweigung in die benachbarten Kulturen der altorientalischen und hellenistisch-römischen Welt.

The many books on Paul Klee (1879–1940) published over the years should not obscure the fact that there has been no new, comprehensive Klee overview since Will Grohmann’s much reprinted 1954 monograph. With Paul Klee: Life and Work, the Zentrum Paul Klee has set out to fill this gap, drawing on a wealth of new resources including the Klee family’s archives, much of which is published here for the first time. Life and work are truly integrated in this massive, 344-page volume: Klee’s vast body of work is surveyed chronologically, as the book narrates his life alongside the abundant reproductions of drawings, paintings, watercolors, sculptures, puppets and numerous archival documents and photographs (500 reproductions in total, half of which are color). The book divides Klee’s career into eight periods: “Childhood and Youth”; “Munich and the Encounter with the Avant Garde”; “World War I and the Breakthrough to Success”; “At the Bauhaus in Weimar”; “Master of Modern Art”; “The Move to Dusseldorf and the Nazi Rise to Power”; “First Years of Emigration in Bern”; and “Final Years.” The result of many years of research and labor, this magisterial publication demonstrates conclusively why Klee numbers among the most influential and best loved artists of the past 100 years.

Thomas Schütte wurde lange vor allem über seine architektonisch anmutenden Modelle und Objekte wahrgenommen. Allmählich erst wurde offenbar, dass parallel dazu ein ebenso reiches Werk von Skulpturen und Zeichnungen entstanden ist, in deren Zentrum die menschliche Figur steht. Diesem Teil des Schaffens widmet sich diese Publikation. Schütte nimmt die Tradition der figurativen Skulptur auf und entwickelt daraus Figuren und Köpfe, die in ihrer unmittelbaren Ausstrahlung ebenso wie in ihrer Herstellung unwiderruflich im Heute stehen. Ob handgroße Keramikskulptur oder vier Meter hohe Eisenplastik - die Figuren und Köpfe von Thomas Schütte sind auf merkwürdige Weise gleichzeitig fremd und vertraut und berühren als Gegenüber. ***** Thomas Schütte's sculptures and drawings of the human figure are a lesser known but equally important part of the artist's oeuvre. From hand-sized ceramic sculptures to four-meter tall iron figures, his strangely moving sculptures have the quality of being at once alien and familiar.