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Concrete is the most used man-made material in the world and is the fundamental physical medium for most of the world’s architecture and construction. The character of concrete is largely the product of the rigid moulds that have shaped it since its invention in antiquity. The advent of flexible moulds, however, marks a radical break from conventional practice – and conventional concrete architecture. The Fabric Formwork Book provides the first comprehensive handbook on the emerging technology of flexible moulds for reinforced concrete architecture. Written by the foremost expert in the field, this book takes a comprehensive and generous approach that includes technical, historical and theoretical aspects of the subject. The book: concentrates on simple flat-sheet formworks contains detailed technical descriptions of how to construct a wide range of formworks for various applications features case studies from around the world critiques the difficulties and advantages in each case it covers provides instruction and guidance on how to model and design fabric-formed structures includes the most comprehensive history of fabric formwork yet published features essays from guest expert authors, which explore the theoretical, historical, and poetic significance of flexibly formed architecture and structures discusses fabric formwork as an exemplary approach to sustainable construction through its simplicity and efficiency. Beautifully designed and illustrated with a superb range of images, diagrams and technical drawings, the book both informs and inspires. Speaking directly and plainly to professionals, students and academics, the language used is both clear and precise, and care is taken to avoid opaque technical or academic jargon. Technical terms, when used, are clearly described and a special glossary is included to make the book as widely accessible as possible.

Bones skull earrings made of sterling silver 925 with black enamel. The bones skull shape is created using the lost wax casting method, which involves creating a wax model of the desired shape, making a mould of the wax model, and then pouring molten silver into the mould to create the final piece. Size 12. 7mm Drop length 3. 5cm Avoid exposing your silver jewelry to chemicals such as perfumes, lotions, or hair sprays, as these can cause discoloration. Clean your silver jewelry regularly with a soft cloth or a silver polishing cloth to remove any tarnish or dirt. You can also use gentle soap and warm water to clean your silver jewelry.

With its delicate design, the Star Ring is perfect for nature-lovers. It was created by lost wax carving and casted in sterling silver 925 with round amethyst. Lost wax carving is a traditional method of creating jewellery, where a model or pattern is used to create a mould, which is then filled with molten metal to create the final piece. Is available with ruby and garnet stones as well or cubic zirconia. This ring is sure to make you feel like a star! 4 stones in total. Mix bicarbonate of soda with some lukewarm water to make a paste. Apply to your sterling silver jewellery and leave on for a few minutes. Gently rub the paste with a paper towel or microfiber cloth to clean it off. You can use a small brush or toothbrush for the more intricate areas.

Underground Feeder (UF) Splice Kit is used to provide a reliable, yet simple method of connecting 600V rated UF cables ranging from 1 up to 8 AWG. Heavy wall, adhesive lined heat shrink tubing provides an effective, moisture proof seal that is suitable for submersible and direct burial splice applications. Complies with UL 486D listed for direct burial applications.

Chinese bronzes are one of the world's major art forms. Few if any other ancient cultures achieved the artistic excellence and technical virtuosity in bronze attained in China. Using a unique casting method involving multiple ceramic section moulds, the Chinese cast vessels, weapons and ornaments of great beauty and elegance. Ritual vessels, used for offerings of food and wine to the ancestors, were covered with patterns of real and mythical beasts. In a comprehensive introductory essay Jessica Rawson considers the extraordinary casting of the bronzes, their functions and the questions they pose. Her account surveys the latest excavations and research in the field. The remainder of the book catalogues over forty of the British Museum's world-famous collection of Chinese bronzes.

An introduction to casting in most metals. Subjects covered include crucibles and melting methods, moulding sands and mixtures, making moulding boxes, patterns and cores, preparing a mould, melting ferrous and non-ferrous metals and tools.

Sawyer's seminal work was first published in 1951. It offers straightforward practical instruction on the tried and tested methods of plastering as it was practised in the traditional way before the Second World War. It includes very useful drawings of the different features, including the tools, running moulds and geometry for setting out. The chapter describing running mouldings in situ will be of particular interest to the conservation practitioner since this method is now rarely used, but is considered the correct way to repair historic plasterwork. Jeff Orton and Tim Ratcliffe have provided a valuable Introduction to the book which not only gives an interesting background to the author but also comments on the materials or methods which are no longer considered appropriate.