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A riveting retrospective of the imaginative photographs created by contemporary artist Abelardo Morell Over the past twenty-five years, Abelardo Morell (b. 1948) has earned international praise for his images that use the language of photography to explore visual surprise and wonder. Born in Havana, Cuba, Morell came to the United States as a teenager in 1962 and later studied photography, earning an MFA from Yale University. He gained attention for intimate, black-and-white pictures of domestic objects from a child’s point of view, inspired by the birth of his son in 1986, as well as images in which he turns a room into a giant camera obscura, projecting exterior views onto interior spaces; and photographs of books that revel in their sensory materiality.In more recent years, he has turned to color, exploring the camera obscura with a painterly delight and innovating a tent camera that projects outdoor scenes onto a textured ground. Across his career, Morell has approached photography with remarkable wit and creativity, examining everyday objects with childlike curiosity. The first in-depth treatment in fifteen years, this handsome and important book examines Morell’s career to the present day, including his earlier works in black-and-white and never before published color photographs from the past decade. An essay by Elizabeth Siegel, along with a recent interview with the artist and an illustrated chronology of his life and works, offers a riveting portrait of this contemporary photographer and his ongoing artistic endeavors.

Rustic elements and industrial touches complete with overall minimal style of this contemporary accent cabinet. An outer edge of a faux cement finish reflects the gray undertones of the weathered oak drawer and cabinet panels. with a bold contrast and expressive accent, the gunmetal pulls mimic the U-shaped design of the trestle base that supports this elegantly understated accent cabinet. Perfect for organizing essentials, the interior features 2-shelves tucked behind the doors, while 3 spacious drawers keep other items. Place this charming accent cabinet in a modern dining space or living room for a hint of country flair. Material: Wood.

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A riveting retrospective of the imaginative photographs created by contemporary artist Abelardo Morell Over the past twenty-five years, Abelardo Morell (b. 1948) has earned international praise for his images that use the language of photography to explore visual surprise and wonder. Born in Havana, Cuba, Morell came to the United States as a teenager in 1962 and later studied photography, earning an MFA from Yale University. He gained attention for intimate, black-and-white pictures of domestic objects from a child’s point of view, inspired by the birth of his son in 1986, as well as images in which he turns a room into a giant camera obscura, projecting exterior views onto interior spaces; and photographs of books that revel in their sensory materiality.In more recent years, he has turned to color, exploring the camera obscura with a painterly delight and innovating a tent camera that projects outdoor scenes onto a textured ground. Across his career, Morell has approached photography with remarkable wit and creativity, examining everyday objects with childlike curiosity. The first in-depth treatment in fifteen years, this handsome and important book examines Morell’s career to the present day, including his earlier works in black-and-white and never before published color photographs from the past decade. An essay by Elizabeth Siegel, along with a recent interview with the artist and an illustrated chronology of his life and works, offers a riveting portrait of this contemporary photographer and his ongoing artistic endeavors.

Softcover, 60 pgs. 9" x 12". As new.

Castillo escribe cuentos es decir sistemas cerrados y no meros relatos en los que habitualmente no se pasa del recorte arbitrario de una situacion sin esa tension que le da al cuento su valor de trampolin psiquico. JULIO CORTAZAR La poesia es una manera de vivir no es una mera funcion de lanzar al mundo criaturas poeticas. Y a mi entender el secreto de Abelardo Castillo estaria en esa dificil y abnegada vocacion existencial. LEOPOLDO MARECHAL Abelardo Castillo un nombre vivo para agregar a la tradicion literaria representada por Borges Arlt o Cortazar. Un escritor de raza polemico incomodo y perturbador. Uno de los grandes. EL PAIS MADRID Un canon cuentistico de la narrativa argentina no podria soslayar -acaso junto a Borges y a Cortazar- la obra de Abelardo Castillo. Situados como al final de un meticuloso proceso de influencias (Poe Sartre Arlt Borges Thomas Mann) sus cuentos -de impecable escritura- auscultan lo cotidiano hasta despojarlo de toda familiaridad. No poco se ha dicho de estos mundos reales y siempre fracasaron los intentos de clasificarlos. Lo cierto es que Castillo recurre a una tradicion solo para reinventarla para deshilvanar en esquirlas de misteriosa lucidez la trama de lo real. Hace anos vengo sintiendo que mis cuentos pertenecen a un solo libro Los mundos reales unico libro de cuentos que comence a inventar antes de los dieciocho anos que crece y se modifica conmigo y en el que encarnizadamente trabajare toda mi vida. Asi alude el autor a su incesante obra. Estas paginas urden su propio mundo. Son espejismos que arrastran al lector hacia una luminosa celada. Ensimismarse en ella es la gozosa experiencia que reduce a cero la frontera entre ficcion y realidad.

Cha Cha Cha Abelardo Barroso - LP 846833001452

La cuestión ética en la teología moral del Medievo mediante a reflexión de Anselmo y Abelardo sobre cómo el hombre se sitúa consciente y libre en el marco de lo divino pensado y del orden ideal: éste será el punto nuclear del debate ético. Se trata de la relación entre la conciencia y la ley, entre la rectitud de intención

A visual tribute to the printed word, this delicious ode to the book will be irresistible to anyone who treasures the feel of fine paper and the special allure of a clothbound volume.Abelardo Morell's elegant photographs of books are presented induotone reproductions, highlighting the grace and sensuality of theprinted page. Morell has selected unusual books, like a leather-bound volume that is smaller than a paper clip, an impossibly large dictionary and illustrated books whose characters appear to leap off the page.He has photographed the endless ocean of books in a library and thestrikingly beautiful way in which weathered and water-damaged bookstake on sculptural form.

Historía de la Nación Latinoamericana fue un libro de culto para la joven intelectualidad de izquierda de las décadas del sesenta y setenta. Al describir la balcanización del continente entre los siglos XIX y XX Jorge Abelardo Ramos inscribió una nueva narrativa en el pensamiento latinoamericano: por primera vez las categorías marxistas de interpretación de la historia se enlazaron con la perspectiva de Patria Grande. Arturo Jauretche corrigió algunas de estas páginas; el líder tupamaro Raúl Sendic escondía el volumen bajo su catre cuando fue capturado; sus teorías fueron e; tudiadas con pasión por el intelectual uruguayo Alberto Methol Ferré. Hoy, constituye el más innovador aporte del revisionismo histórico en su tarea de derribar los mitos instaurados por los discursos historiográficos hegemónicos.

Este libro reune tres de las mejores piezas teatrales de Abelardo Castillo al tiempo que conmemora los cincuenta anos de la publicacion y puesta en escena de El otro Judas. Publicada y estrenada en 1961 El otro Judas obtuvo en 1965 el Gran Premio en los Festivales Mundiales de Teatro Universitario de Cracovia y Varsovia. En esta pieza ya esta presente un inquietante tema que Castillo retoma luego en El Evangelio segun Van Hutten: Judas no traiciono a Jesus. Pienso un Judas que aguarda al libertador de carne y sangre anunciado por las profecias; un Judas que no traiciono; obedecio el mandato que sellaba un pacto. El senor Brecht en el Salon Dorado se presento en 1982 en el Salon Dorado del Teatro Colon y fue montada en 1983 en Teatro Abierto. La accion se desenvuelve simultaneamente en el tiempo real de la dictadura militar argentina y en una casa de Berlin hacia los anos cuarenta. Los dias angustiosos de la represion militar y la Guerra de Malvinas se mezclan con los horrores del nazis

Abelardo Morell, author of the award-winning A Book of Books, makes magical camera obsucra images in darkened interiors. The deceptively simple process - he blacks out all the windows, leaving just a pinhole opening in one of them - produces photographs of astonishing, complex beauty. Because of the nature of refracted light, the world outside is projected upside down into the nearly blackened room, in essence converting the space into the interior of a camera. Morell then photographs the results with a large-format view camera, often requiring exposures of eight hours or more.Locations around the world were chosen for the interesting details and juxtapositions they would elicit - the Empire State Building lies across a bedspread in a midtown Manhattan interior; the Tower of London is imprinted on the walls of a room in the Tower Hotel; the countryside in rural Cuba, Morell's birthplace, plays across the walls of a crumbling chamber that is rich with the patina of its own history. Every image is full of surprises and revelations.

El Maravilloso Mundo De Abelardo Carbon - LP 8435008862596

García, Gelsys (ed.) (2017): Anuncia Freud a María. Cartografía bíblica del teatro cubano. Leiden: Bokeh [en preparación bokeh teatro tapa blanda  340 páginas 24.50 EUR / 26.50 USD / 24.50 GBP]Niso Malaret · Jorge del Busto · Virgilio Piñera · Eugenio Florit · Abelardo Estorino · José Milián · Ulises Cala · Abilio Estévez · Gloria Maité Hernández Domenech · Maikel Rodríguez de la Cruz · Yunior García Aguilera · Reinaldo MonteroDe la tradición bíblica, además de la grecolatina y la afrocubana, provienen muchos de los motivos del teatro cubano. Que un drama se nutra de referentes bíblicos no implica religiosidad ni reverencia sino, en sentido amplio, parodia: reescritura con variación. De las doce piezas que figuran aquí, cuatro fueron escritas antes de 1959: dos recrean la natividad y las otras dos la pasión de Jesús, un Cristo pirandelliano y otro del absurdo. Las ocho restantes hablan del bebé de Rosemary, de la muerte de Dios en Vietnam, de Judas, de un país ensangrentado, del Job de las pústulas, de un Daniel víctima de la guerra de Angola, de extrañas epifanías y siempre, en fin, del evangelio de la Revolución.

Abelardo Morell, author of the award-winning A Book of Books, makes magical camera obsucra images in darkened interiors. The deceptively simple process - he blacks out all the windows, leaving just a pinhole opening in one of them - produces photographs of astonishing, complex beauty. Because of the nature of refracted light, the world outside is projected upside down into the nearly blackened room, in essence converting the space into the interior of a camera. Morell then photographs the results with a large-format view camera, often requiring exposures of eight hours or more.Locations around the world were chosen for the interesting details and juxtapositions they would elicit - the Empire State Building lies across a bedspread in a midtown Manhattan interior; the Tower of London is imprinted on the walls of a room in the Tower Hotel; the countryside in rural Cuba, Morell's birthplace, plays across the walls of a crumbling chamber that is rich with the patina of its own history. Every image is full of surprises and revelations.

A visual tribute to the printed word, this sumptuous ode to books will be irresistible to anyone who treasures the feel of fine paper and the special allure of a clothbound volume. A BOOK OF BOOKS showcases Abelardo Morell's extraordinary photographs of unusual books, like an impossibly large dictionary, illustrated tomes whose characters appear to leap off the page, and water-damaged books that take on sculptural form. Bookish quotations by Hawthorne, Borges, Cocteau, and others accompany the photographs throughout.

Más que situarlo en una escuela o reconocer sus deudas, importa ver la originalidad que aportó Horacio Quiroga a nuestra literatura. La más evidente es que para Latinoamérica, Quiroga es el inventor del cuento. Para esta edición crítica colaboraron: Martha L. Canfield, Abelardo Castillo, Carlos Dámaso Martínez, Milagros Ezquerro, Dario Puccini y Beatriz Sarlo, entre otros.

A cura di Francesco Zambon. Testo latino a fronte. I trovatori celebrano l'amor cortese. I romanzi narrano la passione di Tristano e Isotta o di Lancillotto. Abelardo ed Eloisa vivono un'infuocata relazione. Il XII è, in Europa, il secolo dell'amore. I religiosi non sono da meno ed elaborano affascinanti teorie sull'amore mistico. Se Dio è, come proclama Giovanni amore, l'uomo, che è fatto a sua immagine e somiglianza, è dominato da quel sentimento e al suo Creatore deve rivolgerlo. Dall'abisso della dissomiglianza l'anima curva si converte tendendo a lui la propria volontà. La ragione può vedere Dio soltanto in ciò che egli non è; l'amore è l'unica conoscenza che si avvicini alla divinità, il vero intelletto. La stessa teologia negativa viene superata. Attraverso quattro gradi di carità, o tre visite, tre sabati, l'uomo progredisce verso l'unità dello spirito, l'eccesso della mente, l'abbraccio; l'unione con Dio. Il volume segue il cammino di Guglielmo di Saint-Thierry e Bernardo di Clairvaux, i due amici che, combattendo il razionalismo di Abelardo, hanno costruito una teologia dell'amore che influenzò anche alcuni trovatori. Guglielmo, contemplando ogni angolo ed estremità della propria coscienza, guarda al Volto ed esclama: O volto, o volto! Quanto beato il volto che, vedendoti, merita di essere trasformato da te. Per Bernardo, provare l'amore vuol dire essere deificati, e al culmine dell'esperienza mistica ogni sentimento umano si dissolve e si riversa nel fondo della volontà di Dio. cm.13x20,5, pp.XX,683, 16 tavv.a col.ft. Milano, Fondazione Valla-Arnoldo Mondadori Ed. cm.13x20,5, pp.XX,683, 16 tavv.a col.ft. legatura editoriale cartonata, sopracoperta figurata a colori. legatura editoriale cartonata, sopracoperta figurata a colori.