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One of the world's most famous museums, the Accademia Gallery is home to some of the most recognised works of art on the planet - including Michelangelo's David and Prisoners (or Slaves) and Giambologna's Rape of the Sabines. This superbly illustrated volume helps bring the museum's collection of masterpieces to life, exploring their rich and fascinating history, and the history of the museum itself.

The Accademia Gallery (Galleria dell'Accademia) is Florence's second most-visited museum. It houses "must-sees" such as Michelangelo's David and Prisoners, Botticelli's Madonna and Child and Madonna of the Sea, and Giambologna's Rape of the Sabines. This Official Guide will be invaluable to visitors who want to see not only the world's most famous sculpture, but also five other Michelangelo sculptures and a not-to-be-missed collection of Gothic and Renaissance paintings that were once in the Medici collections.

Accademia Gallery (Official Guides to Florentine Museums) [paperback]

Studienarbeit aus dem Jahr 2008 im Fachbereich Romanistik - Französisch - Linguistik, Note: 1,0, Friedrich-Schiller-Universität Jena (Romanistisches Institut), Veranstaltung: Die Académie française, 30 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Die Arbeit untersucht die Anfänge und das frühe Schaffen der Accademia della Crusca und möchte aufzeigen, inwieweit diese italienische Institution der Sprachpflege (und gleichzeitig die erste europäische ihrer Art) als Vorbild auf Frankreich und dessen Académie française gewirkt haben könnte. Welche Charakteristika der italienischen Kultur des 16. und 17. Jahrhunderts verkörpert die Accademia della Crusca? Auf welchem Weg werden diese Kulturspezifika übertragen und wodurch wird der Transfer begünstigt? Auf welches kulturelle System treffen die übertragenen Elemente, wie werden sie für die Zielkultur adaptiert und inwiefern beeinflussen sie deren Selbstverständnis? Diesen Fragen geht diese Arbeit nach und liefert stichhaltige Antworten.

Slate-gray wraps, slate-gray & color illus. dust jacket, 234 pp., many BW & color illus. Text is in Italian. The first of two volumes that explores the life and work of French Neoclassical painter Jean-Baptiste Wicar (1762-1834). The illustrated and annotated catalog contains more than 258 pieces. A solid introduction to this artist. VG (Few marks as ex-library, otherwise clean.)

Crocetta del Montello, 2015, Antiga. 3 tomi, Cm. 30x22, pp. 1060, ill. 388 a colori e in nero n.t., cartonato con cofanetto figurato Una monumentale opera, che abbraccia tre secoli – Settecento, Ottocento e Novecento – indaga, attraverso documenti, incisioni, libri, dipinti, disegni e gessi, la storia completa dell'Accademia di Belle Arti di Venezia, dal 1750 ai giorni nostri. L'Istituto nacque alla metà del Settecento, con primo direttore Piazzetta, e poi Tiepolo, nel "fonteghetto della Farina" affacciato sul bacino di San Marco, attuale Capitaneria di Porto, per iniziativa del Governo della Serenissima, con l'intenzione di dotare la capitale dello Stato di una struttura considerata all'avanguardia nell'Europa dell'Illuminismo. Ne fecero parte i massimi artisti attivi nella seconda metà del Settecento: oltre a Giambattista Piazzetta e Giambattista Tiepolo, Canaletto, Francesco Guardi, Giandomenico Tiepolo, i grandi frescanti di palazzi e chiese da Jacopo Guarana a Girolamo Mengozzi Colonna… e ancora gli scultori Antonio Gai o Gianmaria Morlaiter. Il massimo artista formatosi all'Accademia fu Antonio Canova.

Print on Demand. This book explores the Accademia Platonica, a renowned gathering of scholars and humanists in 15th-century Florence. Emerging from a milieu of literary and erudite meetings, the Accademia Platonica distinguished itself by its exclusive focus on Platonic philosophy, becoming a significant force in the revival of Platonism during the Renaissance. The author presents a detailed account of the Accademia's origins, tracing its evolution from informal discussions among intellectuals to a structured academy with defined membership and activities. Through meticulous research, the book sheds light on the Accademia's intellectual pursuits, philosophical debates, and the influential figures associated with it. Examining the broader context of the Italian Renaissance, the author highlights the Accademia Platonica's role in shaping the intellectual landscape of the era. Its members grappled with fundamental questions of philosophy, morality, and the relationship between faith and reason, leaving a lasting impact on Western thought. This book offers a comprehensive and thought-provoking analysis of the Accademia Platonica, exploring its significance as a catalyst for the revival of classical philosophy and its enduring legacy in the history of ideas. Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. The digital edition of all books may be viewed on our website before purchase.

A digital copy of "Concorso Accademia Militare Arma Dei Carabinieri - Preselezione" by Nissolino. Download is immediately available upon purchase!

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Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Physical description; 119 p. : ill. (some col.) ; 24 cm. Notes; At head of title: Ministry of Foreign Affairs, Rome - Ministry for the Cultural Heritage and the Environment, Rome. Catalogue of an exhibition held at Talbot Rice Gallery, Edinburgh, 27th October-1st December 1990, [and] Courtauld Institute Galleries, London, 10th December 1990-13th January 1991. Includes bibliographical references (p. 116-119). At head of title: Ministry of Foreign Affairs, Rome - Ministry for the Cultural Heritage and the Environment, Rome. translated into English by Brian Philips. Subjects; Gallerie dell'Accademia di Venezia - Exhibitions. Gallerie dell'Accademia di Venezia - Catalogs. Drawing - 16th century - Europe - Exhibitions. Drawing - 17th century - Europe - Exhibitions. Drawing, Italian - Italy - Venice - Exhibitions. Drawing, European - 16th century - Catalogs. Drawing, European - 17th century - Catalogs. Drawing - Italy - Venice - Catalogs. Drawing, European - Catalogs. Drawing - 16th century - Europe - Catalogs. Drawing - 17th century - Europe - Catalogs. Drawing - European - [16th Century - Catalogues]. Drawing - European - [17th Century - Catalogues]. Painting, European - Exhibitions. Painting, Modern - 17th-18th centuries - Exhibitions. Drawings, Italian - 15th/16th centuries. Drawings, Collections, Italy. Drawings and studies - Exhibitions - British Isles. Drawings and studies - Public collections - Italy. Genres; Catalogue. Illustrated.

A digital copy of "Democrito E L'accademia" by Gemelli. Download is immediately available upon purchase!

Renaissance features paintings by some of the greatest artists in Renaissance Italy. Raphael, Botticelli, Bellini and Titian, among others, form an amazing array of talent and creative splendor.The book focuses on exquisite paintings, made between 1400 and 1600, from centers of Renaissance high culture in Florence, Venice, Siena, Padua, Perugia, Urbino, Ferrara, Verona, Mantua, Milan, Bergamo and Rome. The works are from the collection of one of Italy’s finest art museums, the Accademia Carrara in Bergamo. Subjects range from touching depictions of the Madonna and Child to episodes from the lives of saints, and moving renditions of the Crucifixion to portraits of men and women in elaborate costume.This beautiful book reflects the genius and creativity of the two centuries of Italian Renaissance art that are the foundation of the grand tradition of European painting. It includes essays by Italian and Australian scholars, descriptions of the paintings, and biographies of the artists.

Renaissance features paintings by some of the greatest artists in Renaissance Italy. Raphael, Botticelli, Bellini and Titian, among others, form an amazing array of talent and creative splendor.The book focuses on exquisite paintings, made between 1400 and 1600, from centers of Renaissance high culture in Florence, Venice, Siena, Padua, Perugia, Urbino, Ferrara, Verona, Mantua, Milan, Bergamo and Rome. The works are from the collection of one of Italy’s finest art museums, the Accademia Carrara in Bergamo. Subjects range from touching depictions of the Madonna and Child to episodes from the lives of saints, and moving renditions of the Crucifixion to portraits of men and women in elaborate costume.This beautiful book reflects the genius and creativity of the two centuries of Italian Renaissance art that are the foundation of the grand tradition of European painting. It includes essays by Italian and Australian scholars, descriptions of the paintings, and biographies of the artists.

Roma, Accademia Nazionale di San Luca, 6 aprile - 20 maggio, 2004.Roma, 2004; br., pp. 150, ill. b/n col., 28 tavv. col. num. n.t., cm 21x27. Il percorso della mostra, ospitata significativamente nelle sale dell'Accademia Nazionale di San Luca in Palazzo Carpegna, il glorioso istituto che avviava altri giovani all'esercizio delle arti, permette per la prima volta di presentare al grande pubblico una trentina di dipinti per lo più sconosciuti, provenienti in gran parte dal Collegio Nazareno, ma anche dal Museo di Roma e dalla Pinacoteca Capitolina.Il momento iniziale per la valorizzazione della raccolta si è avuto con un'ampia campagna di restauri avviata nel 1991 dalla Soprintendenza per i Beni Artistici e Storici di Roma, diretta da Angela Negro, curatrice della mostra.Si deve alla F.I.T. (Federazione Italiana Tabaccai) ormai avviata in un ampio programma di sponsorizzazioni di restauri e iniziative culturali, l'aver reso possibile la realizzazione della mostra.Un viaggio nella storia, ma anche un percorso intrigante nei simboli e nei miti raffigurati nei dipinti, che ci restituisce il ''ritratto segreto'' dei giovani accademici, reso attraverso il linguaggio raffinato e spiccatamente teatrale di alcuni fra i più brillanti pittori del Sei e Settecento romano.

Futurism and the architecture of Sant'elia

195 S. Umschlag berieben, sonst gutes Exemplar. - Catalogo dei disegni -- Nota sulle riflettoscopie dei disegni di Humbert de Superville. Paolo Spezzarti -- Relazione di restauro dei disegni. di Humbert de Superville. Loretta Salvador - Bibliografia. ISBN 9788843537587 Sprache: Deutsch Gewicht in Gramm: 1550 Mit zahlr. Abb. Originalleinen mit Schutzumschlag.

Anna Netrebko - "Verismo" Verismo, the latest studio album from "the reigning new diva of the early 21st century" (Associated Press), Anna Netrebko, features magnificent Italian arias from the late 19th century composed by Puccini, Leoncavallo, Cilea and others. Netrebko is joined by the Orchestra dell'Accademia Nazionale di Santa Cecilia, conducted by Sir Antonio Pappano, and tenor Yusif Eyvazov. This deluxe edition includes a bonus track and a DVD of live performances of music from Verismo. Fa

Il volume esplora il vasto corpus grafico di uno dei disegnatori di maggior talento e successo del Settecento europeo: Donato Creti. Il suo primo biografo, Giampietro Zanotti, nella sua Storia dell'Accademia Clementina (Bologna, 1739), parla con entusiasmo e ammirazione dei suoi disegni (di "qual bellezza, e perfezione") collezionati in tutta Europa. L'importanza dei suoi disegni, sottolineata dalle parole di Zanotti, è stata riconosciuta dagli storici moderni e molti sono stati i contributi al suo studio anche in tempi recenti. Tuttavia, la confusione causata dalle molte attribuzioni ancora incerte o sbagliate su oltre un migliaio di fogli, sparsi in collezioni pubbliche e private in tutto il mondo, ha fino ad oggi scoraggiato i tentativi di una disamina generale. L'autore ha studiato de visu i disegni nella grande parte delle collezioni pubbliche e private in Europa ed in Nord America e presenta nel volume il primo catalogo ragionato delle opere dell'artista.