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Aeschylus (ca. 525–456 BCE), the dramatist who made Athenian tragedy one of the world’s great art forms, witnessed the establishment of democracy at Athens and fought against the Persians at Marathon. He won the tragic prize at the City Dionysia thirteen times between ca. 499 and 458, and in his later years was probably victorious almost every time he put on a production, though Sophocles beat him at least once.Of his total of about eighty plays, seven survive complete. The second volume contains the complete Oresteia trilogy, comprising Agamemnon, Libation-Bearers, and Eumenides, presenting the murder of Agamemnon by his wife, the revenge taken by their son Orestes, the pursuit of Orestes by his mother’s avenging Furies, his trial and acquittal at Athens, Athena’s pacification of the Furies, and the blessings they both invoke upon the Athenian people.

Cover worn, page edges tanned. Shipped from the U.K. All orders received before 3pm sent that weekday.

Aeschylus' Persians is the earliest extant Greek tragedy and sole surviving historical tragedy. Produced in 472 BC, the play tells the story of the defeat of the Persian king Xerxes in his attempt to expand his empire by conquering Greece and his return in rags to Persia to face the condemnation of his elders. The first product of the Western imagination to represent the causes and limits of imperialist conquest, the Persians is particularly relevant today. The play is rich in verbal and visual imagery and unflinching in its depiction of the horrors of a defeated invasion and the glory of a successful defence. But the Persians is not merely a paean to Western freedom, democracy, courage and technological supremacy; it is a meditation on the tendency inherent in wealth, power and success to take on a momentum of their own and to push societies to the brink of ruin.

Simon Goldhill focuses on the play's themes--justice, sexual politics, violence, and the role of man in ancient Greek culture--in this general introduction to Aeschylus' Oresteia, one of the most important and influential of all Greek dramas. After exploring how Aeschylus constructs a myth for the city in which he lived, a final chapter considers the influence of the Oresteia on more contemporary theater. The volume's organized structure and guide to further reading will make it an invaluable reference for students and teachers. First Edition Hb (1992): 0-521-40293-X First Edition Pb (1992): 0-521-40853-9

Hardback, ex-library, with usual stamps and markings, in fair all round condition suitable as a reading copy.

A ghost summoned with bizarre rituals from the underworld, the elaborate protocol of the Persian court, a thrilling eye-witness account of the battle of Salamis - as the earliest surviving European drama it is of incalculable interest for students of ancient literature: as the only extended account of the Persian wars by an author who fought in ...

Concise and focused, the Wonders Reading/Writing Workshop is a powerful instructional tool that provides students with systematic support for the close reading of complex text. Introduce the week’s concept with video, photograph, interactive graphic organizers, and more Teach through mini lessons that reinforce comprehension strategies and skills, genre, and vocabulary Model elements of close reading with shared, short-text reads of high interest and grade-level rigor

Scholar's bookplate to inner cover (Robert Brown). Tiny chip to upper edge of rear board. Minor shelfwear. DJ has chipping and tears to spine ends and corners. DJ is browned. ; Commentary for Agamemnon. Greek Text with Extensive English Commentary. ; 240 pages

Book by Johansen, Holger Friis, Whittle, Edward W.

Aeschylus' Agamemnon, opening play of the Oresteia trilogy, with its brilliant theatrical effects, is a masterpiece. The revenge plot - a murder - is simple, the language and imagery complex and thrilling. The play features two extraordinary women: the powerful, dissembling queen Clytemnestra and the frenzied prophetess Cassandra. It als features another original Aeschylean creation, the omnipresent helpless chorus, who are forced to bear witness to Agamemnon's path to death. Through the chorus, the action is seen in the problematic context of justice, destiny, and the role of the gods. The play is a serious investigation of man's problematic ethical nature. This detailed study gets the measure of Aeschylus' innovative genius as poet, storyteller and theatrical wizard by setting the play against the rich traditions of archaic poetry from which drama had only recently sprung. It considers the ethical dilemmas of the plot against contemporary fifth-century Athenian religious and political thinking, and its attitude to women. It engages with the play's great influence on later Attic tragedy and then considers Seneca's Roman Agamemnon and some revenge dramas of Elizabethan England.

Aeschylus (ca. 525–456 BCE), the dramatist who made Athenian tragedy one of the world’s great art forms, witnessed the establishment of democracy at Athens and fought against the Persians at Marathon. He won the tragic prize at the City Dionysia thirteen times between ca. 499 and 458, and in his later years was probably victorious almost every time he put on a production, though Sophocles beat him at least once.Of his total of about eighty plays, seven survive complete. The second volume contains the complete Oresteia trilogy, comprising Agamemnon, Libation-Bearers, and Eumenides, presenting the murder of Agamemnon by his wife, the revenge taken by their son Orestes, the pursuit of Orestes by his mother’s avenging Furies, his trial and acquittal at Athens, Athena’s pacification of the Furies, and the blessings they both invoke upon the Athenian people.

This volume presents the Greek text of the three plays of Aeschylus' Oresteia (Agamemnon, Libation Bearers, Eumenides), as edited by Herbert Weir Smyth, with a parallel verse translation by Ian Johnston on facing pages, which will be useful to those wishing to read the English translation while referring to the Greek original, or vice versa.

Treating ancient plays as living drama. Classical Greek drama is brought vividly to life in this series of new translations. Students are encouraged to engage with the text through detailed commentaries, including0 suggestions for discussion and analysis. In addition, numerous practical questions stimulate ideas on staging and encourage students to explore the play's dramatic qualities. Agamemnon is suitable for students of both Classical Civilisation and Drama. Useful features include full synopsis of the play, commentary alongside translation for easy reference and a comprehensive introduction to the Greek Theatre. Agamemnon is aimed primarily at A-level and undergraduate students in the UK, and college students in North America.

The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander.

Paperbacks. 2 BOOK SET. Aeschylus I and II. Pages are clean and unmarked. Covers show minor shelving wear. Previous owner's name emboss stamped (a light circular indent with no ink) on front covers,

Murray covers Aeschylus' drama.

Aeschylus' famed tragedies 'Agamemnon', 'The Libation Bearers' and 'The Eumenides' comprise 'The Oresteia', which uses the story of a family curse and a long history of murder and revenge to raise haunting questions about the nature and the price of justice.

New Book. Shipped from UK. Established seller since 2000.

The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander.

Unread book in perfect condition.