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In the sacred grove of Julius Caesar, something deadly stirs in the undergrowth―a serial killer, who haunted the gardens for years, has claimed another victim―in Lindsey Davis’s next historical mystery, The Grove of the Caesars. At the feet of her adoptive father, renowned private informer Marcus Didius Falco, Flavia Albia learned a number of important rules. First and foremost―always keep one's distance from the palace, nothing good comes from that direction. But right behind it―murder is the business of the Vigiles, best to leave them to it. Having broken the first rule more often than she'd like, it's no surprise to anyone when she finds herself breaking the second one. The public gardens named after the Caesars is a place nice girls are warned away from and when a series of bodies are uncovered, it seems that a serial killer has been haunting the grove for years. The case is assigned to one Julius Karus, a cohort of the Vigiles, but Albia is convinced that nothing will come of his efforts. Out of sympathy for the dead women and their grieving relatives, Albia decides to work with the vile Karus and bring the serial killer to justice.

Rome is in chaos. The empire of a mobster chief is falling apart following his death. Rivals, fearsome relatives and associates are taking up position to vie for the spoils. With hideous murders in the streets of Rome, a lone female traveller arrives with an agenda of her own. But when her corpse is dragged out of the river bearing signs of foul play, Flavia Albia is drawn in, concerned about her fellow Briton's fate. Albia's quest to find the killer becomes deeply personal when she discovers a man at the centre of the plot is an old adversary of hers. Will she be obsessed by revenge? Can she let the past go, or will it consume her? The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Flavia Albia is the adopted daughter of a famous investigating family. In defiance of tradition, she lives alone on the colourful Aventine Hill, and battles out a solo career in a male-dominated world. As a woman and an outsider, Albia has special insight into the best, and worst, of life in ancient Rome. A female client dies in mysterious circumstances. Albia investigates and discovers there have been many other strange deaths all over the city, yet she is warned off by the authorities. The vigils are incompetent. The local magistrate is otherwise engaged, organising the Games of Ceres, notorious for its ancient fox-burning ritual. Even Albia herself is preoccupied with a new love affair: Andronicus, an attractive archivist, offers all that a love-starved young widow can want, even though she knows better than to take him home to meet the parents... As the festival progresses, her neighbourhood descends into mayhem and becomes the heartless killer's territory. While Albia and her allies search for him, he stalks them through familiar byways and brings murder ever closer to home. The Ides of April is vintage Lindsey Davis, offering wit, intrigue, action and a brilliant new heroine who promises to be as celebrated as Marcus Didius Falco and Helena Justina, her fictional predecessors.

In the first century A.D., during Domitian's reign, Flavia Albia is ready for a short break from her family. So despite the oppressive July heat, she returns to Rome, leaving them at their place on the coast. Albia, daughter of Marcus Didius Falco, the famed private informer (now retired), has taken up her father's former profession, and it's time to get back to work. The first order of business, however, is the corpse that was found in a chest sent as part of a large lot to be sold by the Falco family auction house. As the senior family representative in Rome, it falls upon Albia to identify the corpse, find out why he was killed, who killed him, and, most important, how did it end up in the chest. At the same time, her potential young man, Faustus, comes looking for help with his friend Sextus's political campaign. Between the auction business and Roman politics, it's not quite clear which one is the more underhanded and duplicitous. Both, however, are tied together by the mysterious body in the chest, and if Albia isn't able to solve that mystery, it won't be the only body to drop.

Book is in NEW condition. 1.39

In first century Rome, Flavia Albia, the daughter of Marcus Didius Falco, has taken up her father's former profession as an informer. On a typical day, it's small cases---cheating spouses, employees dipping into the till---but this isn't a typical day. Her beloved, the plebeian Manlius Faustus, has recently moved in and decided that they should get married in a big, showy ceremony as part of beginning a proper domestic life together. Also, his contracting firm has been renovating a rundown dive bar called The Garden of the Hesperides, only to uncover human remains buried in the backyard. There have been rumors for years that the previous owner of the bar, now deceased, killed a bar maid and these are presumably her remains. In the choice between planning a wedding and looking into a crime from long ago, Albia would much rather investigate a possible murder. Or murders, as more and more remains are uncovered, revealing that something truly horrible has been going on at the Hesperides.As she gets closer to the truth behind the bodies in the backyard, Albia's investigation has put her in the cross-hairs---which might be the only way she'll get out of the wedding and away from all her relatives who are desperate to 'help.'

Falco: The Next Generation––Flavia Albia has taken up her father's profession. Only, now Rome is a more dangerous, mercurial place than it was back in dear old dad's day . . .Flavia Albia is the adopted daughter of Marcus Didius Falco and Helena Justina. From her mother, she learned how to blend in at all levels of society; from her father, she learned the tricks of their mutual professional trade. But her wits and (frequently) sharp tongue are hers alone. Now, working as a private informer in Rome during the reign of Domitian, Flavia has taken over her father's old ramshackle digs at Fountain Court in the Surbura district, where she plies her trade with energy, determination, and the usual Falco luck. Recently hired to help investigate a fatal accident, she finds herself stuck with a truly awful person for a client and facing a well-heeled, well-connected opponent. That is, until her client unexpectedly dies under what might be called "suspicious circumstances." While this is not a huge loss for society, it is a loss for Flavia Albia's pocket. Even worse, it's just one of a series of similar deaths for which she now finds herself under suspicion. Before things go from abysmal to worse, Flavia must sort out what is happening, and who is responsible, in Lindsey Davis' The Ides of April.

Intrigue―and possibly treason―swirl around the hall of power in Rome when yet another Nero pretender emerges to challenge the Emperor.In 90 A.D., following the Saturninus revolt in Germany, the Emperor Domitian has become more paranoid about traitors and dissenters around him. This leads to several senators and even provincial governors facing charges and being executed for supposed crimes of conspiracy and insulting the emperor. Wanting to root out all the supports of Saturninus from the Senate, one of Domitian’s men offers to hire Flavia Alba to do some intelligence work. Flavia Alba, daughter and chip off the old block of Marcus Didius Falco, would rather avoid any and all court intrigue, thank you very much. But she’s in a bit of a bind. Her wedding is fast approaching, her fiancé is still recovering―slowly―from being hit by a lightning bolt, and she’s the sole support of their household. So with more than a few reservations, she agrees to “investigate.” Adding to the confusion is yet another Nero pretender has shown up in Parthia and is trying to rally support for his claim for the throne. With intrigue upon intrigue swirling around the capital city, it’s up to Albia to uncover what is―and isn’t―the real threat.

Book is in NEW condition. 0.62

The daughter Macbeth might have had, if Shakespeare had thought to create her...Albia has grown up with no knowledge of her mother of her father, the powerful Macbeth. Instead she knows the dark lure of the Wychelm Wood and the moors, where she's been raised by three strange sisters. It's only when the ambitious Macbeth seeks out the sisters to foretell his fate that Albia's life becomes tangled with the man who leaves nothing but bloodshed in his wake. She even falls in love with Fleance, Macbeth's rival for the throne. Yet when Albia learns that she has the second sight, she must decide whether to ignore the terrible future she foresees―or to change it. Will she be able to save the man she loves from her murderous father? And can she forgive her parents their wrongs, or must she destroy them to save Scotland from tyranny?In her highly anticipated follow-up to Ophelia, Lisa Klein delivers a powerful reimagining of Shakespeare's Macbeth, featuring a young woman so seamlessly drawn it seems impossible she was not part of the Bard's original play.

Adventure, Romance, Mad Science! Agatha is the last of the Heterodyne, a notorious family of Mad Scientists that everyone had thought safely wiped out. In this volume, Agatha and her friends arrive at the submerged city of Londinium, where they are welcomed by Her Undying Majesty, Queen Albia.

First of a new series of crime novels set in Ancient Rome and featuring Flavia Albia, the adopted daughter of much-loved Marcus Didius Falco. Based on real historical events: mysterious poisonings, in which victims died, often unaware they had been attacked. Albia is now 28 and an established female investigator. Her personal history and her British birth enable her to view Roman society and its traditions as a bemused outsider and also as a woman struggling for independence in a man's world. The first novel takes place on the plebeian Aventine Hill, with its mix of monumental temples, muddy back lanes and horrible snack bars. We meet Albia's personal circle - some familiar, some new. We glimpse old haunts and hear of old friends, but the focus is on Albia herself, a tough, witty, winning personality who fearlessly tackles inhumanity and injustice, braving any risks and winning the friendship of unexpected allies.

It's freezing in late December, 95 A.D. Roman settlers in Britannia are preparing to celebrate Saturnalia. Innkeeper Aurelia Marcella runs a mansio near Eboracum (modern York) in consort with her mostly absent brother and her younger sister, Albia. Aurelia finds her plans for a peaceful holiday shattered when her brother makes a surprise midnight appearance. His news? An enemy in Rome is spreading rumors that the family is plotting against Caesar. To add to Aurelia's woes, the mansio is threatened by a sort of protection racket. Then a party of rich, demanding travelers related to the provincial governor rolls up at the door. Their nearly murderous quarrels, and their quest for a rebellious heir spill over into Aurelia's household. And then, at the Saturnalia feast, one of the party dies and Albia becomes the chief suspect. Outraged, Aurelia must contend with conspirators-and threats-of all stripes to solve a very political murder. ""[Finnis'] second period mystery again uses topnotch writing and research to get under the skins of the Romans and their increasingly restive Brit charges."" -Chicago Tribune Jane Finnis worked for some years in London as a freelance broadcaster for BBC Radio. Now settled in East Yorkshire with her husband Richard, she spends much of her time researching and writing about the Roman Empire. www.janefinnis.com

Raised by three strange sisters, Albia has never known the secrets of her parentage. But when Macbeth seeks out the weird sisters to foretell his fate, his life is entangled with his unknown daughter's. When Albia foresees the terrible future, she becomes determined to save Macbeth's rival―and the man she loves―from her murderous father. Klein's seamlessly drawn tale makes it seem impossible that Albia was not part of Shakespeare's original play.