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Oktav. 173 S. Broschur. Mit zahlr. farb. und schw.-w. Abb. gutes Exemplar.

137 Seiten mit 98 Illustrationen. Deckel leicht angestaubt,sonst gutes und sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 410

50 Years of the Deutsche Opera Chor der Deutschen Oper am Rhein - CD 4260052384503

The songs on this record are rare historical recordings. They first appeared in 1993 on a MC in a limited edition of 200 copies. In 1993, a highly acclaimed exhibition titled "America - The Other Side" took place in Neuss am Rhein in Germany. . The subject was the American underground scene of the late '69s / early' 70s with literature, poster art and the corresponding music. In the course of this exhibition there were also concerts u.a. with JEFFERSON STARSHIP and BIG BROTHER & THE HOLDING COMP

On Christmas Eve, the holiest of nights for the many Christian peoples of Europe, Adolf Hitler was unleashing the full fury of his remaining Luftwaffe bomber force on Bastogne. For Bastogne was the holdout city, center of Allied resistance to his Wacht am Rhein (Watch on the Rhein) offensive—the German surprise attack in the west that would become known among the Allies as the Battle of the Bulge... The battle that would result from Hitler’s orders would become the climactic event of the Bastogne saga: a rapid-fire, desperate assault by overwhelming German armored might, defended in bloody struggles by the ragged and weapons-strapped GIs trapped in Bastogne. It would be either the last stand of the American defenders or the culmination of the German drive to capture the vital crossroads. Either way pointed to a climactic showdown—a desperate bloodbath in the snowy fields of Bastogne. For hundreds of German and American soldiers facing off in the siege, the events of Christmas 1944 would destroy any sense of holiness and peace on earth. For the soldiers on both sides, and for the brave people of Bastogne, this would be no silent night.

The collection of the Vitra Design Museum in Weil am Rhein, Germany, comprises numerous objects and is one of the most significant of its kind. Grouped according to the main themes of technology, construction, reduction, organic design, decoration and furniture programs, the most important collection items--spanning 150 years of furniture design--are presented in this volume in great detail: chairs and armchairs, chaise longues and stools, tables and desks, landscaped interiors and shelves. Copies of the original documents and detailed texts reveal the special features of each design. 100 Masterpieces from the Vitra Design Museum Collection contains a comprehensive bibliography and biographies of the designers, whoinclude Karl Friedrich Schinkel, Marcel Breuer, Eero Saarinen, Charles and Ray Eames, Frank Gehry, Alberto Meda, Philippe Starck, Richard Sapper, Josef Hoffmann, Eileen Gray, Pierre Chareau, Le Corbusier, Jean Prouvé, Gerrit Rietveld, André Bloc, Willy Guhl, Harry Bertoia, George Nelson, Poul Kjaerholm, Mies van der Rohe, Arne Jacobsen, Gio Ponti, Ron Arad, Alvar Aalto, Isamu Noguchi, Carlo Mollino, Sori Yanagi, Verner Panton, Frank Lloyd Wright, Ettore Sottsass, Robert Venturi, Andrea Branzi and many others.

The collection of the Vitra Design Museum in Weil am Rhein, Germany, comprises numerous objects and is one of the most significant of its kind. Grouped according to the main themes of technology, construction, reduction, organic design, decoration and furniture programs, the most important collection items--spanning 150 years of furniture design--are presented in this volume in great detail: chairs and armchairs, chaise longues and stools, tables and desks, landscaped interiors and shelves. Copies of the original documents and detailed texts reveal the special features of each design. 100 Masterpieces from the Vitra Design Museum Collection contains a comprehensive bibliography and biographies of the designers, whoinclude Karl Friedrich Schinkel, Marcel Breuer, Eero Saarinen, Charles and Ray Eames, Frank Gehry, Alberto Meda, Philippe Starck, Richard Sapper, Josef Hoffmann, Eileen Gray, Pierre Chareau, Le Corbusier, Jean Prouvé, Gerrit Rietveld, André Bloc, Willy Guhl, Harry Bertoia, George Nelson, Poul Kjaerholm, Mies van der Rohe, Arne Jacobsen, Gio Ponti, Ron Arad, Alvar Aalto, Isamu Noguchi, Carlo Mollino, Sori Yanagi, Verner Panton, Frank Lloyd Wright, Ettore Sottsass, Robert Venturi, Andrea Branzi and many others.

German army deficiencies are often cited as the reason for the failure of the German counteroffensive in the Ardennes region of France, Belgium and Luxembourg in December of 1944 to January 1945 which the Germans called Operation Wacht am Rhein, the Allies named the Ardennes Counteroffensive, and was also commonly known as the Battle of the Bulge. It is certainly true that the three German armies regrouped for the offensive were in differing states; only the 5th Panzer Army was in something resembling good condition, with the 6th and the 7th mediocre at best. The divisions were also often not mobile enough because of the lack of automotive equipment and were short on tanks and artillery. But these cannot be considered the only reasons for the German failure: it was also the speed of the Allied reaction, and especially the conduct of the Americans, who experienced some of the fiercest combat of the war, and suffered over 100,000 casualties.This volume in the Casemate Illustrated series, with over 100 photographs and 24 color profiles describes in detail the different events that caused the German defeat, from the beginning of the offensive on December 16, 1944 to the retreat behind the Siegfried Line. It looks at several topics in particular: the American resistance at St. Vith; the resistance of the 101st Airborne in Bastogne; German obstinacy in persisting with the siege at Bastogne; the airlift and the intervention of the 9th US Air Force; the rapid regrouping of the 3rd US Army; Patton's counterattack; the British counterattack; and finally how the Allies failed to transform the German withdrawal into rout, missing an opportunity to cross the Siegfried line and the Rhine on the heels of the Germans, leading to an incomplete victory.

The Pfalz Flugzeug Werke, located at Speyer am Rhein in Bavaria, was the third in the great triumvirate (along with Fokker and Albatros) of German fighter manufacturers in the Great War. When World War I broke out in 1914, Pfalz initially produced copies of the Morane-Saulnier parasol monoplanes for the German air service. With the advent of the famed Fokker Eindeckers with their synchronized machine guns, Pfalz entered the fighter market with the Pfalz E.I and its successors, all monoplanes which were similarly armed. Though never as as numerous as the Albatros or Fokker designs, the D III/IIIa was flown in combat by many well-known aces: Werner Voss, Carl Degelow, Erich Löwenhardt, and the balloon buster Fritz von Röth, among others. This book examines the little-known aircraft flown by these incredible men.