32 products were found matching your search for amatoria in 2 shops:

This edition of the first part of Ovid's witty, and unjustifiably infamous, love poem reproduces E.J. Kenny's authoritative text with the first detailed commentary in English, and includes an introduction dealing with the poem's style and history.

Presented via the natural method by Hans Ørberg, Ars Amatoria (“The Art of Love”) allows students to read lightly altered Latin texts. The text is a poem in three books by Ovid. The first two books consist of instructions to men on the wooing of women of easy virtue; the third, of instructions to woman on seduction of men. The work is full of humor and charm, and contains interesting glimpses of Roman life and manners—the circus, the theatre, the banquet. It was perhaps partly on account of its immorality that Augustus banished the poet to Tomi by the Black Sea. These poems can be read by students who have completed the first five chapters of Ørberg’s second-year text Roma Aeterna. (Lingua Latina Pars II), also available from Focus.

SUMARIO.- Prefacio, introducción y bibliografía.- Texto traducción y notas.- Índice de motivos y términos amatorios.- Index nominum. Edición: Antonio Ramírez de Verger Jaén; Francisco Socas Gavilán

In all of ancient literature there is nothing quite like the Ars Amatoria, Ovid's guide to seduction. He devotes Book 3 to teaching the women of Augustan Rome how to find, catch, and keep a male lover. Along with generous portions of wit and absurdity, his text contains a wealth of cultural references, highlighting Rome's architecture, theatres, gladiatorial spectacles, temples, baths, men's and women's clothing, hairstyles, cosmetics, music, poetry-reading, letter-writing, games, slavery, parties, sexuality, and sex. This last and longest book of Ovid's most notorious work helps us see ancient Rome in a new light.Ars Amatoria Book 3 is the first volume in the Oxford Greek and Latin College Commentaries series.ABOUT THE SERIESThe Oxford Greek and Latin College Commentaries series is designed for students in intermediate or advanced Greek or Latin. Each volume includes a comprehensive introduction. The placement, on the same page, of the ancient text, a running vocabulary, and succinct notes focusing on grammar, syntax, and distinctive features of style provides students with essential learning aids.Series Editors: Barbara Weiden Boyd, Bowdoin College, Stephen Esposito, Boston University, and Mary Lefkowitz, Wellesley CollegeFORTHCOMING VOLUMESSelected Letters from Pliny the Younger's EpistulaeJacqueline Carlon, Boston UniversitySuetonius's Life of AugustusDarryl Phillips, Connecticut College

Ovid's Art of Love (Ars Amatoria) and its sequel Remedies for Love (Remedia Amoris) are among the most notorious poems of the ancient world. In AD 8, the emperor Augustus exiled Ovid to the shores of the Black Sea for "a poem and a mistake." Whatever the mistake may have been, the poem was certainly the Ars Amatoria, which the emperor found a bit too immoral.             In exile, Ovid composed Sad Things (Tristia), which included a defense of his life and work as brilliant and cheeky as his controversial love manuals. In a poem addressed to Augustus (Tristia 2), he argues, "Since all of life and literature is one long, steamy sex story, why single poor Ovid out?" While seemingly groveling at the emperor's feet, he creates an image of Augustus as capricious tyrant and himself as suffering artist that wins over every reader (except the one to whom it was addressed).             Bringing together translations of the Ars Amatoria, Remedia Amoris, and Tristia 2, Julia Dyson Hejduk's The Offense of Love is the first book to include both the offense and the defense of Ovid's amatory work in a single volume. Hejduk's elegant and accurate translations, helpful notes, and comprehensive introduction will guide readers through Ovid's wickedly witty poetic tour of the literature, mythology, topography, religion, politics, and (of course) sexuality of ancient Rome. Finalist, National Translation Award, American Literary Translators Association  A Choice Outstanding Academic Book

Since it first appeared in 1961 this has been the standard critical edition of Ovid's love poems. For this new edition the text has been thoroughly revised to take account of published scholarship and the further thoughts of the editor. Conjectures have been admitted to both text and apparatus criticus more freely than in the first edition. Punctuation has been improved, spelling has been normalized, and the long poems have been paragraphed. The apparatus criticus now incorporates the reading of the important Berlin manuscript Hamilton 471; it has also been streamlined by the omission of explanatory material more conveniently accessible in commentaries.

Later edition 1984. Hardcover in full cloth with DJ. Condition new, square tight and crisp book, no edgewear, sharp corners, no markings of any kind, no names no underlinings no highlights, no bent page corners, not a reminder, small price stamp on ffep. DJ as new, bright, no edgewear, no tears no chips, no edgewear, not clipped. 12mo, 272 pages, index. Text in Latin

Book 3 of Ovid's Ars Amatoria teaches women how to catch and keep men and is presented in this modern edition, based on the revised Oxford Classical Text by E.J. Kenney. In his extensive introduction and commentary, Gibson responds to recent developments in interpreting didactic poetry and the treatment of women by classical authors, especially the Latin elegiac poets. He explores how the interests of male readers are covertly served in a book addressed to women.

Book 3 of Ovid's Ars Amatoria teaches women how to catch and keep men and is presented in this modern edition, based on the revised Oxford Classical Text by E.J. Kenney. In his extensive introduction and commentary, Gibson responds to recent developments in interpreting didactic poetry and the treatment of women by classical authors, especially the Latin elegiac poets. He explores how the interests of male readers are covertly served in a book addressed to women.

Since 1923 the Sammlung Tusculum has published authoritative editions of Greek and Latin works together with a German translation. The original texts are comprehensively annotated, and feature an introductory chapter. In the new volumes, additional essays delve into specific aspects of the works, illuminating their historical context and reception to the present day. The high academic quality of the new editions together with clearly written essays and annotations make the Sammlung Tusculum essential reading for students who are discovering an ancient author for the first time as well as professional scholars who would like to gain a deeper understanding of specific aspects of a given work. Moreover, the series is ideal for lay readers who would like to engage with antiquity through a reliable German translation. The series contains over 270 titles, available in print and eBook editions, making previously out-of-print titles and rarities available again for the first time. In order to celebrate the 90th anniversary of the series, De Gruyter is proud to present Tusculum Online, an eBook package which contains all titles that appeared between 1923 and 2013 - a fitting tribute to an important part of German publishing history. For more information, please see www.degruyter.com/tusculum

Since 1923 the Sammlung Tusculum has published authoritative editions of Greek and Latin works together with a German translation. The original texts are comprehensively annotated, and feature an introductory chapter. In the new volumes, additional essays delve into specific aspects of the works, illuminating their historical context and reception to the present day. The high academic quality of the new editions together with clearly written essays and annotations make the Sammlung Tusculum essential reading for students who are discovering an ancient author for the first time as well as professional scholars who would like to gain a deeper understanding of specific aspects of a given work. Moreover, the series is ideal for lay readers who would like to engage with antiquity through a reliable German translation. The series contains over 270 titles, available in print and eBook editions, making previously out-of-print titles and rarities available again for the first time. In order to celebrate the 90th anniversary of the series, De Gruyter is proud to present Tusculum Online, an eBook package which contains all titles that appeared between 1923 and 2013 - a fitting tribute to an important part of German publishing history. For more information, please see www.degruyter.com/tusculum

In all of ancient literature there is nothing quite like the Ars Amatoria, Ovid's guide to seduction. He devotes Book 3 to teaching the women of Augustan Rome how to find, catch, and keep a male lover. Along with generous portions of wit and absurdity, his text contains a wealth of cultural references, highlighting Rome's architecture, theatres, gladiatorial spectacles, temples, baths, men's and women's clothing, hairstyles, cosmetics, music, poetry-reading, letter-writing, games, slavery, parties, sexuality, and sex. This last and longest book of Ovid's most notorious work helps us see ancient Rome in a new light.Ars Amatoria Book 3 is the first volume in the Oxford Greek and Latin College Commentaries series.ABOUT THE SERIESThe Oxford Greek and Latin College Commentaries series is designed for students in intermediate or advanced Greek or Latin. Each volume includes a comprehensive introduction. The placement, on the same page, of the ancient text, a running vocabulary, and succinct notes focusing on grammar, syntax, and distinctive features of style provides students with essential learning aids.Series Editors: Barbara Weiden Boyd, Bowdoin College, Stephen Esposito, Boston University, and Mary Lefkowitz, Wellesley CollegeFORTHCOMING VOLUMESSelected Letters from Pliny the Younger's EpistulaeJacqueline Carlon, Boston UniversitySuetonius's Life of AugustusDarryl Phillips, Connecticut College

The Art of Love, or Ars Amatoria, is a poem about sex and poetry, and poetry as sex. Witty and subversive, it is a poem of seduction about seduction: the seduction of the implied reader being initiated into the art of love, as well as the actual reader being seduced by the poet into the act of reading the poem. This sophisticated but accessible reading of the poem focuses on the relationship between the poet and reader, the lover and the seduced--both here and elsewhere in Latin poetry. The book translates all Latin quotations, and should prove a new, exciting, and provocative contribution to Latin literary criticism.

Since it first appeared in 1961 this has been the standard critical edition of Ovid's love poems. For this new edition the text has been thoroughly revised to take account of published scholarship and the further thoughts of the editor. Conjectures have been admitted to both text and apparatus criticus more freely than in the first edition. Punctuation has been improved, spelling has been normalized, and the long poems have been paragraphed. The apparatus criticus now incorporates the reading of the important Berlin manuscript Hamilton 471; it has also been streamlined by the omission of explanatory material more conveniently accessible in commentaries.

The Art of Love, or Ars Amatoria, is a poem about sex and poetry, and poetry as sex. Witty and subversive, it is a poem of seduction about seduction: the seduction of the implied reader being initiated into the art of love, as well as the actual reader being seduced by the poet into the act of reading the poem. This sophisticated but accessible reading of the poem focuses on the relationship between the poet and reader, the lover and the seduced--both here and elsewhere in Latin poetry. The book translates all Latin quotations, and should prove a new, exciting, and provocative contribution to Latin literary criticism.

The Art of Love celebrates the bi-millennium of Ovid's cycle of sophisticated and subversive didactic poems on love, traditionally assumed to have been brought to completion around AD 2. Ars Amatoria (The Art of Love) and Remedia Amoris (Cures for Love), which purport to teach young Roman men and women how to be good lovers, were partly responsible for the poet's exile from Rome under the emperor Augustus. None the less they exerted great influence over ancient and later love poetry. This is the first collection in English devoted to the poems, and brings together many of the leading figures in the field of Latin literature and Ovidian studies from the British Isles, Germany, Italy, and the United States. It offers a range of perspectives on the poetics, politics, and erotics of the poems, beginning with a critical survey of recent research, and concluding with papers on the ancient, medieval, and modern reception of the poems.

The Art of Love celebrates the bi-millennium of Ovid's cycle of sophisticated and subversive didactic poems on love, traditionally assumed to have been brought to completion around AD 2. Ars Amatoria (The Art of Love) and Remedia Amoris (Cures for Love), which purport to teach young Roman men and women how to be good lovers, were partly responsible for the poet's exile from Rome under the emperor Augustus. None the less they exerted great influence over ancient and later love poetry. This is the first collection in English devoted to the poems, and brings together many of the leading figures in the field of Latin literature and Ovidian studies from the British Isles, Germany, Italy, and the United States. It offers a range of perspectives on the poetics, politics, and erotics of the poems, beginning with a critical survey of recent research, and concluding with papers on the ancient, medieval, and modern reception of the poems.

Tonadillas & Amatorias Alicia de Larrocha - CD 841471521171

A Times Higher Education Book of the WeekA virulent strain of antifeminism is thriving online that treats women’s empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims―from Ovid’s Ars Amatoria to Seneca and Marcus Aurelius―arguing that they articulate a model of masculinity that sustained generations but is now under siege. Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online.“A chilling account of trolling, misogyny, racism, and bad history proliferated online by the Alt-Right... Zuckerberg makes a persuasive case for why we need a new, more critical, and less comfortable relationship between the ancient and modern worlds in this important and very timely book.”―Emily Wilson, translator of The Odyssey“Explores how ideas about Ancient Greece and Rome are used and misused by antifeminist thinkers today.”―Time“Zuckerberg presciently analyzes these communities’...embrace of stoicism as a self-help tool to gain confidence, jobs, and girlfriends. Their adoration of men like Marcus Aurelius, Epictetus, and Ovid...is founded in a limited and distorted interpretation of ancient philosophy...lending heft and authority to sexism and abuse.”―The Nation“Traces the application―and misapplication―of classical authors and texts in online communities that see feminism as a threat.”―Bitch Media

Ovid (Publius Ovidius Naso, 43 BCE–17 CE), born at Sulmo, studied rhetoric and law at Rome. Later he did considerable public service there, and otherwise devoted himself to poetry and to society. Famous at first, he offended the emperor Augustus by his Ars Amatoria, and was banished because of this work and some other reason unknown to us, and dwelt in the cold and primitive town of Tomis on the Black Sea. He continued writing poetry, a kindly man, leading a temperate life. He died in exile.Ovid's main surviving works are the Metamorphoses, a source of inspiration to artists and poets including Chaucer and Shakespeare; the Fasti, a poetic treatment of the Roman year of which Ovid finished only half; the Amores, love poems; the Ars Amatoria, not moral but clever and in parts beautiful; Heroides, fictitious love letters by legendary women to absent husbands; and the dismal works written in exile: the Tristia, appeals to persons including his wife and also the emperor; and similar Epistulae ex Ponto. Poetry came naturally to Ovid, who at his best is lively, graphic and lucid.The Loeb Classical Library edition of Ovid is in six volumes.