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The table turns on two brothers, Don Ameche and Robert Young, when they attempt to save their father from a woman they believe is a gold digger.

Three disc set includes Josette (1938), Swanee River (1939), and Ramona (1936).

Director Archie Mayo brings this story to life about four brothers torn part by war. When Nazi Germany invades Czechoslovakia, each chose a different side that will alter their fates forever. Starring Don Ameche, Eugene Leontvich, with Mary Beth Hughes.

Newly deceased playboy Henry Van Cleve (Don Ameche) presents himself to the outer offices of Hades where he asks a bemused Satan for permission to enter the gates of Hell. Direction: Ernst Lubitsch Actors: Charles Coburn, Don Ameche, Gene Tierney, Laird Cregar, Marjorie Main, Spring Byington Special Features: New video conversation between film critics Molly Haskell and Andrew Sarris; Creativity with Bill Moyers: A Portrait of Samsom Raphelson (1982), a 32-minute program exploring the screenwrit

The great Douglas Sirk (MAGNIFICENT OBSESSION) directed the third and final teaming of Claudette Colbert and Don Ameche, they first appeared together in Mitchell Leisen's MIDNIGHT and later in Sam Wood's THE GUEST WIFE. This Hitchcockian thriller casts Colbert as Alison Courtland, a wealthy New York socialite who awakens on a Boston-bound train with no memory of how she got there. A kind, elderly woman helps Alison call her husband Richard (Ameche), who in the meantime had contacted Detective Sg

In the tradition of The Palm Beach Story and It Happened One Night - The great Sam Wood (The Devil and Miss Jones) directs this screwball romantic comedy starring Claudette Colbert (Since You Went Away) and her Midnight co-star Don Ameche (Moon Over Miami) about a wild marital mix-up. Determined to impress his old-fashioned sentimental boss, a quick-thinking unmarried foreign correspondent (Ameche) talks his best friend's bride (Colbert) to pose as his wife. When the hoax gets hopelessly out of

Jealousy rears it's head in laughter as Rosalind Russell, Don Ameche, Kay Francis and Van Heflin battle the green-eyed monster in The Feminine Touch, a snappy screwball comedy co-written by Ogden Nash. A college professor who believes there's no place for jealousy in modern marriage, John Hathaway (Ameche) moves with his wife, Julie (Russell), to New York where he plans to publish a book on the subject. Meeting with publisher Elliott Morgan (Heflin), who falls head over heels for Julie, John is

Dwight Dawson (Don Ameche) owns a school for success that has fallen on hard times. As a publicity stunt to attract students, Dawson searches for the laziest man in America to make a success out of him. When he finds the cheerful, uncomplicated Tad Page (Henry Fonda), it's Tads easygoing ways that win out over Dawson's moneymaking schemes.

Ramona is the tempestuous story of a half-Native American girl (Loretta Young), raised by a wealthy family whose son is in love with the girl against his family's wishes. Despondent, Ramona falls in love with a Native American (Don Ameche) employed by the household. Also starring Kent Taylor and Pauline Frederick.

Don Ameche, Joan Bennett, Billie Burke. A destitute socialite is forced to rent her New York apartment to a visiting Venezuelan playboy. He mistakes her for a maid, and she decides to play the part! Comedy and romance grow out of this case of mistaken identity. 1942/b&w/81 min/NR/fullscreen.

Blu-ray. The great Douglas Sirk (MAGNIFICENT OBSESSION) directed the third and final teaming of Claudette Colbert and Don Ameche, they first appeared together in Mitchell Leisen's MIDNIGHT and later in Sam Wood's THE GUEST WIFE. This Hitchcockian thriller casts Colbert as Alison Courtland, a wealthy New York socialite who awakens on a Boston-bound train with no memory of how she got there. A kind, elderly woman helps Alison call her husband Richard (Ameche), who in the meantime had contacted Det

Director Douglas Sirk, best known for his melodramatic masterpieces of the '50s, directs this charming musical-comedy which gives a peek into the Hollywood studio system of the 1940s. After driving his leading lady to an emotional breakdown, director John Gayle (Don Ameche, Heaven Can Wait, Midnight) is fired by producer Doug Hyde (Willard Parker, a Slight Case of Murder, Kiss Me Kate). When he meets carnival performer Mary O'Leary (Dorothy Lamour, Road to Morocco), John plots to get his job bac

Deceased turn-of-the-century playboy Henry Van Cleve (Don Ameche) presents himself to the outer offices of Hades, where he asks a bemused Satan for permission to enter through the gates of hell. Though the devil doubts that Henry's sins qualify him for eternal damnation, Henry proceeds to recount a lifetime of wooing and pursuing women, his long, happy marriage to Martha (Gene Tierney) notwithstanding. Ernst Lubitsch's Heaven Can Wait, nominated for Academy Awards for best picture and director,

In 1958, journalist Neil Leifer took the picture that remains one of his most famous to this day. The day he got the shot―Alan Ameche’s game-winning “sudden death” touchdown―was Leifer’s 16th birthday. This game, called “the greatest ever played,” signaled football’s emergence as America’s new national pastime; formerly half-empty stadiums welcomed sold-out crowds seemingly overnight, while football surpassed baseball in national television ratings. Starting then, on any given Sunday Leifer was most likely shooting a football game somewhere in America...While best known for his iconic photograph of Muhammad Ali towering over a fallen Sonny Liston, it is his football pictures Leifer considers his best. This collection represents the best of his best, culled from over 10,000 rolls of film on the sport. With an introduction assembled from the best football columns of the era by famed sports columnist Jim Murray, and incisive captions detailing the legendary players, coaches, and games, this volume carries the guts and glory of the game into the end zone.

The Wisconsin Badgers have had some outstanding players don the Cardinal and White over the past 90 years. #3 Lee Evans, #15 Ron Vander Kelen, #72 Joe Thomas, #88 Pat Richter, and, of course, Heisman Trophy winners #33 Ron Dayne and #35 Alan Ameche. Players so good they were known by the Badger faithful simply by the number they wore on their back. With an assist from a special blue-ribbon panel of UW officials and current and past media members, author Jim Polzin has compiled the all-time Badger roster the best players at each jersey number in Badgers football history. Featuring an impressive collection of color and black & white photos throughout, Badgers By The Numbers recaps the career achievements of each member of the all-time roster while taking an in-depth look at 11 of the top players. Also included is a special section on those players whose numbers have been retired and an honorable mention list of those who just missed the cut. A must have for Badger fans, set Badgers By The Numbers out at your next tailgate and let the debate on who is best begin.

Don Ameche, Eve Arden, George Burns, Bette Davis, Greer Garson, Rex Harrison, Lilli Palmer, George Raft, Ginger Rogers, Barbara Stanwyck, Orson Welles, Cornel Wilde—these are among the stars who graced the silver screen in Hollywood’s Golden Age. Biographies and filmographies of these actors and actresses and 70 others who had passed from the scene by September 1996 are presented in this reference work. The biographical section focuses on how they came to be involved with whom they shared the screen. The filmography lists all the films in which they appeared, along with the studio and the year of release.

Her girl-next-door looks combined with a sultry singing voice made Alice Faye one of Hollywoods biggest stars in the Golden Age of Cinema. Don Ameche and Alice Faye pair up as husband and wife, Baron and Baroness Duarte and head to South America in this musical classic. In order to avoid some financial problems, the Baron switches places with impersonator Larry Martin Direto da Broadway (also Ameche). When Martins affections for the Baroness are too kind and romantic, both the Baroness and Marti

Sonja Henie, Don Ameche. In her film debut, Norwegian Olympic medal winner Sonja Henie plays a skater brought to the U.S. whose dazzling performance at Madison Square Garden propels her to stardom. 1936/b&w/94 min/NR/fullscreen.

Alice Faye, Don Ameche, the Ritz Brothers. A Broadway producer hopes to improve his chances with a beautiful playwright by buying the rights to all of her plays. Directed by Academy Award-winner Norman Taurog. 1937/b&w/99 min/NR/fullscreen.

The fictionalized biography of 19th-century American composer Stephen Foster, played by Don Ameche.