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After extensive research and development, we present the 35mm T2.9 1.6x Anamorphic Lens for Sony E, a revolutionary tool for photographers and videographers alike. This lens offers a wide field of view (FOV), equivalent to the horizontal FOV of a full-frame 22mm lens. This feature allows for the inclusion of more elements into the frame, making it an excellent choice for capturing stunning architecture, breathtaking landscapes, and intricate details in tight spaces.This versatile lens set includes four commonly used focal lengths, providing a comprehensive solution for shooting projects from various angles. Its wide field of view is particularly beneficial for indoor photography and landscape shots, offering a broader perspective and more depth.The 35mm T2.9 1.6x Anamorphic Lens for Sony E is part of the full-frame anamorphic lineup, which offers 1.6x more horizontal coverage, showcasing prominent anamorphic characteristics. This makes it an ideal choice for high-end productions seeking to achieve a cinematic look.The lens offers two aspect ratios for added flexibility. When shooting in 3:2, it provides a 2.4:1 aspect ratio. However, when used on a 16:9 sensor, it delivers a wider 2.8:1 aspect ratio, allowing for creative cropping in post-production to achieve a 2.4:1 aspect ratio.The 1.6x squeeze feature of this lens is becoming increasingly popular due to its ability to stretch the background, resulting in taller and skinnier bokeh. This, combined with the lens's ability to create cinematic blue lens flares when hit with a light source, contributes to its unique cinematic look.The 35mm T2.9 1.6x Anamorphic Lens for Sony E features a uniform barrel construction with a T2.9 to T16 aperture range, identical gear position, an 82mm filter thread, a 1/4" threaded hole, and both metric and imperial scales. Despite its robust features, it remains compact and lightweight, weighing in at just 930g/2lbs, making it more portable than similar products on the market.This lens lineup is available in RF, L, E, and Z-mount options, ensuring compatibility with professional cinema cameras and popular full-frame mirrorless cameras. The 35mm T2.9 1.6x Anamorphic Lens for Sony E is a testament to our commitment to providing innovative, high-quality photography and videography solutions.

When shooting with a compatible camera, the 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping. Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures. Even wide open at F/1.8, this lens can still produce sharp, quality imaging with a smooth depth of field when targeting the subject/object using the 35mm focal length.

VEVOR Tripod Projector Screen with Stand 60 inch 16:9 4K HD Projection Screen Stand Wrinkle-Free Height Adjustable Portable Screen for Projector Indoor & Outdoor for Movie, Home Cinema, Gaming, Office16:9 4K HD Projector Screen160-Degree Viewing AngleAdjustable Aluminum TripodEffortless & Quick InstallationLightweight & PortableIndoor & Outdoor UseScreen Resolution: 4K HD,Tripod Material: Aluminum Alloy,Stand Type: Tripod,Diagonal: 60"/152.4 cm,Viewing Angle: 160 degrees,Screen Material: Polyester,Model: DM-ABS-60,Product Weight: 14.3 lbs/6.5 kg,Stand Height: 78.7"-98.4"/200-250 cm (adjustable),Aspect Ratio: 16:9,Image Area (W x H): 52.4" x 29.9"/133 x 76 cm

100 in. Tripod Projector Screen. Our projection screen portable features 16:9 4K HD and a 160° viewing angle, providing clear and vivid imagery. You will enjoy the beautiful movies, pictures, games and spend more time with your family and friends. The projector screen stand is height adjustable to meet your diverse needs. With an aluminum tripod and wrinkle-free polyester surface, this video screen is ideal for home theater, meeting room, weddings and even outdoors like camping and backyard movie night.

When shooting with a compatible camera, the 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping. Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures. Even wide open at F/1.8, this lens can still produce sharp, quality imaging with a smooth depth of field when targeting the subject/object using the 35mm focal length.

When shooting with a compatible camera, the 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping. Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures. Even wide open at F/1.8, this lens can still produce sharp, quality imaging with a smooth depth of field when targeting the subject/object using the 35mm focal length.

Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminium enclosure is robust yet lightweight to create cinematic widescreen shots.

Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminium enclosure is robust yet lightweight to create cinematic widescreen shots.

**​**Designed with a unique structure, the lens squeezes images down 1.33 times horizontally to fit onto the camera sensor, which you then have to desqueeze in post. Images produced in this way would be in 2.4:1 wide-screen aspect ratio and of high resolution, way better than that of just cropping and adding black bars.

**​**Designed with a unique structure, the lens squeezes images down 1.33 times horizontally to fit onto the camera sensor, which you then have to desqueeze in post. Images produced in this way would be in 2.4:1 wide-screen aspect ratio and of high resolution, way better than that of just cropping and adding black bars.

When shooting with a compatible camera, the 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping. Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures. Even wide open at F/1.8, this lens can still produce sharp, quality imaging with a smooth depth of field when targeting the subject/object using the 35mm focal length.

Sirui 24mm f/2.8 1.33x Anamorphic - Sony E Fit brings a wide-angle feel to your anamorphic imagery, in addition to the extra width provided by the anamorphic process. Designed for APS-C cameras with a Sony E mount, the lens increases the horizontal FOV by 33% compared with traditional 24mm APS-C lenses.

Sirui 24mm f/2.8 1.33x Anamorphic - Sony E Fit brings a wide-angle feel to your anamorphic imagery, in addition to the extra width provided by the anamorphic process. Designed for APS-C cameras with a Sony E mount, the lens increases the horizontal FOV by 33% compared with traditional 24mm APS-C lenses.

Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminium enclosure is robust yet lightweight to create cinematic widescreen shots.

Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminium enclosure is robust yet lightweight to create cinematic widescreen shots.

When shooting with a compatible camera, the 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping. Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures. Even wide open at F/1.8, this lens can still produce sharp, quality imaging with a smooth depth of field when targeting the subject/object using the 35mm focal length.

When shooting with a compatible camera, the 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping. Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures. Even wide open at F/1.8, this lens can still produce sharp, quality imaging with a smooth depth of field when targeting the subject/object using the 35mm focal length.

When shooting with a compatible camera, the 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping. Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures. Even wide open at F/1.8, this lens can still produce sharp, quality imaging with a smooth depth of field when targeting the subject/object using the 35mm focal length.

When shooting with a compatible camera, the 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping. Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures. Even wide open at F/1.8, this lens can still produce sharp, quality imaging with a smooth depth of field when targeting the subject/object using the 35mm focal length.

Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminium enclosure is robust yet lightweight to create cinematic widescreen shots.