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Sous la direction de H.D. Saffrey. Texte etabli et traduit par A. Colinet. CXVI-804 p. Index. (2000) 2e tirage 2002.[G 398]2-251-00478-583 EUR

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Hardback, 12 x 10 3/4 x 3/4 in., 2 lbs, Dust Jacket: normal shelf wear, minor chipping on jacket upper left corner; Book: pages in very good condition; overall: very good condition

Etoile Anonyme (IMPORT) Valerie Lahaie - CD 619061468720

Dust jacket notes: "The Societe Anonyme, founded in 1920 by Katherine Dreier, Marcel Duchamp, and Man Ray, was responsible for introducing contemporary European art to the American public. In its first decade, the Societe organized over fifty exhibitions, including the first one-artist shows in this country given to Archipenko, Kandinsky, Klee, Leger, and Villon. Through its exhibitions, lectures, and publications, the Societe hoped to show the public that there were both social and spiritual benefits to be derived from progressive modern art. Donated to Yale University in 1941, the collection of the Societe Anonyme was augmented by Dreier during the last years of her life and by works from her estate upon her death in 1952. The combined collection boasts works by 180 artists and rivals the most important public collections of modern art in America. Its particular flavor owes to its having been formed by artists rather than by collectors. Thus, in addition to substantial holdings of famous artists such as Duchamp, Kandinsky, Klee, Leger, Lissitzky, Mondrian, Man Ray, Schwitters, Stella, and Villon, one finds works by less well-known artists of unusual interest and growing reputation, such as Bruce, Buchheister, Carlsund, Covert, and Duchamp-Villon. This generously illustrated catalogue raisonne provides the only thorough history of the Societe Anonyme and for the first time documents and reproduces the entire collection and associated works from the Dreier estate - a total of 1020 items. The catalogue includes a short biography of each artist and a complete bibliography and exhibition history for each work. Most works are accompanied by interpretive essays incorporating new ideas and information, and often by Duchamp's original texts, never before fully published. This handsome volume is thus of both intrinsic and historical importance, an essential resource to anyone interested in the history of modern art in America...."

A visual feast of modern European and American art from one of the twentieth century’s most extraordinary collections This beautifully illustrated book highlights the unique history of The Société Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877–1952), Marcel Duchamp (1887–1968), and Man Ray (1890–1976). As America’s first “experimental museum” for modern art, the Société Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group eventually assembled a collection of more than one thousand artworks, which it presented to the public in a variety of innovative programs, publications, and exhibitions. The incredible collection of the Société Anonyme now belongs to the Yale University Art Gallery, a gift from the Société and Dreier. It features the work of more than one hundred artists, many of whom are among the century’s most renowned—including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee, El Lissitzky, Piet Mondrian, Man Ray, Kurt Schwitters, and Joseph Stella—as well as works by lesser-known artists whose contributions to modernism are substantial. With new archival information, including personal correspondence between Dreier and the artists whose work she assembled, a host of previously unpublished images, essays by leading scholars, and an interview with artists Robert and Sylvia Mangold about the contemporary significance of this collection, this fascinating book is essential to our understanding of the reception and interpretation of modernism in America.

Avant-propos Notice1. Découverte du papyrus 2. Le recto et les fragments 3. Le verso : trois textes de nature et de mains différentes 4. Nature et objectifs de l’Anonyme de Londres 5. La recherche sur l’Anonyme de Londres 6. Principes de notre édition Bibliographie relative aux textes de l’Anonyme de Londres 1. Éditions 2. Traductions 3. Commentaires 4. Reproductions  Édition et traduction de l’Anonyme de Londres 1. Le recto et les fragments 2. Le verso

Dust jacket notes: "The Societe Anonyme, founded in 1920 by Katherine Dreier, Marcel Duchamp, and Man Ray, was responsible for introducing contemporary European art to the American public. In its first decade, the Societe organized over fifty exhibitions, including the first one-artist shows in this country given to Archipenko, Kandinsky, Klee, Leger, and Villon. Through its exhibitions, lectures, and publications, the Societe hoped to show the public that there were both social and spiritual benefits to be derived from progressive modern art. Donated to Yale University in 1941, the collection of the Societe Anonyme was augmented by Dreier during the last years of her life and by works from her estate upon her death in 1952. The combined collection boasts works by 180 artists and rivals the most important public collections of modern art in America. Its particular flavor owes to its having been formed by artists rather than by collectors. Thus, in addition to substantial holdings of famous artists such as Duchamp, Kandinsky, Klee, Leger, Lissitzky, Mondrian, Man Ray, Schwitters, Stella, and Villon, one finds works by less well-known artists of unusual interest and growing reputation, such as Bruce, Buchheister, Carlsund, Covert, and Duchamp-Villon. This generously illustrated catalogue raisonne provides the only thorough history of the Societe Anonyme and for the first time documents and reproduces the entire collection and associated works from the Dreier estate - a total of 1020 items. The catalogue includes a short biography of each artist and a complete bibliography and exhibition history for each work. Most works are accompanied by interpretive essays incorporating new ideas and information, and often by Duchamp's original texts, never before fully published. This handsome volume is thus of both intrinsic and historical importance, an essential resource to anyone interested in the history of modern art in America...."

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