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Antonin Artaud is one of the great cultural legends of the 20th century. His Theatre of Cruelty altered the course of modern theatre and his experiments with the Surrealist movement have proved inspirational throughout Europe and America. But Artaud's life was one of terrible failure and confrontation, an exploration of the extremes of agony and joy. At the end of a long series of journeys - both physical and spiritual - aimed at creating a magical culture of the human body, he was arrested and interned for nine years in a succession of French lunatic asylums, where he suffered starvation and was subjected to 50 electroshock treatments. This book is a faithful portrait of his life and work.

Stay stylish and comfortable in this A.p.c. Antonin parka for men. Made from 100% cotton fabric, this parka features a relaxed fit, hooded design with adjustable drawstring, front snap-button and zipper closure, long sleeves with adjustable cuffs, two large front flap pockets, and a back slit with drawstring adjustment. Model is 1.90m tall and wears size L.

Stay stylish and comfortable in this A.p.c. Antonin parka for men. Made from 100% cotton fabric, this parka features a relaxed fit, hooded design with adjustable drawstring, front snap-button and zipper closure, long sleeves with adjustable cuffs, two large front flap pockets, and a back slit with drawstring adjustment. Model is 1.90m tall and wears size L.

Book by Hayman, Ronald, Robert, Marthe

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Unread book in perfect condition.

The extraordinary actor–director–writer who developed his talent for self-torture into art to become one of the most vital creative forces of the century.

Paperback. Pages are clean and unmarked. Covers show light edge wear. Light shelving foxing spots/dust-dulling on book page edges.; 100% Satisfaction Guaranteed! Ships same or next business day!

Philosophical and biographical accounts of Antonin Artaud's late visual work, all reproduced in color.Antonin Artaud (1896–1948)―stage and film actor, director, writer, and visual artist―was a man of rage and genius. Expelled from the Surrealist movement for his refusal to renounce the theatre, he founded the Theater of Cruelty and wrote The Theater and Its Double, one of the key twentieth-century texts on the topic. Artaud spent nine years at the end of his life in asylums, undergoing electroshock treatments. Released to the care of his friends in 1946, he began to draw again.This book presents drawings and portraits from this late resurgence, all in color. Accompanying the images are texts by by Artaud's longtime friend and editor Paule Thévenin and the philosopher Jacques Derrida.“We won't be describing any paintings,” Derrida warns the reader. Derrida struggles with Artaud's peculiar language, punctuating his text with agitated footnotes and asides (asking at one point, “How will they translate this?”). Thévenin offers a more straightforward biographical and historical account. (It was on the walls of her apartment that Derrida first saw Artaud's paintings and drawings.) These two texts were previously published by the MIT Press in The Secret Art of Antonin Artaud without the artwork that is their subject. This book brings together art and text for the first time in English.

A revolutionary figure in the literary avant-garde of his time, Antonin Artaud (1896-1948) is now seen to be central to the development of post-modernism. His writings comprise verse, prose poems, film scenarios, a historical novel, plays, essays on film, theater, art, and literature, and many letters. Susan Sontag's selection conveys the genius of this singular writer.

Raymond, Antonin; ANTONIN RAYMOND - An Autobiography; Charles E. Tuttle Company; Rutland, VT; 1972; First Edition; First Printing; 328 Pages

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In this, his second book of photographs, Antonin Kratochvil turns his camera away from the human catastrophe and destruction he portrayed in Eastern Europe to reveal another side of modernity - the broad-reaching spectrum of the entertainment industry. Kratochvil's unique take on the famous and fashionable is not the candy-coated imagery so prevalent in today's fashion and movie magazines. His work underscores the physical and psychological intensity of the creative men and women who have sat before his camera with images not designed to flatter but rather created to reveal something below the surface. Mostly taken on assignment for Detour, W, GQ, and Premiere, Kratochvil's celebrity portraits have never before been assembled in a book. Incognito is the first such compilation. It shows off the photographer's expressionistic, gritty, and sometimes dark style that has become a unique signature in the world of editorial and portrait photography.

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Antonin Dvorak, My Father is a personal biography by his son Otakar who at the age of seventy-five years old decided to "write about the events missing from the other books about my father. " For musicologists, Otakar's biography of his father contains many new items, but basically the book portrays Dvorak as a father. Story after story discloses Dvofak's real identity, captured in simple words by his son, while the great composer's work and profession linger in the background. Otakar reveals in detail how his father decided to come to America. Later, after Otakar joined his parents in New York, the family set out for Spiliville. Otakar tells many stories about his father in this Czech-American community in northeastern Iowa. Dvorak's symphony From the New World was the rage of New York in December of 1893, but Otakar recalls it for a much different reason. Dvorak's depression in New York has seldom been mentioned, much less understood. But through the eyes of nine year old Otakar there is a poignancy that few musical historians could present. Otakar remembers many stories told by Dvotak's friends and pupils. These colorful stories carry us through the chapters, giving us the background to Dvofak's career and life. Otakar relates several gems for the musical historian, but the story about how his father solved a problem in his most famous opera might be the best. Otakar wrote his book to say..."ad memoriam lather. " But Otakar's epilogue for this book written a few days before his own death divulged as much about himself as his stories did about his father.

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Antonin Artaud is one of the great cultural legends of the 20th century. His Theatre of Cruelty altered the course of modern theatre and his experiments with the Surrealist movement have proved inspirational throughout Europe and America. But Artaud's life was one of terrible failure and confrontation, an exploration of the extremes of agony and joy. At the end of a long series of journeys - both physical and spiritual - aimed at creating a magical culture of the human body, he was arrested and interned for nine years in a succession of French lunatic asylums, where he suffered starvation and was subjected to 50 electroshock treatments. This book is a faithful portrait of his life and work.

Antonin Dvorak, My Father is a personal biography by his son Otakar who at the age of seventy-five years old decided to "write about the events missing from the other books about my father. " For musicologists, Otakar's biography of his father contains many new items, but basically the book portrays Dvorak as a father. Story after story discloses Dvofak's real identity, captured in simple words by his son, while the great composer's work and profession linger in the background. Otakar reveals in detail how his father decided to come to America. Later, after Otakar joined his parents in New York, the family set out for Spiliville. Otakar tells many stories about his father in this Czech-American community in northeastern Iowa. Dvorak's symphony From the New World was the rage of New York in December of 1893, but Otakar recalls it for a much different reason. Dvorak's depression in New York has seldom been mentioned, much less understood. But through the eyes of nine year old Otakar there is a poignancy that few musical historians could present. Otakar remembers many stories told by Dvotak's friends and pupils. These colorful stories carry us through the chapters, giving us the background to Dvofak's career and life. Otakar relates several gems for the musical historian, but the story about how his father solved a problem in his most famous opera might be the best. Otakar wrote his book to say..."ad memoriam lather. " But Otakar's epilogue for this book written a few days before his own death divulged as much about himself as his stories did about his father.

A revolutionary figure in the literary avant-garde of his time, Antonin Artaud (1896-1948) is now seen to be central to the development of post-modernism. His writings comprise verse, prose poems, film scenarios, a historical novel, plays, essays on film, theater, art, and literature, and many letters. Susan Sontag's selection conveys the genius of this singular writer.

Unread book in perfect condition.