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The Antonines - Antonius, Pius, Marcus Aurelius, Lucius Verus and Commodus - played a crucial part in the development of the Roman Empire, controlling its huge machine for half a century of its most testing period.Theirs was a period when art and literature were flourishing. It was also a time of social and political change, and there are still many unanswered questions: did the Antonines' rule contain the seeds of later decay? How did the Christians fare? Was Commodus as bad as he was made out to be? Michael Grant examines these issues with clarity and skill.The importance of the Antonines is manifold, but it mainly lies in the fact that they represented an `age of transition'. They were playing gigantic parts in the massive historical drama that was unfolding, a drama which was destined to transform the Roman Empire from its ancient mould and bring it into the Middle Ages.Michael Grant is one of the world's greatest writers on ancient history. He has had a distinguished academic career, most recently as Vice-Chancellor of Queen's University, Belfast, and has published over fifty books.

Paperback. A walk of the Antonine Wall from east to west Scotland by historian Alan Montgomery. A journey through Roman Britain (Scotland) - history and travel writing combined in one exciting adventure. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Classical Studies, Ancient History, Roman Empire, Roman Studies, Pol. Studies, Literary Studies

Classical Studies, Ancient History, Roman Empire, Roman Studies, Pol. Studies, Literary Studies

This is a study of a man who was the presiding genius of Latin letters in the second century, the leading orator and lawyer of his day, a prominent senator and consul, the close friend of four emperors and the teacher of two, including the philosopher-emperor Marcus Aurelius. It is a history that tells as much about the age as the man. The book begins in Roman North Africa, with an account of Fronto's family and education and the province's influence on his career. After a brief glance at his Italian milieu, Champlin examines Fronto's letters for what they reveal about Fronto and about literary life in the second century. Next come portrayals of Fronto as lawyer, as senator, and as courtier--chapters in Fronto's life that yield a full picture of Antonine society. A final chapter discusses what Marcus Aurelius learned from the orator. The fragmentary nature of Fronto's letters has seriously hampered their use as a historical source. By close analysis of many of the letters and by the deployment of formidable prosopographical skills, Champlin has coaxed information out of this rich material, and he weaves it into a clear social history.

Aulus Gellius originated the modern use of "classical" and "humanities." His Attic Nights contains information on many aspects of antiquity, and preserve much early Latin literature that would otherwise be lost; they also offer personal reminiscences and vignettes of life in the second century AD. This comprehensive study examines his life and writings. It has been fully revised in the light of recent work.

Aulus Gellius originated the modern use of "classical" and "humanities." His Attic Nights contains information on many aspects of antiquity, and preserve much early Latin literature that would otherwise be lost; they also offer personal reminiscences and vignettes of life in the second century AD. This comprehensive study examines his life and writings. It has been fully revised in the light of recent work.

The quality of "monumentality" is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in molding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation--from monumentum, "a monument"--attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age--when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyzes the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.

The quality of "monumentality" is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in molding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation--from monumentum, "a monument"--attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age--when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyzes the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.

10. Auflage, besorgt von Georg Wissowa. Aalen : Scientia Verlag, 1979. Reprint 1921-1923 edition. 4 Volumes. Orig. cloth bindings. xxxiv,490; viii,383; viii,372; viii,372 pp. Contents. Band 1 : Die Stadt Rom. Der Hof. Die drei Stände. Der gesellige Verkehr. Die Frauen. Das Verkehrswesen. Die Reisen der Touristen; Band 2 : Die Schauspiele. Die Musik. Die schöne Literatur. Der Luxus; Band 3 : Die bildenden Künste. Die religiösen Zustände. Die Philosophie als Erzieherin zur Sittlichkeit. Der Unsterblichkeitsglaube; Band 4 : Anhänge. Condition : new copy. ISBN 9783511011307. Keywords : CLASSICAL ANTIQUITY, popular culture

10. Aufl. besorgt von Georg Wissowa, 2. Neudruck der Ausg. Leipzig 1921 - 1923. 4 Bände. Gr.-8°. XXXI (1), 490; VIII, 383; VIII,372; VII, 336 S. Ln. (priv. Stempel a. Vors., sehr vereinzelte Bleist.-An- u. -Unterstr.). >>>> Zur Zeit erfolgt KEIN VERSAND NACH ÖSTERREICH aufgrund der dort geltenden Verpackungsverordnung. <<<<

This book examines the development of Roman temple architecture from its earliest history in the sixth century BC to the reigns of Hadrian and the Antonines in the second century AD. John Stamper analyzes the temples' formal qualities, the public spaces in which they were located and, most importantly, the authority of precedent in their designs. He also traces Rome's temple architecture as it evolved over time and how it accommodated changing political and religious contexts, as well as the affects of new stylistic influences.

This book examines the development of Roman temple architecture from its earliest history in the sixth century BC to the reigns of Hadrian and the Antonines in the second century AD. John Stamper analyzes the temples' formal qualities, the public spaces in which they were located and, most importantly, the authority of precedent in their designs. He also traces Rome's temple architecture as it evolved over time and how it accommodated changing political and religious contexts, as well as the affects of new stylistic influences.

The spectacular Bronze Age remains on Orkney, the imposing Iron Age hill forts and brochs, the Antonine Wall built by the Romans—these are but a few of the best-known surviving monuments in which Scotland is so rich. This updated edition of Ian Armit’s classic guide to Scotland’s archaeological heritage is complete with detailed instructions as to how to access every major site.

Volume 11 of the second edition of The Cambridge Ancient History covers the history of the Roman empire from AD 70 to 192--Vespasian to the Antonines. The volume begins with the political and military history of the period. Developments in the structure of the empire are then examined, including the organization and personnel of the central government and province-based institutions and practices. A series of provincial studies follows, and the society, economy and culture of the empire as a whole are reviewed in a group of thematic chapters.

Volume 11 of the second edition of The Cambridge Ancient History covers the history of the Roman empire from AD 70 to 192--Vespasian to the Antonines. The volume begins with the political and military history of the period. Developments in the structure of the empire are then examined, including the organization and personnel of the central government and province-based institutions and practices. A series of provincial studies follows, and the society, economy and culture of the empire as a whole are reviewed in a group of thematic chapters.