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Book by Williams, Ron G., Boyd, James W.

Our stretched canvas is created with only the highest standards. We print with high quality inks and canvas, and then hand cut and stretch it over a 1.5 in. thick wooden frame. The art comes ready to hang with no installation required. Not to mention, at this size, it is sure to be the focal point of any room. Color: Multi-Colored.

Our stretched canvas is created with only the highest standards. We print with high quality inks and canvas, and then hand cut and stretch it over a 1.5 in. thick wooden frame. The art comes ready to hang with no installation required. Not to mention, at this size, it is sure to be the focal point of any room. Color: Multi-Colored.

Our stretched canvas is created with only the highest standards. We print with high quality inks and canvas, and then hand cut and stretch it over a 1.5 in. thick wooden frame. The art comes ready to hang with no installation required. Color: Multi-Colored.

All of our wall plaques start off as high quality lithograph prints that are then mounted on durable MDF wood. Each piece is hand finished and comes with a fresh layer of foil on the sides to give it a crisp clean look. It arrives ready to hang with no installation required, and comes with sturdy clear corners to keep it from damaging in transit. Color: Multi-Colored.

All of our wall plaques start off as high quality lithograph prints that are then mounted on durable MDF wood. Each piece is hand finished and comes with a fresh layer of foil on the sides to give it a crisp clean look. It arrives ready to hang with no installation required, and comes with sturdy clear corners to keep it from damaging in transit. Color: Multi-Colored.

Softcover with metal spiral binding in printed slipcase; 56, 120 + 72 pages in English mostly; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Art can provide us with a sensory experience that provokes us to reconfigure how we think about our world and ourselves. Theories of art have often sought to find some feature of art that isolates it from the rest of experience. Keith Lehrer argues, in opposition, that art is connected, not isolated, from how we think and feel, represent and react. When art directs our attention to sensory exemplars in aesthetic experience of which we become conscious in a special way, it also shows us our autonomy as we represent ourselves and our world, ourselves in our world, and our world in ourselves. This form of representation, exemplar representation, uses the exemplar as a term of representation and exhibits the nature of the content it represents in terms of itself. It shows us both what our world is like and how we represent the world thereby revealing the nature of intentionality to us. Issues of general interest in philosophy such as knowledge, autonomy, rationality and self-trust enter the book along with more specifically aesthetic issues of formalism, expressionism, representation, artistic creativity and beauty. The author goes on to demonstrate how the connection between art and broader issues of feminism, globalization, collective wisdom, and death show us the connection between art, life, politics and the self. Drawing from Hume, Reid, Goodman, Danto, Brand, Ismael and Lopes, Lehrer argues here that the artwork is a mentalized physical object engaging us philosophically with the content of exemplar experience. The exemplar representation of experience provoked by art ties art and science, mind and body, self and world, together in a dynamic loop, reconfiguring them all as it reconfigures art itself.

Art can provide us with a sensory experience that provokes us to reconfigure how we think about our world and ourselves. Theories of art have often sought to find some feature of art that isolates it from the rest of experience. Keith Lehrer argues, in opposition, that art is connected, not isolated, from how we think and feel, represent and react. When art directs our attention to sensory exemplars in aesthetic experience of which we become conscious in a special way, it also shows us our autonomy as we represent ourselves and our world, ourselves in our world, and our world in ourselves. This form of representation, exemplar representation, uses the exemplar as a term of representation and exhibits the nature of the content it represents in terms of itself. It shows us both what our world is like and how we represent the world thereby revealing the nature of intentionality to us. Issues of general interest in philosophy such as knowledge, autonomy, rationality and self-trust enter the book along with more specifically aesthetic issues of formalism, expressionism, representation, artistic creativity and beauty. The author goes on to demonstrate how the connection between art and broader issues of feminism, globalization, collective wisdom, and death show us the connection between art, life, politics and the self. Drawing from Hume, Reid, Goodman, Danto, Brand, Ismael and Lopes, Lehrer argues here that the artwork is a mentalized physical object engaging us philosophically with the content of exemplar experience. The exemplar representation of experience provoked by art ties art and science, mind and body, self and world, together in a dynamic loop, reconfiguring them all as it reconfigures art itself.

This Mountain of Knowledge rendition is very finely detailed, with mountains in shades of black and gray, and oriental pines in brown and green. Note that no two renderings are exactly the same. Subtle, beautiful hand painted wall art. Color: Beige;Multi.

Unread book in perfect condition.

Hardcover text book on knowledge management.

Restany's groundbreaking, exegetic study show show the myth of fire was the culmination of the artist's quest for the immaterial. The visionary French conceptual artist and "painter of the Void" Yves Klein (1928–1962) was an artist with a keen philosophical mind, yet deeply spiritual.

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.32

Every year, tens of thousands of people graduate from law school, pass the bar exam, and undertake the practice of law. But only a select few truly develop the art of lawyering—the insight, the gut, the feel, the voice, the gesture, the talent required to excel as a lawyer and stand out from the rest of the crowd. This book is written especially for the new lawyer who wants to excel in his or her chosen career, whether starting a solo practice or joining an established firm. It provides information on: The art of rainmaking—finding and keeping clients The art of billing your clients and getting them to pay you on time without losing business The art of negotiation, both in and out of the courtroom The art of a trial—preparing your case, questioning witnesses, selecting the jury

Quarto, 372 pages. In Very Good condition with a Very Good dust jacket. Dust jacket protected with a mylar covering. Spine grayish brown with black lettering. Exterior has mildly sunned with very minor wear to the head/tail edges. Boards show very mild wear including slightly cocked spine and faint whitish wear to the head/tail edges. Text block has minimal wear to the edges. Profusely illustrated. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates. 1379708. FP New Rockville Stock.

Book is in NEW condition. 1.34

Mixed Martial Arts outlines the revolutionary system of fighting used by world-renowned fighter BJ Penn. Penn, one of the most technical and decorated fighters in the world today, illustrates fighting techniques that teach you how to mix strikes with takedowns, ground and pound an opponent into submission, fight against the cage and formulate strategies based upon your personal attributes and strengths.

Book is in NEW condition. 0.49

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.49