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The International Bureau of Weights and Measures (BIPM) is currently implementing the greatest change ever in the world's system of weights and measures -- it is redefining the kilogram, the final artefact standard, and reorganizing the system of international units. This book tells the inside story of what led to these changes, from the events surrounding the founding of the BIPM in 1875 -- a landmark in the history of international cooperation -- to the present. It traces not only the evolution of the science, but also the story of the key individuals and events. The BIPM was the first international scientific laboratory. Founded in 1875 by the Metre Convention, its original tasks were to conserve the new international standards of the metre and the kilogram, to carry out calibrations for Member States and undertake research to advance measurement science. The book is based on the substantial archive of the BIPM which, from the very beginning, recounts the many discussions and arguments first as to whether and how such an institute should be created and in due course, how over the next one hundred and thirty years it should develop. Despite many national and personal rivalries, the institute actually created was admirably suited to its declared tasks. In the years and decades that followed, the scientific work of the small group of men who made up its first staff was of a very high order. One of the early Directors received the Nobel Prize for physics in 1920 for his discovery of invar. The international governing Board of the institute, the International Committee of Weights and Measures, has guided the institute from one charged with the conservation of the prototype artefacts to one now at the centre of world metrology and preparing for the redefinition of the last remaining artifact, the kilogram, in terms of a fixed value for one of the fundamental constants of physics, the Planck constant

Archaeologists excavate structures and objects, but they can and should aim to reconstruct the societies of the past and seek to understand them. Artefacts and Archaeology brings together essays written by leading scholars in the fields of Iron Age and Roman archaeology and material finds in Britain in order examine the ways in which the study of sites, artefacts and ancient societies are interdependent.Artefacts and Archaeology deals with the wide range of objects produced by the Iron Age and Roman cultures, from ironwork, defences and the Roman army, and Roman finds. It emphasizes the role of the archaeologist as interpreter of people, not things, and shows how object studies can move beyond pure description and instead attempt communicate with the past. Individual essays discuss Iron Age and Romano-British religion, the Roman army in Wales, Roman bronze, pottery and glass objects, the Roman economy and museum objects, and the collection as a whole offers a fascinating overview of the material culture of Iron Age and Roman western Europe.

The Pacific artefacts and works of art collected during the three voyages of Captain James Cook are of foundational importance for the study of art and culture in Oceania. These collections are representative not only of technologies or belief systems but of indigenous cultures at the formative stages of their modern histories, and exemplify Islanders' institutions, cosmologies and social relationships.Recently, scholars from the Pacific and further afield, working with Pacific artefacts at the Museum of Archaeology and Anthropology (MAA) at University of Cambridge, set out to challenge and rethink some longstanding assumptions on their significance. The Cook voyage collection at the MAA is among the four or five most important in the world, containing over 200 of the 2,000-odd objects with Cook voyage provenance that are dispersed throughout the world. The collection includes some 100 artefacts dating from Cook's first voyage. This stunning book catalogues this collection, and its cutting-edge scholarship sheds new light on the significance of many artefacts of encounter.

The Pacific artefacts and works of art collected during the three voyages of Captain James Cook are of foundational importance for the study of art and culture in Oceania. These collections are representative not only of technologies or belief systems but of indigenous cultures at the formative stages of their modern histories, and exemplify Islanders' institutions, cosmologies and social relationships.Recently, scholars from the Pacific and further afield, working with Pacific artefacts at the Museum of Archaeology and Anthropology (MAA) at University of Cambridge, set out to challenge and rethink some longstanding assumptions on their significance. The Cook voyage collection at the MAA is among the four or five most important in the world, containing over 200 of the 2,000-odd objects with Cook voyage provenance that are dispersed throughout the world. The collection includes some 100 artefacts dating from Cook's first voyage. This stunning book catalogues this collection, and its cutting-edge scholarship sheds new light on the significance of many artefacts of encounter.

Some forms of literature interfere with the workings of the literate brain, posing a challenge to readers of all kinds, including professional literary critics. In Artefacts of Writing, Peter D. McDonald argues they pose as much of a challenge to the way states conceptualise language, culture, and community. Drawing on a wealth of evidence, from Victorian scholarly disputes over the identity of the English language to the constitutional debates about its future in Ireland, India, and South Africa, and from the quarrels over the idea of culture within the League of Nations in the interwar years to UNESCO's ongoing struggle to articulate a viable concept of diversity, McDonald brings together a large ensemble of legacy writers, including T.S. Eliot, James Joyce, and Rabindranath Tagore, putting them in dialogue with each other and with the policy-makers who shaped the formation of modern states and the history of internationalist thought from the 1860s to the 1940s. In the second part of the book, he reflects on the continuing evolution of these dialogues, showing how a varied array of more contemporary writers from Amit Chaudhuri, J. M. Coetzee, and Salman Rushdie to Antjie Krog, Arvind Krishna Mehrotra, and Es'kia Mphahlele cast new light on a range of questions concerning education, literacy, human rights, translation, indigenous knowledge, and cultural diversity that have preoccupied UNESCO since 1945.At once a novel contribution to institutional and intellectual history and an innovative exercise in literary and philosophical analysis, Artefacts of Writing affords a unique perspective on literature's place at the centre of some of the most fraught, often lethal public controversies that defined the long-twentieth century and that continue to haunt us today.

The aim of Artefacts as Categories is to ask what we can learn about a society from the variability of the objects it produces. Dr Miller presents a comprehensive analysis of the pottery produced in a single village in central India, drawing together and analysing a whole range of aspects - technology, function, design, symbolism and ideology - that are usually studied separately. Using the concepts of 'pragmatics', 'framing' and 'ideology', the author points to the insufficiency of many ethnographic accounts of symbolism and underlines the need to consider both the social positioning of the interpreter and the context of the interpretation when looking at artefacts. His invigorating study cogently questions many assumptions in material culture studies and offers a whole range of fresh explanations. Archaeologists in particular will welcome the discussion of familiar materials such as pottery rim shapes, body forms and decoration. However, the book will have a broad appeal to researchers in cultural studies, social anthropology and psychology and will attract all those interested in the problem of relating objects and society.

The International Bureau of Weights and Measures (BIPM) is currently implementing the greatest change ever in the world's system of weights and measures -- it is redefining the kilogram, the final artefact standard, and reorganizing the system of international units. This book tells the inside story of what led to these changes, from the events surrounding the founding of the BIPM in 1875 -- a landmark in the history of international cooperation -- to the present. It traces not only the evolution of the science, but also the story of the key individuals and events. The BIPM was the first international scientific laboratory. Founded in 1875 by the Metre Convention, its original tasks were to conserve the new international standards of the metre and the kilogram, to carry out calibrations for Member States and undertake research to advance measurement science. The book is based on the substantial archive of the BIPM which, from the very beginning, recounts the many discussions and arguments first as to whether and how such an institute should be created and in due course, how over the next one hundred and thirty years it should develop. Despite many national and personal rivalries, the institute actually created was admirably suited to its declared tasks. In the years and decades that followed, the scientific work of the small group of men who made up its first staff was of a very high order. One of the early Directors received the Nobel Prize for physics in 1920 for his discovery of invar. The international governing Board of the institute, the International Committee of Weights and Measures, has guided the institute from one charged with the conservation of the prototype artefacts to one now at the centre of world metrology and preparing for the redefinition of the last remaining artifact, the kilogram, in terms of a fixed value for one of the fundamental constants of physics, the Planck constant

Some forms of literature interfere with the workings of the literate brain, posing a challenge to readers of all kinds, including professional literary critics. In Artefacts of Writing, Peter D. McDonald argues they pose as much of a challenge to the way states conceptualise language, culture, and community. Drawing on a wealth of evidence, from Victorian scholarly disputes over the identity of the English language to the constitutional debates about its future in Ireland, India, and South Africa, and from the quarrels over the idea of culture within the League of Nations in the interwar years to UNESCO's ongoing struggle to articulate a viable concept of diversity, McDonald brings together a large ensemble of legacy writers, including T.S. Eliot, James Joyce, and Rabindranath Tagore, putting them in dialogue with each other and with the policy-makers who shaped the formation of modern states and the history of internationalist thought from the 1860s to the 1940s. In the second part of the book, he reflects on the continuing evolution of these dialogues, showing how a varied array of more contemporary writers from Amit Chaudhuri, J. M. Coetzee, and Salman Rushdie to Antjie Krog, Arvind Krishna Mehrotra, and Es'kia Mphahlele cast new light on a range of questions concerning education, literacy, human rights, translation, indigenous knowledge, and cultural diversity that have preoccupied UNESCO since 1945.At once a novel contribution to institutional and intellectual history and an innovative exercise in literary and philosophical analysis, Artefacts of Writing affords a unique perspective on literature's place at the centre of some of the most fraught, often lethal public controversies that defined the long-twentieth century and that continue to haunt us today.

Archaeologists excavate structures and objects, but they can and should aim to reconstruct the societies of the past and seek to understand them. Artefacts and Archaeology brings together essays written by leading scholars in the fields of Iron Age and Roman archaeology and material finds in Britain in order examine the ways in which the study of sites, artefacts and ancient societies are interdependent.Artefacts and Archaeology deals with the wide range of objects produced by the Iron Age and Roman cultures, from ironwork, defences and the Roman army, and Roman finds. It emphasizes the role of the archaeologist as interpreter of people, not things, and shows how object studies can move beyond pure description and instead attempt communicate with the past. Individual essays discuss Iron Age and Romano-British religion, the Roman army in Wales, Roman bronze, pottery and glass objects, the Roman economy and museum objects, and the collection as a whole offers a fascinating overview of the material culture of Iron Age and Roman western Europe.

The essays included in this volume present Larry W. Hurtado's steadfast analysis of the earliest Christian manuscripts. In these chapters, Hurtado considers not only standard text-critical issues which seek to uncover an earliest possible version of a text, but also the very manuscripts that are available to us. As one of the pre-eminent scholars of the field, Hurtado examines often overlooked 2nd and 3rd century artefacts, which are among the earliest manuscripts available, drawing fascinating conclusions about the features of early Christianity. Divided into two halves, the first part of the volume addresses text-critical and text-historical issues about the textual transmission of various New Testament writings. The second part looks at manuscripts as physical and visual artefacts themselves, exploring the metadata and sociology of their context and the nature of their first readers, for the light cast upon early Christianity. Whilst these essays are presented together here as a republished collection, Hurtado has made several updates across the collection to draw them together and to reflect on the developing nature of the issues that they address since they were first written.

The museums of the world are full of statues and other artefacts of the Greeks and the Romans. All are given a date. But how are these dates arrived at. What is the evidence?This study provides the student with an introduction and explanation of the ways scholars date the archaeological remains of classical antiquity. Specific examples from architecture, sculpture, and painting are presented, and the differnt methods of dating them are explained. These are supplemented with many original photographs and drawings. Old, and not so old problems in chronology are thus investigated and new theories reviewed from a fresh perspective.

Ochre and Rust offers a fresh perspective on frontier relations between Australian Aboriginal people and European colonists. Nine museum artefacts take the reader into a fascinating zone of encounter and mutual curiosity between collectors and those indigenous people who piqued or responded to their interest. While colonialism is the broad frame, details gleaned from archives, images and the objects themselves reveal a new picture of interaction between individual Aboriginal people and European collectors. Philip Jones explores and makes sense of particular historical moments in colonial history, when Aboriginal people perceived and expected other, more elusive outcomes. Ochre and Rust, an elegantly written challenge to received wisdom about the colonial frontier, has won Australia's inaugural Prime Minister's Award for Literary Non-Fiction.

This book is an introduction to the study of artefacts, setting them in a social context rather than using a purely scientific approach. Drawing on a range of different cultures and extensively illustrated, Archaeological Artefacts and Material Culture covers everything from recovery strategies and recording procedures to interpretation through typology, ethnography and experiment, and every type of material including wood, fibers, bones, hides and adhesives, stone, clay, and metals. With over seventy illustrations with almost fifty in full colour, this book not only provides the tools an archaeologist will need to interpret past societies from their artefacts, but also a keen appreciation of the beauty and tactility involved in working with these fascinating objects. This is a book no archaeologist should be without, but it will also appeal to anybody interested in the interaction between people and objects.

Unread book in perfect condition.

F-/VG+. 8vo. original brown boards (a trifle rubbed) in unpriced dustwrapper (a little rubbed & nicked); pp. x, 154, with illustrations. A very good copy.

Maggie Furey's glittering epic sweeping from Aurian through Harp of Winds and Sword of Flame, climaxes as Aurian draws near to a deadly enemy lurking in a city forgotten by time. . . Bearing the Staff of Earth and the Harp of Winds, the Lady Aurian secretly returns to the holy city of Nexis--ten years in the future.  Now its marbled towers are desolate, its river port ravaged, its magefolk a mere legend.  Here she must begin the search for her vanished soulmate, Anvar, and her lost child. . . and hunt down the evil adversary who stole from her the Sword of Flame, last of the four great primal weapons.  But Aurian's final battle awaits her far away in the southlands.  For there dwells her old nemesis, the crazed Archmage Miathan--and there, in the ancient city of Dhiammara, broods a dark magic that could shatter forever the destined redemption of her world.

192 pages. 8.31x4.96x0.71 inches. In Stock.

The essays included in this volume present Larry W. Hurtado's steadfast analysis of the earliest Christian manuscripts. In these chapters, Hurtado considers not only standard text-critical issues which seek to uncover an earliest possible version of a text, but also the very manuscripts that are available to us. As one of the pre-eminent scholars of the field, Hurtado examines often overlooked 2nd and 3rd century artefacts, which are among the earliest manuscripts available, drawing fascinating conclusions about the features of early Christianity. Divided into two halves, the first part of the volume addresses text-critical and text-historical issues about the textual transmission of various New Testament writings. The second part looks at manuscripts as physical and visual artefacts themselves, exploring the metadata and sociology of their context and the nature of their first readers, for the light cast upon early Christianity. Whilst these essays are presented together here as a republished collection, Hurtado has made several updates across the collection to draw them together and to reflect on the developing nature of the issues that they address since they were first written.

Making Amulets Christian: Artefacts, Scribes, and Contexts examines Greek amulets with Christian elements from late antique Egypt in order to discern the processes whereby a customary practice--the writing of incantations on amulets--changed in an increasingly Christian context. It considers how the formulation of incantations and amulets changed as the Christian church became the prevailing religious institution in Egypt in the last centuries of the Roman empire. Theodore de Bruyn investigates what we can learn from incantations and amulets containing Christian elements about the cultural and social location of the people who wrote them. He shows how incantations and amulets were indebted to rituals or ritualizing behavior of Christians.This study analyzes different types of amulets and the ways in which they incorporate Christian elements. By comparing the formulation and writing of individual amulets that are similar to one another, one can observe differences in the culture of the scribes of these materials. It argues for 'conditioned individuality' in the production of amulets. On the one hand, amulets manifest qualities that reflect the training and culture of the individual writer. On the other hand, amulets reveal that individual writers were shaped, whether consciously or inadvertently, by the resources they drew upon-by what is called 'tradition' in the field of religious studies.

Extra Large 4to. in stiff glossy card covers, 137pp, 957 items sketched and described, bibliography at rear. This copy signed by the author on the title-page (no other marks or inscriptions) CONDITION: A well preserved AS NEW unread and unmarked copy ] ._ ._We Ship in PROTECTIVE CARD PARCELS