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24 cm. VIII, 317 S. Okot. Ecken minimal bestossen. Sonst sehr guter Zustand. = History of religions in translation, 2. Aus dem Inhalt: "Rudolf Otto was one of the most influential thinkers about religion in the twentieth century. He is best known for his epoch-making book 'The Idea of the Holy' (.). This collection of essays, introduced, selected and translated by Gregory D. Alles, aims to broaden the image of Otto available to English readers. It presents previously (sic) untranslated writings of Otto the politician, social commentator, and churchman. Also included are Otto's autobiographical reflections and a sampling from his late essays on ethics. (.)." Sprache: englisch.

The thirty-fourth volume of The Collected Works of Eric Voegelin consists of Voegelin’s Autobiographical Reflections, reprinted from the 1989 edition with additional annotations; a glossary of terms used in Voegelin’s writings, illustrated with examples from throughout the Collected Works; a volume index; and a cumulative index. The last covers the entire edition, apart from The History of Political Ideas, which has its own index, and volumes 29 and 30, the Selected Correspondence, which are at present not published.             The glossary lists, defines, and illustrates from the author’s writings many of the key terms employed, paying particular attention to the Greek terms. The cumulative index supplies a more comprehensive access to the contents of the entire Collected Works. Together, the glossary and index systematically include names, subjects, ideas, writings, and terms, making this culminating volume an indispensable help for any serious study of Eric Voegelin’s oeuvre.

How reliable is the history that human memory produces? Does the self, creating for others, become other? Elizabeth de Mijolla approaches these questions using a descriptive, nonprescriptive approach to the writings of four famous autobiographers: the early Church Father Augustine, the Renaissance essayist Montaigne, the French Romantic philosopher Rousseau, and the English Romantic poet Wordsworth. Exploring theories of memory, time, and autobiographical design and disorder, she argues against the imperative of traditional mimesis and for the variety of autobiographical renderings that personal memory permits.

Autobiographical Reflections is a window into the mind of a man whose reassessment of the nature of history and thought has overturned traditional approaches to, and appraisals of, the Western intellectual tradition. Here we encounter the motivations for Voegelin's work, the stages in the development of his unique philosophy of consciousness, his key intellectual breakthroughs, his theory of history, and his diagnosis of the political ills of the modern age. Included in this revised volume is a glossary of terms used in Voegelin’s writings. The glossary lists, defines, and illustrates from the author’s writings many of the key terms employed, paying particular attention to the Greek terms. Together, the glossary and enlarged index systematically include names, subjects, ideas, writings, and terms, making this volume an indispensable help for any serious study of Eric Voegelin’s oeuvre.

Hermann Hesse 1877-1962 was a Swiss poet, novelist, and painter. In 1946 he received the Nobel Prize in Literature. His best-known works include Steppenwolf, Siddhartha, and The Glass Bead Game , each of which explores an individual's search for authenticity, self-knowledge and spirituality In 1895 he began working in the bookshop in Tübingen which had a specialized collection in theology, philology and law. After the end of each day He pursued his own work further spending his Sundays with books. He studied theological writings, Goethe, Lessing, Schiller and Greek mythology. In 1896, his poem "Madonna" appeared in a Viennese periodical. By 1898, He had a respectable income that enabled financial independence. He concentrated on the German Romantics, including Brentano, Freiherr von Eichendorff, Hölderlin and Novalis. He released his first small volume of poetry, Romantic Songs, and a collection of prose entitled One Hour After Midnight. Both works were a business failure. In two years, only 54 of the 600 printed copies of Romantic Songs were sold, and One Hour After Midnight received only one printing and sold sluggishly. Nevertheless, the Leipzig publisher Eugen Diederichs was convinced of the literary quality of the work and, from the beginning, regarded the publications more as encouragement of a young author than as profitable business. From the autumn of 1899, Hesse worked in a distinguished antique book shop in Basel. Through family contacts, he stayed with the intellectual families of Basel. In this environment with rich stimuli for his pursuits, he further developed spiritually and artistically. At the same time, Basel offered the solitary Hesse many opportunities for withdrawal into a private life of artistic self-exploration, journeys and wanderings. In 1900, Hesse was exempted from compulsory military service due to an eye condition. This, along with nerve disorders and persistent headaches, affected him his entire life.

A troubled childhood in Iran. Living with a disability. Grieving for a dead child. Over the last forty years the comic book has become an increasingly popular way of telling personal stories of considerable complexity and depth.In Autobiographical Comics: Life Writing in Pictures, Elisabeth El Refaie offers a long overdue assessment of the key conventions, formal properties, and narrative patterns of this fascinating genre. The book considers eighty-five works of North American and European provenance, works that cover a broad range of subject matters and employ many different artistic styles. Drawing on concepts from several disciplinary fields--including semiotics, literary and narrative theory, art history, and psychology--El Refaie shows that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of one's self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image. The comics medium also offers memoirists unique ways of representing their experience of time, their memories of past events, and their hopes and dreams for the future. Furthermore, autobiographical comics creators are able to draw on the close association in contemporary Western culture between seeing and believing in order to persuade readers of the authentic nature of their stories.

Physical description; 167 pages : illustrations ; 23 cm. Subjects; Fry, Maxwell 1899-1987. Fry, Maxwell. Fry, Maxwell b. 1899. Fry, Edwin Maxwell 1899- Fry, Maxwell 1899- - Biography. Architects - Great Britain - Biography. Architecture. Architects. Biography. Architects - Great Britain - Correspondence, reminiscences, etc. Great Britain. Architectural design - Fry, Maxwell - Great Britain - Autobiographies. Great Britain - Architectural design - Fry, Maxwell - Biographies. architectural design - autobiographies. architectural design - Great Britain - Fry, Maxwell - autobiographies. Genre; Autobiography.

Autobiographical Writing Across the Disciplines reveals the extraordinary breadth of the intellectual movement toward self-inclusive scholarship. Presenting exemplary works of criticism incorporating personal narratives, this volume brings together twenty-seven essays from scholars in literary studies and history, mathematics and medicine, philosophy, music, film, ethnic studies, law, education, anthropology, religion, and biology. Pioneers in the development of the hybrid genre of personal scholarship, the writers whose work is presented here challenge traditional modes of inquiry and ways of knowing. In assembling their work, editors Diane P. Freedman and Olivia Frey have provided a rich source of reasons for and models of autobiographical criticism.The editors’ introduction presents a condensed history of academic writing, chronicles the origins of autobiographical criticism, and emphasizes the role of feminism in championing the value of personal narrative to disciplinary discourse. The essays are all explicitly informed by the identities of their authors, among whom are a feminist scientist, a Jewish filmmaker living in Germany, a potential carrier of Huntington’s disease, and a doctor pregnant while in medical school. Whether describing how being a professor of ethnic literature necessarily entails being an activist, how music and cooking are related, or how a theology is shaped by cultural identity, the contributors illuminate the relationship between their scholarly pursuits and personal lives and, in the process, expand the boundaries of their disciplines. Contributors:Kwame Anthony AppiahRuth BeharMerrill BlackDavid BleichJames ConeBrenda DalyLaura B. DeLindCarlos L. DewsMichael DorrisDiane P. FreedmanOlivia FreyPeter HamlinLaura Duhan KaplanPerri KlassMuriel LedermanDeborah LefkowitzEunice LiptonRobert D. MarcusDonald MurraySeymour PapertCarla T. PetersonDavid RichmanSara RuddickJulie TharpBonnie TuSmithAlex WexlerNaomi WeissteinPatricia Williams

A troubled childhood in Iran. Living with a disability. Grieving for a dead child. Over the last forty years the comic book has become an increasingly popular way of telling personal stories of considerable complexity and depth. In Autobiographical Comics: Life Writing in Pictures, Elisabeth El Refaie offers a long overdue assessment of the key conventions, formal properties, and narrative patterns of this fascinating genre. The book considers eighty-five works of North American and European provenance, works that cover a broad range of subject matters and employ many different artistic styles. Drawing on concepts from several disciplinary fields--including semiotics, literary and narrative theory, art history, and psychology--El Refaie shows that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of one's self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image. The comics medium also offers memoirists unique ways of representing their experience of time, their memories of past events, and their hopes and dreams for the future. Furthermore, autobiographical comics creators are able to draw on the close association in contemporary Western culture between seeing and believing in order to persuade readers of the authentic nature of their stories.

Newcomers to Rousseau’s works and those who are familiar with his writings will find something to surprise them both in this wide variety of short pieces from every period of his life. Among the important theoretical writings found here are the “Fiction or Allegorical Fragment on Revelation” and the “Moral Letters,” which are among Rousseau’s clearest statements about the nature and limits of philosophic reasoning. In the early “Idea of a Method for the Composition of a Book,” Rousseau lays out in advance his understanding of how to present his ideas to the public. He ponders the possibilities for and consequences of air travel in “The New Daedalus.” This volume also contains both his first and last autobiographical statements. Some of these writings show Rousseau’s lesser-known playful side. A comic fairy tale, “Queen Whimsical”, explores the consequences―both serious and ridiculous―for a kingdom when the male heir to the throne, endowed with the frivolous characteristics of his mother, has a sister with all the characteristics of a good monarch. When Rousseau was asked whether a fifty-year old man could write love letters to a young woman without appearing ridiculous, he responded with “Letters to Sophie,” which attempt to demonstrate that such a man could write as many as four―but not as many as six―letters before he became a laughingstock. In “The Banterer,” he challenges readers to guess whether the work they are reading was written by an author who is “wisely mad” or by one who is “madly wise.” When Rousseau was challenged to write a merry tale, “without intrigue, without love, without marriage, and without lewdness,” he produced a work considered too daring to be published in France.

A complete guide to the history, form and contexts of the genre, Autobiographical Comics helps readers explore the increasingly popular genre of graphic life writing. In an accessible and easy-to-navigate format, the book covers such topics as: · The history and rise of autobiographical comics · Cultural contexts · Key texts – including Maus, Robert Crumb, Persepolis, Fun Home, and American Splendor · Important theoretical and critical approaches to autobiographical comics Autobiographical Comics includes a glossary of crucial critical terms, annotated guides to further reading and online resources and discussion questions to help students and readers develop their understanding of the genre and pursue independent study.

Autobiographical Reflections is a window into the mind of a man whose reassessment of the nature of history and thought has overturned traditional approaches to, and appraisals of, the Western intellectual tradition. Here we encounter the motivations for Voegelin's work, the stages in the development of his unique philosophy of consciousness, his key intellectual breakthroughs, his theory of history, and his diagnosis of the political ills of the modern age. Included in this revised volume is a glossary of terms used in Voegelin’s writings. The glossary lists, defines, and illustrates from the author’s writings many of the key terms employed, paying particular attention to the Greek terms. Together, the glossary and enlarged index systematically include names, subjects, ideas, writings, and terms, making this volume an indispensable help for any serious study of Eric Voegelin’s oeuvre.

A complete guide to the history, form and contexts of the genre, Autobiographical Comics helps readers explore the increasingly popular genre of graphic life writing. In an accessible and easy-to-navigate format, the book covers such topics as: · The history and rise of autobiographical comics · Cultural contexts · Key texts – including Maus, Robert Crumb, Persepolis, Fun Home, and American Splendor · Important theoretical and critical approaches to autobiographical comics Autobiographical Comics includes a glossary of crucial critical terms, annotated guides to further reading and online resources and discussion questions to help students and readers develop their understanding of the genre and pursue independent study.

Gives an anaylsis of the social themes and cultural perspectives of modern American autobiographies

'Co-recipient of the American Association for Eighteenth-Century Studies' Louis Gottschalk Prize' "Acutely analyzes the construction of gendered character in canonical British autobiographical texts and provides provocative explorations outside the canon, particularly among first-person narratives by women."--'Diacritics' '"[Nussbaum's] achievement...is profound. The theoretical framework is clear and consistent, the range of historical specificity broad and convincing, the analysis of specific texts sophisticated and compelling, the prose straightforward and free of obfuscating jargon. 'The Autobiographical Subject' is rich and richly rewarding for scholars of the eighteenth century. It deserves to be read by everyone who thinks about autobiographical practice."--Sidonie Smith, 'a/b: Auto/Biography Studies' Felicity Nussbaum considers the convergence of genre, gender, and class in an important reassessment of autobiographical writing in England from John Bunyan to Hester Thrale. "'The Autobiographical Subject', with its combination of provocative theory and sound scholarship, deserves a wide readership. Felicity Nussbaum's insights demand the attention of eighteenth-century scholars, feminist critics, and cultural historians, while the central questions raised by the book--how to define the 'self'? why write, why revise, and especially, why 'publish' an autobiography?--are of interest to everyone."--Fiona Stafford, 'Review of English Studies' "An exemplary model of political criticism."--'Eighteenth-Century Fiction' '"In 'The Autobiographical Subject' Felicity Nussbaum sees autobiography as the point of convergence of a set of phenomena linking class, genre and gender in the eighteenth century; and traces the new possibilities of definition of a middle-class self, and assertion of female identity in print, within the form...The volume makes an important contribution to feminist discussion of the period."--'The Year's Work in English Studies'

Newcomers to Rousseau’s works and those who are familiar with his writings will find something to surprise them both in this wide variety of short pieces from every period of his life. Among the important theoretical writings found here are the “Fiction or Allegorical Fragment on Revelation” and the “Moral Letters,” which are among Rousseau’s clearest statements about the nature and limits of philosophic reasoning. In the early “Idea of a Method for the Composition of a Book,” Rousseau lays out in advance his understanding of how to present his ideas to the public. He ponders the possibilities for and consequences of air travel in “The New Daedalus.” This volume also contains both his first and last autobiographical statements. Some of these writings show Rousseau’s lesser-known playful side. A comic fairy tale, “Queen Whimsical”, explores the consequences―both serious and ridiculous―for a kingdom when the male heir to the throne, endowed with the frivolous characteristics of his mother, has a sister with all the characteristics of a good monarch. When Rousseau was asked whether a fifty-year old man could write love letters to a young woman without appearing ridiculous, he responded with “Letters to Sophie,” which attempt to demonstrate that such a man could write as many as four―but not as many as six―letters before he became a laughingstock. In “The Banterer,” he challenges readers to guess whether the work they are reading was written by an author who is “wisely mad” or by one who is “madly wise.” When Rousseau was challenged to write a merry tale, “without intrigue, without love, without marriage, and without lewdness,” he produced a work considered too daring to be published in France.

The thirty-fourth volume of The Collected Works of Eric Voegelin consists of Voegelin’s Autobiographical Reflections, reprinted from the 1989 edition with additional annotations; a glossary of terms used in Voegelin’s writings, illustrated with examples from throughout the Collected Works; a volume index; and a cumulative index. The last covers the entire edition, apart from The History of Political Ideas, which has its own index, and volumes 29 and 30, the Selected Correspondence, which are at present not published.             The glossary lists, defines, and illustrates from the author’s writings many of the key terms employed, paying particular attention to the Greek terms. The cumulative index supplies a more comprehensive access to the contents of the entire Collected Works. Together, the glossary and index systematically include names, subjects, ideas, writings, and terms, making this culminating volume an indispensable help for any serious study of Eric Voegelin’s oeuvre.

When the poet Kenneth Rexroth died in 1982, he left behind a sequel to An Autobiographical Novel (1966). His published memoir––all 365 pages of it––stopped at 1927, when the twenty-two-year-old writer and his first wife, Andrée, were about to settle in California. Now revised and expanded, An Autobiographical Novel includes reminiscences that cover another twenty years of literary life and two more marriages. Linda Hamalian, author of A Life of Kenneth Rexroth (W. W. Norton, 1991), sifted through more than 300 pages of raw tape transcriptions. Weighing fact against fictions (Rexroth loved a tall tale and relished gossip), Hamalian has prepared a valuable index that identifies obscure allusions and the real people who figured in Rexroth’s emotionally tumultuous life. “It adds up to a very good read,” she says. “I am willing to bet a nice chunk of money that readers will wish Rexroth had been able to go on and on loosening his talk-tapes.”

Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.4

Autobiographical Reflections is a window into the mind of a man whose reassessment of the nature of history and thought has overturned traditional approaches to, and appraisals of, the Western intellectual tradition. Here we encounter the motivations for Voegelin's work, the stages in the development of his unique philosophy of consciousness, his key intellectual breakthroughs, his theory of history, and his diagnosis of the political ills of the modern age. Included in this revised volume is a glossary of terms used in Voegelin’s writings. The glossary lists, defines, and illustrates from the author’s writings many of the key terms employed, paying particular attention to the Greek terms. Together, the glossary and enlarged index systematically include names, subjects, ideas, writings, and terms, making this volume an indispensable help for any serious study of Eric Voegelin’s oeuvre.