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Bloom: The Luminous Gardens of Frederico Azevedo presents the accomplished work of Frederico Azevedo - the award-winning Brazilian landscape designer who has established himself as the leading designer of the Hamptons. With stunning projects, Azevedo's work carries an emphasis on flowers which he uses to 'lure the eye through the flow of the design'. His signature curving, floral borders are the hallmark of an Azevedo garden. He also often creates multi-dimensional vistas using layers of flowers, trees, grasses, shrubs, and hedges for a dramatic effect. The results of his impeccable designs are soft and romantic, but always sophisticated, well executed, and most importantly, adaptable to whatever its environment may bring. Discover the luminous world of Frederico Azevedo and his dazzling gardens.

Bloom: The Luminous Gardens of Frederico Azevedo presents the accomplished work of Frederico Azevedo - the award-winning Brazilian landscape designer who has established himself as the leading designer of the Hamptons. With stunning projects, Azevedo's work carries an emphasis on flowers which he uses to 'lure the eye through the flow of the design'. His signature curving, floral borders are the hallmark of an Azevedo garden. He also often creates multi-dimensional vistas using layers of flowers, trees, grasses, shrubs, and hedges for a dramatic effect. The results of his impeccable designs are soft and romantic, but always sophisticated, well executed, and most importantly, adaptable to whatever its environment may bring. Discover the luminous world of Frederico Azevedo and his dazzling gardens.

Presents commonly used signs related to the outdoors for parents and babies.

On new live album Waterworks, digital and acoustic experimentation bring sparkling new depths to Glenn Jones emotive guitar virtuoso. Waterworks was recorded binaurally at the Waterworks Museum in Boston, MA on June 24, 2015 through 20 speakers. Glenn Jones plays guitar and banjo and is joined by Matthew Azevedo on synthesizer, harmonium, soundscapes, and signal processing.

Sarina Azevedo draws her father's anger when she falls in love with Lang Rossiter, his bitterest enemy

No cenário cultural brasileiro, poucos espaços reúnem a um só tempo prestígio, mística e história na mesma medida do Theatro Municipal do Rio de Janeiro. Polêmico desde antes de sua fundação, quando não passava de um sonho do dramaturgo Artur Azevedo, ainda no fim do século XIX, ele se mantém até hoje como tema de apaixonados debates que mobilizam tanto o público como a classe artística. Especialistas analisam as transformações no gosto do público e toda a evolução cultural nesses cem anos de história.

Boston, Massachusetts-based Matthew Azevedo is a world-class technician, and by day engineers architectural acoustic simulations, teaches students about musical acoustics at Berklee College of Music, and occasionally finds time to master the odd record. It's this rare set of skills that can be heard on Aokigahara, an album made up of two long slabs of low-frequency drone. Aokigahara's focus on bass isn't necessarily anything new - it positions itself alongside tomes such as Earth's seismic Earth

Digitally re-mastered two-fer containing a pair of albums from the Jazz Fusion band: Caldera (1976) and Sky Islands (1977). The brainchild of guitarist Jorge Strunz, the nucleus of the band included Eduardo Del Barrio (keyboards); Steve Tavaglione (sax); Mike "Baiano" Azevedo (percussion); Carlos Vega (drums); and Dean Cortez (bass). The album Caldera (which featured the R&B-charted single, 'Out of the Blue') was produced by former member of the Crusaders, Wayne Henderson and featured primarily

Sarina Azevedo draws her father's anger when she falls in love with Lang Rossiter, his bitterest enemy

Saturday's Warrior, a musical fantasy that originated on the stage in 1974 with music by Lex de Azevedo and book and lyrics by Doug Stewart, is based on the idea that we existed before we were born into this life, in a realm where we not only had relationships with others with whom we would share our earthly journey but that we might even have made promises to them. Saturday's Warrior is also the age-old story of a prodigal son struggling to find himself as he faces temptation, family expectations, and the changing values of the time.

First published in 1890, and undoubtedly Azevedo's masterpiece, The Slum is one of the most widely read and critically acclaimed novels ever written about Brazil. Indeed, its great popularity, realistic descriptions, archetypal situations, detailed local coloring, and overall race-consciousness may well evoke Huckleberry Finn as the novel's North American equivalent. Yet Azevedo also exhibits the naturalism of Zola and the ironic distance of Balzac; while tragic, beautiful, and imaginative as a work of fiction, The Slum is universally regarded as one of the best, or truest, portraits of Brazilian society ever rendered.This is a vivid and complex tale of passion and greed, a story with many different strands touching on the different economic tiers of society. Mainly, however, The Slum thrives on two intersecting story lines. In one narrative, a penny-pinching immigrant landlord strives to become a rich investor and then discards his black lover for a wealthy white woman. In the other, we witness the innocent yet dangerous love affair between a strong, pragmatic, "gentle giant" sort of immigrant and a vivacious mulatto woman who both live in a tenement owned by said landlord. The two immigrant heroes are originally Portuguese, and thus personify two alternate outsider responses to Brazil. As translator David H. Rosenthal points out in his useful Introduction: one is the capitalist drawn to new markets, quick prestige, and untapped resources; the other, the prudent European drawn moth-like to "the light and sexual heat of the tropics."A deftly told, deeply moving, and hardscrabble novel that features several stirring passages about life in the streets, the melting-pot realities of the modern city, and the oft-unstable mind of the crowd, The Slum will captivate anyone who might appreciate a more poetic, less political take on the nineteenth-century naturalism of Crane or Dreiser.

Author Israel Zangwill best typifed the comic spirit of London's Jewish ghetto by immortalizing the schnorrer (beggar) — in particular, the character of Manasseh Bueno Barzillai Azevedo da Costa, a Sephardic panhandler who developed begging into a fine art. The robust and often hilarious tale tells how Manasseh combines insolence with resourcefulness to reduce London's best-known philanthropist to a fish handler; how he reacts to his daughter's love for a socially inferior beggar; and how he manages to parlay her marriage into a life-time pension for himself from his synagogue. Brimming with wit and wisdom and widely regarded as one of the author's most enduring works, The King of Schnorrers is a literary gem offering hours of entertaining humor and satire.

The African Diaspora contributes to the debate between those who believe that the African origin of blacks in Western society is central to their identity and outlook and those who deny that proposition. Contributors include Niyi Afolabi, Adetayo Alabi, Celia M. Azevedo, Antonio Benítez-Rojo, Eliana Guerreiro Ramos Bennett, LeGrace Benson, Ira Kincade Blake, Jack S. Blocker, Jr., Sharon Aneta Bryant, Michael J. C. Echeruo, Peter P. Ekeh, Patience Elabor-Idemudia, David Evans, Robert Elliot Fox, Andrea Frohne, Joseph E. Inikori, Joyce Ann Joyce, Joseph McLaren, Charles Martin, Ali A. Mazrui, Pierre-Damien Mvuyekure, Nkiru Nzegwu, Isidore Okpewho, Oyekan Owomoyela, Laura J. Pires-Hester, Richard Price, Sally Price, Jean Rahier, Sandra L. Richards, Elliott P. Skinner, Alvin B. Tillery, Jr., Keith Q. Warner, Maureen Warner-Lewis, and Kimberly Welch.

Formal reissue of Twilight Peaks, guitarist Robbie Basho's last recordings. It was originally issued in 1984 on a tape label called The Art of Relaxation, and never got any reviews or attention at the time. For this proper release it was mastered by Glenn Jones (of Cul de Sac fame) and Matt Azevedo, from the original demo tapes, provided to Glenn Jones by Basho himself as he was working on the album. The CD has two extra live tracks, also culled from the original demo tapes. Amazing liner notes