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Beginning in the late 1950s political leaders in Venezuela built what they celebrated as Latin America’s most stable democracy. But outside the staid halls of power, in the gritty barrios of a rapidly urbanizing country, another politics was rising―unruly, contentious, and clamoring for inclusion. Based on years of archival and ethnographic research in Venezuela’s largest public housing community, Barrio Rising delivers the first in-depth history of urban popular politics before the Bolivarian Revolution, providing crucial context for understanding the democracy that emerged during the presidency of Hugo Chávez. In the mid-1950s, a military government bent on modernizing Venezuela razed dozens of slums in the heart of the capital Caracas, replacing them with massive buildings to house the city’s working poor. The project remained unfinished when the dictatorship fell on January 23, 1958, and in a matter of days city residents illegally occupied thousands of apartments, squatted on green spaces, and renamed the neighborhood to honor the emerging democracy: the 23 de Enero (January 23). During the next thirty years, through eviction efforts, guerrilla conflict, state violence, internal strife, and official neglect, inhabitants of el veintitrés learned to use their strategic location and symbolic tie to the promise of democracy in order to demand a better life. Granting legitimacy to the state through the vote but protesting its failings with violent street actions when necessary, they laid the foundation for an expansive understanding of democracy―both radical and electoral―whose features still resonate today. Blending rich narrative accounts with incisive analyses of urban space, politics, and everyday life, Barrio Rising offers a sweeping reinterpretation of modern Venezuelan history as seen not by its leaders but by residents of one of the country’s most distinctive popular neighborhoods.

A digital copy of "Barrio Professors" by Rogler. Download is immediately available upon purchase!

It is an incontrovertible fact: LP Cowbells are the world leaders in round tone and strong projection, and we're speaking about every bell in our many lines, from the precise and delicate LP Tapon Bell to the robust sound of the LP Salsa Timbale Bell. The new LP Barrio Hand Held Cowbell is a proud addition in a range that is the undisputed favorite among percussionists. It is a medium pitched bell that speaks with LP signature clarity. All along the length of the body, "sweet spots" emerge, whi

sneakers in Brown/Yellow color split leather & Black synthetic cloth Rubber sole in colour white/black Made in Italy Size Guide - suggested one size up

sneakers in Brown/Yellow color split leather & Black synthetic cloth Rubber sole in colour white/black Made in Italy Size Guide - suggested one size up

sneakers in Brown/Yellow color split leather & Black synthetic cloth Rubber sole in colour white/black Made in Italy Size Guide - suggested one size up

sneakers in Brown/Yellow color split leather & Black synthetic cloth Rubber sole in colour white/black Made in Italy Size Guide - suggested one size up

sneakers in Brown/Yellow color split leather & Black synthetic cloth Rubber sole in colour white/black Made in Italy Size Guide - suggested one size up

In 1988 photographer Paul D’Amato was driving around Chicago with his camera when he decided to follow Halsted Street into Pilsen, the city’s largest Mexican neighborhood. Intrigued by the barrio and neighboring Little Village, he began to take photographs and would continue to do so off and on for the next fourteen years. D’Amato started with the public life of the neighborhood: women and children in the streets, open fire hydrants, and graffiti. But later—after he got to know the area’s Mexican residents better—he was allowed to take more intimate photos of people at work, families at weddings and parties, and even gang members.Barrio collects ninety of these striking color images along with D’Amato’s fascinating account of his time photographing Mexican Chicago and his acceptance—often grudging, after threatened violence—into the heart of the city’s Mexican community. Some of the photos here are beautifully composed and startling—visual narratives that are surreal and dreamlike, haunting and mythic. Others, like those D’Amato took while shadowing graffiti artists in the subway, are far more immediate and improvisational. With a foreword by author Stuart Dybek that places D’Amato’s work in the context of the Pilsen and Little Village that Dybek has elsewhere captured so memorably, this book offers a penetrating, evocative, and overall streetwise portrait of two iconic and enduring Hispanic neighborhoods.

The hit movie La Bamba (based on the life of Richie Valens), the versatile singer Linda Ronstadt, and the popular rock group Los Lobos all have roots in the dynamic music of the Mexican-American community in East Los Angeles. With the recent "Eastside Renaissance" in the area, barrio music has taken on symbolic power throughout the Southwest, yet its story has remained undocumented and virtually untold. In Barrio Rhythm, Steven Loza brings this hidden history to life, demonstrating the music's essential role in the cultural development of East Los Angeles and its influence on mainstream popular culture. Drawing from oral histories and other primary sources, as well as from appropriate representative songs, Loza provides a historical overview of the music from the nineteenth century to the present and offers in-depth profiles of nine Mexican-American artists, groups, and entrepreneurs in Southern California from the post-World War II era to the present. His interviews with many of today's most influential barrio musicians, including members of Los Lobos, Eddie Cano, Lalo Guerrero, and Willie chronicle the cultural forces active in this complex urban community.

Too frequently, the media and politicians cast Mexican immigrants as a threat to American society. Given America's increasing ethnic diversity and the large size of the Mexican-origin population, an investigation of how Mexican immigrants and their descendants achieve upward mobility and enter the middle class is long overdue. Barrios to Burbs offers a new understanding of the Mexican American experience. Vallejo explores the challenges that accompany rapid social mobility and examines a new indicator of incorporation, a familial obligation to "give back" in social and financial support. She investigates the salience of middle-class Mexican Americans' ethnic identification and details how relationships with poorer coethnics and affluent whites evolve as immigrants and their descendants move into traditionally white middle-class occupations. Disputing the argument that Mexican communities lack high quality resources and social capital that can help Mexican Americans incorporate into the middle class, Vallejo also examines civic participation in ethnic professional associations embedded in ethnic communities.

This collection explores Chicano, Mexican, and Cuban musical forms and styles and their transformation in the United States. Employing musical, historical, and sociocultural analyses, Loza addresses issues such as marginality, identity, intercultural conflict and aesthetics, reinterpretation, postnationalism, and mestizaje―the mixing of race and culture―in the production and reception of Chicano/Latino music. Barrio Harmonics opens with a comprehensive overview that begins with music in the US Southwest in the seventeenth century and ends with the Grammy Awards for Latin American music in the first decade of the twenty-first century. In the following chapters, Loza discusses artists whose music ranges from sones, rancheros, and corridos to Latin jazz, R & B, and rock and roll. Among those he considers in depth are Pancho Sánchez, Lalo Guerrero, Tito Puente, and Los Lobos. He also surveys the contributions of scores of other individuals and groups who have shaped the current contour of Chicano/Latino music. Other topics include the music industry and the impact of globalization, the African diaspora, and Latin American music in Japan. In addition, Loza offers a candid assessment of intellectual capitalism and the void of nonwestern voices in contemporary scholarship.

Too frequently, the media and politicians cast Mexican immigrants as a threat to American society. Given America's increasing ethnic diversity and the large size of the Mexican-origin population, an investigation of how Mexican immigrants and their descendants achieve upward mobility and enter the middle class is long overdue. Barrios to Burbs offers a new understanding of the Mexican American experience. Vallejo explores the challenges that accompany rapid social mobility and examines a new indicator of incorporation, a familial obligation to "give back" in social and financial support. She investigates the salience of middle-class Mexican Americans' ethnic identification and details how relationships with poorer coethnics and affluent whites evolve as immigrants and their descendants move into traditionally white middle-class occupations. Disputing the argument that Mexican communities lack high quality resources and social capital that can help Mexican Americans incorporate into the middle class, Vallejo also examines civic participation in ethnic professional associations embedded in ethnic communities.

Rosario Gomez gave up gang life after his brother was killed in a street fight. Now all he wants to do is finish night school, be a good father and work hard enough at his job at the supermarket to get promoted. But when an old friend shows up to ask him why he left the gang, Rosario realizes he was fooling himself if he thought his violent past would just go away. When his pregnant girlfriend is hit in a drive-by shooting, Rosario has to make some hard choices. Revenge means a return to his old ways, something he swore he would never do. But unless he takes action, his enemies will not rest until they've settled the score against him.

The author recalls his childhood journey from revolution-torn Mexico to the California coast

Beginning in the late 1950s political leaders in Venezuela built what they celebrated as Latin America’s most stable democracy. But outside the staid halls of power, in the gritty barrios of a rapidly urbanizing country, another politics was rising―unruly, contentious, and clamoring for inclusion. Based on years of archival and ethnographic research in Venezuela’s largest public housing community, Barrio Rising delivers the first in-depth history of urban popular politics before the Bolivarian Revolution, providing crucial context for understanding the democracy that emerged during the presidency of Hugo Chávez. In the mid-1950s, a military government bent on modernizing Venezuela razed dozens of slums in the heart of the capital Caracas, replacing them with massive buildings to house the city’s working poor. The project remained unfinished when the dictatorship fell on January 23, 1958, and in a matter of days city residents illegally occupied thousands of apartments, squatted on green spaces, and renamed the neighborhood to honor the emerging democracy: the 23 de Enero (January 23). During the next thirty years, through eviction efforts, guerrilla conflict, state violence, internal strife, and official neglect, inhabitants of el veintitrés learned to use their strategic location and symbolic tie to the promise of democracy in order to demand a better life. Granting legitimacy to the state through the vote but protesting its failings with violent street actions when necessary, they laid the foundation for an expansive understanding of democracy―both radical and electoral―whose features still resonate today. Blending rich narrative accounts with incisive analyses of urban space, politics, and everyday life, Barrio Rising offers a sweeping reinterpretation of modern Venezuelan history as seen not by its leaders but by residents of one of the country’s most distinctive popular neighborhoods.

Barrio Boy is the remarkable story of one boy's journey from a Mexican village so small its main street didn't have a name, to the barrio of Sacramento, California, bustling and thriving in the early decades of the twentieth century. With vivid imagery and a rare gift for re-creating a child's sense of time and place, Ernesto Galarza gives an account of the early experiences of his extraordinary life―from revolution in Mexico to segregation in the United States―that will continue to delight readers for generations to come. Since it was first published in 1971, Galarza’s classic work has been assigned in high school and undergraduate classrooms across the country, profoundly affecting thousands of students who read this true story of acculturation into American life. To celebrate the 40th anniversary of the publication of Barrio Boy, the University of Notre Dame Press is proud to reissue this best-selling book with a new text design and cover, as well an introduction―by Ilan Stavans, the distinguished cultural critic and editor of the Norton Anthology of Latino Literature―which places Ernesto Galarza and Barrio Boy in historical context.

Sociologist José A. Moreno was doing fieldwork in Santo Domingo when the revolution broke out in April 1965. For four months he lived in the rebel zone of the city, where he helped with the organization of medical clinics and food distribution centers. His activities brought him into daily contact with top leaders of the rebel forces, members of political organizations, commando groups of young men from the barrios of Santo Domingo, and ordinary citizens in the neighborhood. His eye-witness account is augmented by his professional analysis of the rebels-their backgrounds, personalities, ideologies, and expectations. He also focuses on the social processes that brought cohesiveness to the divergent rebel groups as their faced a common enemy.

The compelling history of how Latino immigrants revitalized the nation's cities after decades of disinvestment and white flight Thirty years ago, most people were ready to give up on American cities. We are commonly told that it was a "creative class" of young professionals who revived a moribund urban America in the 1990s and 2000s. But this stunning reversal owes much more to another, far less visible group: Latino and Latina newcomers.Award-winning historian A. K. Sandoval-Strausz reveals this history by focusing on two barrios: Chicago's Little Village and Dallas's Oak Cliff. These neighborhoods lost residents and jobs for decades before Latin American immigration turned them around beginning in the 1970s. As Sandoval-Strausz shows, Latinos made cities dynamic, stable, and safe by purchasing homes, opening businesses, and reviving street life. Barrio America uses vivid oral histories and detailed statistics to show how the great Latino migrations transformed America for the better.

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