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Since the publication in France of his Oeuvres Completes in the mid-1970s, the breadth of Bataille's writing and influence has become increasingly apparent across the disciplines in, for example, the fields of literature, art, art history, philosophy, critical theory, sociology, economics, and anthropology.

As the price of oil climbs toward $100 a barrel, our impending post-fossil fuel future appears to offer two alternatives: a bleak existence defined by scarcity and sacrifice or one in which humanity places its faith in technological solutions with unforeseen consequences. Are there other ways to imagine life in an era that will be characterized by resource depletion? The French intellectual Georges Bataille saw energy as the basis of all human activity—the essence of the human—and he envisioned a society that, instead of renouncing profligate spending, would embrace a more radical type of energy expenditure: la dépense, or “spending without return.” In Bataille’s Peak, Allan Stoekl demonstrates how a close reading of Bataille—in the wake of Giordano Bruno and the Marquis de Sade— can help us rethink not only energy and consumption, but also such related topics as the city, the body, eroticism, and religion. Through these cases, Stoekl identifies the differences between waste, which Bataille condemned, and expenditure, which he celebrated. The challenge of living in the twenty-first century, Stoekl argues, will be to comprehend—without recourse to austerity and self-denial—the inevitable and necessary shift from a civilization founded on waste to one based on Bataillean expenditure.Allan Stoekl is professor of French and comparative literature at Penn State University. He is the author of Agonies of the Intellectual: Commitment, Subjectivity, and the Performative in the Twentieth-Century French Tradition and translator of Bataille’s Visions of Excess: Selected Writings, 1927–1939 (Minnesota, 1985).

296 pages. French language. 8.11x5.59x1.10 inches. In Stock.

Since the publication in France of his Oeuvres Completes in the mid-1970s, the breadth of Bataille's writing and influence has become increasingly apparent across the disciplines in, for example, the fields of literature, art, art history, philosophy, critical theory, sociology, economics, and anthropology.

Since the publication in France of his Oeuvres Completes in the mid-1970s, the breadth of Bataille's writing and influence has become increasingly apparent across the disciplines in, for example, the fields of literature, art, art history, philosophy, critical theory, sociology, economics, and anthropology.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Essays on the French writer and critic Georges Bataille, that examine his thought in relation to Hegel, Nietzsche, and Derrida.This book examines the significance of Bataille's contributions to various areas of investigation: philosophical inquiry in the broadest sense; economic theory relative to waste, expenditure, and the heterogeneous; the political commitment expected of the intellectual and his relationship to the whole man; the experience of a subject at its limits, in moments of alterity, or of inscription within the literary text.Contributors include Robert Sasso, Lionel Abel, Denis Hollier, Tony Corn, Rodolphe Gasché, Pierre Klossowski, Jean Piel, Arkady Plotnitsky, Jean Borreil, Julia Kristeva, Jean-Louis Baudry, Paul Smith, Michael Halley, Mikhal Popowski, and Susan Rubin Suleiman.

Georges Bataille's powerful writings have fascinated many readers, enmeshed as they are with the themes of sex and death. His emotive discourse of excess, transgression, sacrifice, and the sacred has had a profound and notable influence on thinkers such as Foucault, Derrida and Kristeva. Bataille: Writing the Sacred examines the continuing power and influence of his work. The full extent of Bataille's subversive and influential writings has only been made available to an English-speaking audience in recent years. By bringing together international specialists on Bataille from philosophy and literature to art history, this collection is able to explore the many facets of his writings.

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An elegant introduction to Bataille's major concepts and concerns, Bataille: A Critical Reader underlines the powerful impact his work has had, in different ways, on an entire generation of thinkers.

An elegant introduction to Bataille's major concepts and concerns, Bataille: A Critical Reader underlines the powerful impact his work has had, in different ways, on an entire generation of thinkers.

Bataille is the first book of its kind--a lucid guide to reading literary and cultural texts in the light of George Bataille's work. It explores the significance of Bataillean notions such as heterology, transgression, and eroticism through detailed readings of Shakespeare and early modern literature, Gothic and postmodernist fiction, and popular movies. Bataillean concepts are situated in relation to the ideas of Lacan, Derrida, Kristeva, Baudrillard, and Deleuze, and the the significance for both contemporary and futural modes of cultural analysis is explored.

When Sartre referred to Georges Bataille as a "new mystic," he meant the label as an insult. Sartre considered mysticism to be a less rigorous mode of inquiry than philosophy -- especially dangerous where the writings of mystics adapt philosophical terminology for different purposes. In Georges Bataille and the Mysticism of Sin, Peter Connor argues that literary scholars, eager to represent Bataille as a philosopher or as an early deconstructionist, have tended to neglect or misunderstand Bataille's interest in mysticism. Connor's study corrects this distorted view of Bataille, giving us a more complete picture of the complex and influential writer.With careful attention to Bataille's historical and intellectual context, Connor raises many important questions: What drew Bataille to the mystics? How did he conceive of their thought in relation to his own? And what is the connection between mysticism and morality? This last question raises an especially interesting issue for Bataille, an atheist whom readers generally associate with images of transgression and sin. Through examination of Bataille's writings -- including Inner Experience and his underappreciated final book, Tears of Eros -- Connor shows the surprising connection between Bataille's mysticism and his sense of personal and political ethics. Mysticism, Connor argues, lies at the heart of Bataille's double identity as an intellectual and as a kind of anarchic prophet.

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Georges Bataille was arguably the greatest influence on the poststructuralist revolution in twentieth-century thought and literature, yet few truly understand his work and legacy. Stuart Kendall now translates the work and life of this renowned French writer, anthropologist, and philosopher into a concise yet informative biography that reveals fascinating facets of this intellectual giant.Until his death in 1962, Bataille was an instrumental force in philosophical debate, acting as a foil for both Surrealism and Existentialism and advocating radical views that spanned the entire spectrum of political thought. Georges Bataille chronicles these aspects of his intellectual development, as well as tracing out his pivotal role in the creation of the College of Sociology and how his writings in aesthetics and art history laid the groundwork for visual culture studies. Kendall positions Bataille at the heart of a prodigous community of thinkers, including André Breton, Jean-Paul Sartre, and Jacques Lacan. A compelling account, Georges Bataille will be invaluable for all thinkers who have benefited from Bataille’s lasting contributions.

Georges Bataille was a philosopher, writer, librarian, pornographer and a founder of the influential journals Critique and Acéphale. He has had an enormous impact on contemporary thought, influencing such writers as Barthes, Baudrillard, Derrida, Foucault and Sontag. Many of his books, including the notorious Story of the Eye and the fascinating The Accursed Share, are modern classics.In this acclaimed intellectual biography, Michel Surya gives a detailed and insightful account of Bataille’s work against the backdrop of his life – his troubled childhood, his difficult relationship with André Breton and the surrealists and his curious position as a thinker of excess, ‘potlatch’, sexual extremes and religious sacrifice, one who nonetheless remains at the heart of twentieth century French thought—all of it drawn here in rich and allusive prose. While exploring the source of the violent eroticism that laces Bataille’s novels, the book is also an acute guide to the development of Bataille’s philosophical thought. Enriched by testimonies from Bataille’s closest acquaintances and revealing the context in which he worked, Surya sheds light on a figure Foucault described as ‘one of the most important writers of the century’.

Georges Bataille (1867-1962) is widely recognized as one of the most important thinkers of the twentieth century. This is the first book in English to examine his work as a whole, offering an accessible introduction to his complex thought.

This is a clear and concise guide to the life and work of the French intellectual Georges Bataille, best known as the author of the celebrated erotic novel, The Story of the Eye. Benjamin Noys introduces Bataille as a writer out of step with the dominant intellectual trends of his day - surrealism and existentialism - and shows that it was his very marginality that accounted in large part for his subsequent importance for the post-structuralists and the counterculture, in Europe and in the United States. Treating Bataille's work as a whole rather than focusing, as other studies have done, on aspects of his work (i.e. as social theory or philosophy), Noys' study is intended to be sensitive to the needs of students new to Bataille's work while at the same time drawing on the latest research on Bataille to offer new interpretations of Bataille's oeuvre for more experienced readers. This is the first clear, introductory reading of Bataille in English - challenging current reductive readings, and stressing the range of disciplines affected by Bataille's work, at a time when interest in Bataille is growing.

This is a clear and concise guide to the life and work of the French intellectual Georges Bataille, best known as the author of the celebrated erotic novel, The Story of the Eye. Benjamin Noys introduces Bataille as a writer out of step with the dominant intellectual trends of his day - surrealism and existentialism - and shows that it was his very marginality that accounted in large part for his subsequent importance for the post-structuralists and the counterculture, in Europe and in the United States. Treating Bataille's work as a whole rather than focusing, as other studies have done, on aspects of his work (i.e. as social theory or philosophy), Noys' study is intended to be sensitive to the needs of students new to Bataille's work while at the same time drawing on the latest research on Bataille to offer new interpretations of Bataille's oeuvre for more experienced readers. This is the first clear, introductory reading of Bataille in English - challenging current reductive readings, and stressing the range of disciplines affected by Bataille's work, at a time when interest in Bataille is growing.

This book examines the intersecting communitarian endeavors of Georges Bataille, Maurice Blanchot, Michel Leiris, and Colette Peignot, known posthumously as Laure. Through detailed analysis of a series of interlocking texts that the four authors write on, for, and to one another on such topics as love, friendship, and fraternity, it explores these authors' theoretical elaborations of community, their actual communities, and the relation between the two. At the center of this investigation stands the controversial figure of Laure, who functions both during her life and after her premature death as a catalyst for the communities formed around her by a group of men. Not only the first book-length study of the intersecting relationships and theoretical musings of four writers who contested the boundaries between reflection and affection, this book is also the first extended critical investigation in any language of the legacy of one of the most provocative and elusive figures of the twentieth-century French avant-garde.