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Max Beckmann (1884–1950) moved to the United States in the late summer of 1947, and spent the last three years of his life there. Impressively, Beckmann made the utmost use of this radical relocation and brought about significant transformations in his painting--producing, among other works, his triptych masterpiece, “The Argonauts”--while also teaching in St. Louis, Missouri, and at the Brooklyn Museum, where he also mounted a retrospective of prints and drawings. The vastness of the American continent, with its unending landscapes and roads and its vast cities embodying energetic modernist optimism, propelled Beckmann into an extraordinary fervor of productivity. This volume looks at these decisive final years, which produced so many key works for the Expressionist master.

Another title from The Crown Art Library, the most useful monographs available on a wide range of significant artists. Each volume is written by an internationally recognized authority and is generously illustrated with full-color reproductions of the artist's paintings and two-color reproductions of sketches and line drawings.

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After a phase in which his art dealt mainly with biblical, historical and allegorical subjects, Beckmann painted pictures showing humanity "in extremis", both physical and spiritual. This book analyzes the thematic complexes in Beckmann's visual world and traces the myths of the man and the art.

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Published in collaboration with the American College of Obstetrics and Gynecology, this highly respected resource provides the foundational knowledge medical students need to complete an Ob/Gyn rotation, pass national standardized exams, and competently care for women in clinical practice.Fully compliant with the College’s guidelines, treatment recommendations, and committee opinions, the text also aligns with the Association of Professors of Gynecology and Obstetrics' educational objectives, upon which most clerkship evaluations and final exams are based.Six comprehensive units cover all essential information on General Obstetrics and Gynecology; Obstetrics, Medical and Surgical Disorders in Pregnancy; Gynecology, Reproductive Endocrinology and Infertility ; and Gynecologic Oncology and Uterine Leiomyoma .In-depth updates throughout capture the current state of the field, including new minimally invasive and robotic gynecologic procedures, an expanded discussion of patient safety, many new ultrasound images, and much more.Concise, eminently readable chapters – with abundant headings and subheadings, lists, boxes, and tables – make key clinical concepts easy to understand and remember.Chapter-opening and -closing case studies demonstrate clinical applications of the material.A rich full-color art program of illustrations, photos, and imaging examples depicts the anatomy and clinical presentation of both normal and pathologic conditions.Clinical “pearls” highlight specific issues encountered in gynecologic and obstetric practice.Helpful appendices include the latest versions of the Well-Woman Care: Assessments and Recommendations by Age Group , the American College of Obstetricians and Gynecologists Antepartum Record and Postpartum Form, and the Edinburgh Postpartum Depression Scale .A comprehensive image bank makes it easy for instructors to use the book’s outstanding visuals in the classroom.

Published in collaboration with the American College of Obstetrics and Gynecology, this highly respected resource provides the foundational knowledge medical students need to complete an Ob/Gyn rotation, pass national standardized exams, and competently care for women in clinical practice.Fully compliant with the College’s guidelines, treatment recommendations, and committee opinions, the text also aligns with the Association of Professors of Gynecology and Obstetrics' educational objectives, upon which most clerkship evaluations and final exams are based.Six comprehensive units cover all essential information on General Obstetrics and Gynecology; Obstetrics, Medical and Surgical Disorders in Pregnancy; Gynecology, Reproductive Endocrinology and Infertility ; and Gynecologic Oncology and Uterine Leiomyoma .In-depth updates throughout capture the current state of the field, including new minimally invasive and robotic gynecologic procedures, an expanded discussion of patient safety, many new ultrasound images, and much more.Concise, eminently readable chapters – with abundant headings and subheadings, lists, boxes, and tables – make key clinical concepts easy to understand and remember.Chapter-opening and -closing case studies demonstrate clinical applications of the material.A rich full-color art program of illustrations, photos, and imaging examples depicts the anatomy and clinical presentation of both normal and pathologic conditions.Clinical “pearls” highlight specific issues encountered in gynecologic and obstetric practice.Helpful appendices include the latest versions of the Well-Woman Care: Assessments and Recommendations by Age Group , the American College of Obstetricians and Gynecologists Antepartum Record and Postpartum Form, and the Edinburgh Postpartum Depression Scale .A comprehensive image bank makes it easy for instructors to use the book’s outstanding visuals in the classroom.

Max Beckmann (1884–1950) moved to the United States in the late summer of 1947, and spent the last three years of his life there. Impressively, Beckmann made the utmost use of this radical relocation and brought about significant transformations in his painting--producing, among other works, his triptych masterpiece, “The Argonauts”--while also teaching in St. Louis, Missouri, and at the Brooklyn Museum, where he also mounted a retrospective of prints and drawings. The vastness of the American continent, with its unending landscapes and roads and its vast cities embodying energetic modernist optimism, propelled Beckmann into an extraordinary fervor of productivity. This volume looks at these decisive final years, which produced so many key works for the Expressionist master.

This illustrated volume presents an overview of Beckmann's work, from his early years in Germany, to his decade in exile in Amsterdam, to his final year in the USA. A critical analysis attempts to decipher Beckmann's expressionist language and to outline the themes that run through his work. Carla Schulz-Hoffmann is Director of the Collection of Twentieth-century art in the Pinakothek der Moderne in Munich, Germany. She teaches at the Academy of Fine Arts in Munich and has edited several catalogues on expressionist and modern art.

Höhepunkte im malerischen Schaffen des Meisters die Landschaften mit 147, davon 117 farbigen, teils ganzseitigen Abbildungen . - - - Max Beckmann ist einer der Titanen der modernen Kunst, dabei verstand er sich selbst als der letzte alte Meister . Die Publikation richtet den Blick auf die Landschaftsgemälde des Künstlers , die weniger von allegorischen Sinnschichten geprägt sind als seine Arbeiten in anderen Genres und die großartige malerische Qualität ganz unmittelbar sichtbar machen . Ihr Ausgangspunkt waren zum einen intensiv erlebte Naturerfahrungen . Häufig tauchen private Gegenstände als Stilllebenrest im Vordergrund auf und lassen die Anwesenheit des Künstlers spürbar werden . Zum anderen entstanden die Landschaften als realistische Wiedergabe besuchter Orte , für die Beckmann Fotografien oder Postkarten hinzuzog . Weitere Impulse gab ihm die Kunst selbst : In Bildzitaten blitzt immer wieder Beckmanns immenses kunstgeschichtliches Wissen auf. Seine Landschaften sind somit als eine Art Summe seines Weltverständnisses zu betrachten. - - - 236 Seiten, Klappenbroschur Format 24 x 30 cm . S o f o r t i g e r Versand eines neuen , eingeschweißten Verlagsexemplars .

Z : 72 Seiten, 21 X 28,5 cm - Wenn so häufig von dem Künstler Max Beckmann und dessen Exil die Rede ist, so darf doch nicht vergessen werden, dass seine Frau, Mathilde Quappi" Beckmann geborene Kaulbach, dieses Exil mit ihm geteilt hat. Sie hat erlebt, wie er in Deutschland als entartet" diffamiert und von der Kunstgewerbeschule in Frankfurt 1933 entlassen wurde. Sie ist mit ihm 1937 emigriert und hat in Amsterdam die schweren Jahre des Krieges wie der deutschen Besatzung mit ihm geteilt. Natürlich hat sie ihn auch auf die weiteren Stationen des Exils nach Amerika begleitet.

One of the most important German artists of the twentieth century, Max Beckmann is known for the depth and sensuous force of his works, but little is known about his personal life. Self-Portrait in Words reveals Beckmann's experience of life from the first years of his career in Berlin and Paris through his final years in the United States. This collection of Beckmann's writings serves as a companion to his art and a testament to the complexities of his life."Barbara Copeland Buenger . . . has done an excellent job of editing and annotating Beckmann's voluminous private and public writings."—Andrea Barnet, New York Times Book Review

An up close and personal look at the life and work of a major 20th-century artist The prominent German Expressionist painter Max Beckmann (1884–1950) is known for allegorical, autobiographical works that capture the doom and grotesquerie of World War I and the subsequent rise of Nazism. In 1937, under threat by the Nazi regime (which featured Beckmann’s work prominently in the notorious “Degenerate Art” exhibition that year), he and his wife relocated, first to Amsterdam, then to St. Louis, and eventually to New York City, where Beckmann died less than one year later. This revealing book focuses on the works produced during Beckmann’s final years and other pieces by the artist now found in New York collections.   Throughout his prolific career, Beckmann maintained a firm loyalty to representational painting, asserting his purpose to “get hold of the magic of reality and to transfer this reality into painting.” The deft and subtle layers of color and shadow, figures and allusions in his work resulted in captivating narrative images. Presenting a mesmerizing portrait of one of the 20th century’s most enigmatic and challenging artists, Max Beckmann in New York features beautiful reproductions of Beckmann’s remarkable artworks, accompanied by an engaging essay by acclaimed art historian Sabine Rewald that contextualizes his paintings and provides insight into his tumultuous life.  

21 x 27 cm. Original brochure in landscape format, slightly bumped at the edges. 59 (1) pages, richly illustrated in color and monochrome. In good condition. --- Originalbroschur im Querformat, leicht randbestoßen. 59 (1) Seiten, reich farbig und einfarbig bebildert. In gutem Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Genießen Sie die Adventszeit und bestellen Sie was zum Lesen für einen gemütlichen Kaminabend! K08860-432242

Shows and describes Beckmann's self-portraits from age fourteen to sixty-six, and discusses what they reveal about his development as an artist

One of the most important German artists of the twentieth century, Max Beckmann is known for the depth and sensuous force of his works, but little is known about his personal life. Self-Portrait in Words reveals Beckmann's experience of life from the first years of his career in Berlin and Paris through his final years in the United States. This collection of Beckmann's writings serves as a companion to his art and a testament to the complexities of his life."Barbara Copeland Buenger . . . has done an excellent job of editing and annotating Beckmann's voluminous private and public writings."—Andrea Barnet, New York Times Book Review

Höhepunkte im malerischen Schaffen des Meisters die Landschaften . - - - Max Beckmann ist einer der Titanen der modernen Kunst, dabei verstand er sich selbst als der letzte alte Meister . Die Publikation richtet den Blick auf die Landschaftsgemälde des Künstlers , die weniger von allegorischen Sinnschichten geprägt sind als seine Arbeiten in anderen Genres und die großartige malerische Qualität ganz unmittelbar sichtbar machen . Ihr Ausgangspunkt waren zum einen intensiv erlebte Naturerfahrungen . Häufig tauchen private Gegenstände als Stilllebenrest im Vordergrund auf und lassen die Anwesenheit des Künstlers spürbar werden . Zum anderen entstanden die Landschaften als realistische Wiedergabe besuchter Orte , für die Beckmann Fotografien oder Postkarten hinzuzog . Weitere Impulse gab ihm die Kunst selbst : In Bildzitaten blitzt immer wieder Beckmanns immenses kunstgeschichtliches Wissen auf. Seine Landschaften sind somit als eine Art Summe seines Weltverständnisses zu betrachten. - - - 236 Seiten, mit 147, davon 117 farbigen, teils ganzseitigen Abbildungen . Klappenbroschur Format 30 x 24 cm . S o f o r t i g e r Versand eines neuen , original eingeschweißten Verlagsexemplars .

This magnificently illustrated book explores Max Beckmann’s idea of the world as a stage while also providing a striking introduction to one of the 20th century’s most spectacularly creative periods of art and design. Many of the paintings by Max Beckmann show the world of the theater, the circus, and vaudeville. He assumed the position of the spectator and his paintings were the stage. He was driven by pageantry and this is the first publication to show how Beckmann’s artistic theater was palpably visual while also showing his work in the context of the history of ideas. It brings home how the painter and author of dramas that has hitherto received little attention saw himself as an "impresario, director, and scene shifter." This book grants readers highly innovative and captivating access to one of the exceptional artists of the last century and his extraordinary visual and formal language.

70 Seiten Buch ist neu, aus priv. Vorbesitz, ungelesen. -----Inhalt:. Max Beckmann, 1884 in Leipzig geboren, besuchte von 1899 bis 1903 die Weimarer Akademie. Er lebte in Paris, Genf und Florenz und ab 1907 in Berlin. 1915 zog er nach Frankfurt am Main, dort lehrte er bis 1933 an der Städel-Kunstschule. 1937 emigrierte er nach Holland und übersiedelte 1947 von dort nach New York, wo er 1950 in New York starb. ISBN: 9783933807083 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 555