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824 pages. 9.25x7.50x1.86 inches. This item is printed on demand.

The Redington 5-5506R910B Behemoth 9/10 Fly Reel, in Black color, combines stunning aesthetics with the most powerful drag in its class. The unique, un-machinable, die-cast construction is coupled with a durable, interlocking, large-arbor spool design that both looks and functions like a premium reel. A super-heavy duty carbon fiber drag package brings the utmost in reliability, drag strength, and performance to the family. Redington Behemoth Reels offer affordability and performance to veteran and beginner anglers alike. Redington 5-5506R910B Behemoth 9/10 Fly Reel Features: Un-machinable, unique Die-cast construction Large arbor design speeds retrieve and reduces line memory Most powerful drag in its class Adjustable, Carbon Fiber drag Oversized drag knob for easy adjustment Deep V-Spool for increased backing capacity Twin molded, soft-touch ergonomic handles Easily converts to right or left hand retrieve Nylon reel case included Lifetime warranty

You are looking at Serial#: W123070888 Weight: 6.80 lbs Behemoth frontman and chief creative force Nergal has been one of the most influential pla...

The Shadow Conspire Glove is their ultimate glove, combining all the tech, materials, and design that have been the hallmark of Shadow Riding Gear. Built around lightweight synthetic leather construction with ultimate flexibility and feel, the Conspire Gloves also have a silicone palm print for maximum grip control. The Slim Tech Cuff, featuring a minimal hook and loop closure, Coffin integrated pull tab, and stretch neoprene, all work together to give the Conspire Glove the look and feel of a slip-on glove with added security and adjustability of traditional closure gloves. All of these features work to keep your hands firmly on the grips, keeping the session going, ultimately extending the ride. Single-layer perforated clarino palm and fingers Woven four-way stretch poly top hand Silicone printed palm and fingers Touch screen compatible Reinforced Coffin pull tab Sublimated graphics

Masters of blackened death metal, Behemoth, now unleash the group's second DVD release ever, titled EVANGELIA HERETIKA. EVANGELIA HERETIKA includes two DVDS that feature two full shows (Live in Paris 2008 and Live in Warsaw 2010), plus every Behemoth music video, Evangelion tour documentary featuring band interviews, and tons of backstage footage - five hours of Behemoth in all! Also included is a bonus LIVE IN WARSAW CD.

Text: German, English (translation)

Behemoth is Thomas Hobbes's narrative of the English Civil Wars from the beginning of the Scottish revolution in 1637 to the Restoration of the Monarchy in 1660, and is his only composition to address directly the history of the events which formed the context of his writings in Leviathan and elsewhere on sovereignty and the government of the Church. Although presented as an account of past events, it conceals a vigorous attack on the values of the religious and political establishment of Restoration England. This is the first fully scholarly edition of the work, and the first new edition of the text since 1889. Based on Hobbes's own presentation manuscript, it includes for the first time an accurate transcription of the passages which Hobbes had deleted in the text, and notes made by early readers.

Starfish lit the fuse. Maelstrom was the explosion. But five years into the aftermath, things aren't quite so simple as they once seemed...Lenie Clarke-rifter, avenger, amphibious deep-sea cyborg-has destroyed the world. Once exploited for her psychological addiction to dangerous environments, she emerged in the wake of a nuclear blast to serve up vendetta from the ocean floor. The horror she unleashed-an ancient, apocalyptic microbe called ßehemoth- has been free in the world for half a decade now, devouring the biosphere from the bottom up. North America lies in ruins beneath the thumb of an omnipotent psychopath. Digital monsters have taken Clarke's name, wreaking havoc throughout the decimated remnants of something that was once called Internet. Governments have fallen across the globe; warlords and suicide cults rise from the ashes, pledging fealty to the Meltdown Madonna. All because five years ago, Lenie Clarke had a score to settle.But she has learned something in the meantime: she destroyed the world for a fallacy.Now, cowering at the bottom of the Atlantic Ocean, rifters and the technoindustrial "corpses" who created them hide from a world in its death throes. But they cannot hide forever: something is tracking them, down amongst the lightless cliffs and trenches of the Midatlantic Ridge. The consequences of past acts reach inexorably towards the very bottom of the world, and Lenie Clarke must finally confront the mess she made.Redemption doesn't come easy with the blood of a world on your hands. But even after five years in purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds. . . .ßehemoth: ß-Max is the first of two volumes. The story will conclude in ßehemoth: Seppuku.

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Lenie Clarke-amphibious cyborg, Meltdown Madonna, agent of the Apocalypse-has grown sick to death of her own cowardice.For five years (since the events recounted in Maelstrom0, she and her bionic brethren (modified to work in the rift valleys of the ocean floor) have hidden in the mountains of the deep Atlantic. The facility they commandeered was more than a secret station on the ocean floor. Atlantis was an exit strategy for the corporate elite, a place where the world's Movers and Shakers had hidden from the doomsday microbe ßehemoth-and from the hordes of the moved and the shaken left behind. For five years "rifters" and "corpses" have lived in a state of uneasy truce, united by fear of the outside world.But now that world closes in. An unknown enemy hunts them through the crushing darkness of the Mid-Atlantic Ridge. ßehemoth- twisted, mutated, more virulent than ever-has found them already. The fragile armistice between the rifters and their one-time masters has exploded into all-out war, and not even the legendary Lenie Clarke can take back the body count.Billions have died since she loosed ßehemoth upon the world. Billions more are bound to. The whole biosphere came apart at the seams while Lenie Clarke hid at the bottom of the sea and did nothing. But now there is no place left to hide. The consequences of past acts reach inexorably to the very floor of the world, and Lenie Clarke must return to confront the mess she made.Redemption doesn't come easy with the blood of a world on your hands. But even after five years in pitch-black purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds...ßehemoth: Seppuku concludes the final act (begun in ßehemoth: ß-Max) of Peter Watts's chilling and powerful Rifters series.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1889 edition. Excerpt: ...t A. The same power which the King had placed before' in his lieutenants and deputy-lieutenants, in the several counties, and without other limitation of time but their own pleasure. B. Who were the men that should have this power? A. There is a catalogue of them printed. They are very many, and most of them lords; nor is it necessary to have them named; for to name them is (in my opinion) to brand them with the mark of disloyalty or of folly. When they had made a catalogue of them, they sent it to the King, with a new petition for the militia. Also presently after, they sent a message to his Majesty, praying him to leave the Prince at Hampton Court; but the King granted neither. B. Howsoever, it was wisely done of them to get hostages (if they could) of the King, before he went from them. A. In the meantime, to raise money for the reducing of Ireland, the Parliament invited men to bring in money by way of adventure, according to these propositions. 1. That two millions and five hundred thousand acres of land in ' did the Parliament grant which the King had before planted. 1 the men that had this power? 4 it was well done. Ireland, should be assigned to the adventurers, in this proportion: For an adventure of zoo/. 1,000 acres in Ulster.... 3oo/. 1,000 acres in Connaught. 45o/. 1,000 acres in Munster.... 6oo/l i,000 acres in Leinster. All according to English measure, and consisting of meadow, arable, and profitable pasture; bogs, woods, and barren mountains being cast in over and above. 2. A revenue was reserved to the Crown, from one penny to three-pence on every acre. 3. That commissions should be sent by the Parliament, to erect manors, settle wastes and commons, maintain preaching ministers, to create corporations, and to regulate...

Franz Neumann's classic account of the governmental workings of Nazi Germany, first published in 1942, is reprinted in a new paperback edition with an introduction by the distinguished historian Peter Hayes. Neumann was one of the only early Frankfurt School thinkers to examine seriously the problem of political institutions. After the rise of the Nazis to power, his emphasis shifted to an analysis of economic power, and then after the war to political psychology. But his contributions in Behemoth were groundbreaking: that the Nazi organization of society involved the collapse of traditional ideas of the state, of ideology, of law, and even of any underlying rationality. The book must be "studied, not simply read," Raul Hilberg wrote.

Behemoth is Thomas Hobbes's narrative of the English Civil Wars from the beginning of the Scottish revolution in 1637 to the Restoration of the Monarchy in 1660, and is his only composition to address directly the history of the events which formed the context of his writings in Leviathan and elsewhere on sovereignty and the government of the Church. Although presented as an account of past events, it conceals a vigorous attack on the values of the religious and political establishment of Restoration England. This is the first fully scholarly edition of the work, and the first new edition of the text since 1889. Based on Hobbes's own presentation manuscript, it includes for the first time an accurate transcription of the passages which Hobbes had deleted in the text, and notes made by early readers.

Starfish lit the fuse. Maelstrom was the explosion. But five years into the aftermath, things aren't quite so simple as they once seemed...Lenie Clarke-rifter, avenger, amphibious deep-sea cyborg-has destroyed the world. Once exploited for her psychological addiction to dangerous environments, she emerged in the wake of a nuclear blast to serve up vendetta from the ocean floor. The horror she unleashed-an ancient, apocalyptic microbe called ßehemoth- has been free in the world for half a decade now, devouring the biosphere from the bottom up. North America lies in ruins beneath the thumb of an omnipotent psychopath. Digital monsters have taken Clarke's name, wreaking havoc throughout the decimated remnants of something that was once called Internet. Governments have fallen across the globe; warlords and suicide cults rise from the ashes, pledging fealty to the Meltdown Madonna. All because five years ago, Lenie Clarke had a score to settle.But she has learned something in the meantime: she destroyed the world for a fallacy.Now, cowering at the bottom of the Atlantic Ocean, rifters and the technoindustrial "corpses" who created them hide from a world in its death throes. But they cannot hide forever: something is tracking them, down amongst the lightless cliffs and trenches of the Midatlantic Ridge. The consequences of past acts reach inexorably towards the very bottom of the world, and Lenie Clarke must finally confront the mess she made.Redemption doesn't come easy with the blood of a world on your hands. But even after five years in purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds. . . .ßehemoth: ß-Max is the first of two volumes. The story will conclude in ßehemoth: Seppuku.

Behemoth, or The Long Parliament is essential to any reader interested in the historical context of the thought of Thomas Hobbes (1588-1679). In De Cive (1642) and Leviathan (1651), the great political philosopher had developed an analytical framework for discussing sedition, rebellion, and the breakdown of authority. Behemoth, completed around 1668 and not published until after Hobbe's death, represents the systematic application of this framework to the English Civil War.In his insightful and substantial Introduction, Stephen Holmes examines the major themes and implications of Behemoth in Hobbes's system of thought. Holmes notes that a fresh consideration of Behemoth dispels persistent misreadings of Hobbes, including the idea that man is motivated solely by a desire for self-preservation. Behemoth, which is cast as a series of dialogues between a teacher and his pupil, locates the principal cause of the Civil War less in economic interests than in the stubborn irrationality of key actors. It also shows more vividly than any of Hobbe's other works the importance of religion in his theories of human nature and behavior.

As in his classic The Beast from 20,000 Fathoms, director Eugene Lourie plunges us into a thrilling stomping ground, unleashing another Thunder Lizard to stomp on everything in sight. Alarming levels of radiation have infused the water, plants, and skies, and a radiated paleosaurus rises from the ocean depths. In it's path: London. In it's arsenal: a strength to topple buildings (King Kong's Willis O'Brien contributes rampaging stop-motion effects), a stride that flattens cars, a flesh-searing r

Birds and Buildings is Dan Britton on keyboards and guitar, Malcolm McDuffie on drums, Brian Falkowski on saxophones, flute, and clarinet, and Brett d'Anon on bass and guitar. Also contributing was Megan Wheatley who sings on 'Chronicle of the Invisible River of Stone.' The band is based in the Washington, DC area. Connections to Deluge Grander, Crom-Tech (Mick Barr), Cerebus Effect, and Il Reale Impero Britannico.

In The Sleep of Behemoth, Jehangir Yezdi Malegam explores the emergence of conflicting concepts of peace in western Europe during the High Middle Ages. Ever since the early Church, Christian thinkers had conceived of their peace separate from the peace of the world, guarded by the sacraments and shared only grudgingly with powers and principalities. To kingdoms and communities they had allowed attenuated versions of this peace, modes of accommodation and domination that had tranquility as the goal. After 1000, reformers in the papal curia and monks and canons in the intellectual circles of northern France began to reimagine the Church as an engine of true peace, whose task it was eventually to absorb all peoples through progressive acts of revolutionary peacemaking. Peace as they envisioned it became a mandate for reform through conflict, coercion, and insurrection. And the pursuit of mere tranquility appeared dangerous, and even diabolical.As Malegam shows, within western Christendom's major centers of intellectual activity and political thought, the clergy competed over the meaning and monopolization of the term "peace," contrasting it with what one canon lawyer called the "sleep of Behemoth," a diabolical "false" peace of lassitude and complacency, one that produced unsuitable forms of community and friendship that must be overturned at all costs. Out of this contest over the meaning and ownership of true peace, Malegam concludes, medieval thinkers developed theologies that shaped secular political theory in the later Middle Ages. The Sleep of Behemoth traces this radical experiment in redefining the meaning of peace from the papal courts of Rome and the schools of Laon, Liege, and Paris to its gradual spread across the continent and its impact on such developments as the rise of papal monarchism; the growth of urban, communal self-government; and the emergence of secular and mystical scholasticism.

David Deal presents his case for two devastating earth catastrophes-the first killing the dinosaurs and rifting the continents and Noah's flood. Find out why the Bible stands in complete accord with geological evidence, long regarded by American academics as incompatible. All of this and more on the impossible state religion of evolution in this new fully illustrated book by David Allen Deal. 20 years in the making.

Shipwrecked en route to their new job working in the perilous Costard sap mine, Nifft the Lean and his partner, Barnar Hammer-Hand, join forces with Bunt, who offers them a lucrative reward if they can bring him some of the precious fluid from the mine. Original.