53 products were found matching your search for behrens in 3 shops:

180 S. mit Abbildungen. Name auf vorderern Vorsatz, gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 2100

Built with the highest quality galvanized steel, this trash can is utilitarian, durable and longer-lasting than plastic. Features an offset bottom to keep the can off the ground, drop-down wire handles for easy portability, and tight-fitting, patented Infinity Lid. This can is ideal for trash, yard waste, and larger pet food/livestock feed storage (approximate hold capacity is up to 100 lbs.). Stronger and plastic free, this can is rodent proof, recyclable, and weather resistant. Dry storage only. May contain globally sourced materials. Individual product dimensions account for Can and Infinity Lid together. *Hold capacity will vary depending on particle size. Color: Silver.

Built with the highest quality galvanized steel, this locking lid can is durable and made to last. Features an offset bottom to keep the can off the ground, a durable wire handle for easy portability, and locking lid. This can is ideal for seed and pet food storage (approximate hold capacity is up to 25lbs.), hot fireplace ash and more. A stronger alternative to plastic, this can is rodent proof, recyclable, and weather resistant. Dry storage only. Proudly made in the USA. May contain globally sourced materials. Individual product dimensions account for Can and Lid together. Hold capacity will vary depending on particle size. Color: Silver.

Built with the highest quality galvanized steel, this refuse, composter can is durable and made to last. Features 4 legs to keep the can off ground for better air flow, durable wire handles for easy portability and tight fitting lid. This can is ideal for composting or burning refuse. May contain globally sourced materials.

Built with the highest quality galvanized steel, this refuse, composter can is durable and made to last. Features 4 legs to keep the can off ground for better air flow, durable wire bail for easy portability and emptying of contents. Ideal for Urban Outdoor composting or burning refuse. May contain globally sourced materials.

Built with the highest quality painted galvanized steel and beechwood handle, this dustpan is durable and made to last. The dustpan is ideal for household cleaning and small cleaning tasks. Flawlessly cleans messes and looks great in the process. Color: White.

Built with the highest quality painted galvanized steel, this caddy is durable and made to last. Both functional and decorative, the caddy can be used for carrying cleaning supplies or storing bathroom necessities. Unlike plastic, galvanized steel will last time after time, allowing you to enjoy our painted caddy longer without signs of wear. Color: White.

Built with the highest quality galvanized steel, this garbage Underground Trash Can liner is durable and made to last. Made to handle whatever life throws its way, the steel design of the galvanized can is the perfect solution for yard waste and inground trash receptacles. A stronger alternative to plastic, this can is rodent-proof, recyclable, and weather-resistant. Dry storage only. Behrens is committed to the environment which is why most of our products are made from 100% galvanized steel. When metal products reach the end of their useful life, the materials are simply collected and recycled, again and again, with no loss of their inherent properties. Steel is the most recycled material on earth. 100% of Behrens Manufacturing scrap is returned to be recycled and converted into new steel products.

Built with the highest quality hot dipped steel, this pail is durable and made to last. Features an offset bottom to keep the pail off the ground and a durable wire handle for easy portability. This pail is ideal for cleanup, storage, wet or dry carry, home/event décor, farm/agricultural use and more.

Built with the highest quality painted galvanized steel. This metal pail is durable and made to last. The metal pail is ideal for carrying cleaning supplies or using as a mop bucket, and the comfortable Japanese oak wood handle makes moving and storing this pail a breeze. Unlike plastic, galvanized steel will last time after time. Color: White.

Built with the highest quality painted galvanized steel and beechwood handle, this dustpan is durable and made to last. The dustpan is ideal for household cleaning and small cleaning tasks. Flawlessly cleans messes and looks great in the process. Color: Black.

It ft. s time to add durability into your cleaning routine with Behrens ft. leak proof and rust resistant galvanized rectangular buckets. Keep odors and rodents at bay while enjoying our modern white and black trimmed style. The galvanized finish adds a touch of style to your bathroom, storage room, and more. The 3.25 Gal. bucket is ideal for carrying cleaning supplies or using as a mop bucket, and the comfortable handle makes moving and storing this bucket a breeze. Unlike plastic, galvanized steel will last time after time. Additional uses include using our white rectangular bucket for decorative and storage uses around your home. Color: White with black trim.

Built with the highest quality painted galvanized steel, the rectangular bucket is durable and made to last. The rectangular bucket is ideal for carrying cleaning supplies or using as a mop bucket, and the comfortable handle makes moving and storing this bucket a breeze. Unlike plastic, galvanized steel will last time after time. Color: Red.

This 9 gallon round utility tub is perfect for pet grooming, using as a party tub/ice bucket or a classic planter. The tub is made of durable hot dipped steel, sealed to hold liquids and has a wire reinforced top rim. Stronger than plastic, this pail won't absorb odors and is recyclable.

Published to celebrate the 150th birthday of Peter BehrensAccompanies a series of major exhibitions, highlighting Behrens' work from various perspectivesPeter Behrens (1868-1940) was one of the most innovative architects and designers of the early 20th century. He is widely recognized as a pioneer of modern industrial design. To this day, his buildings and designs inform our everyday lives. As head designer at AEG, Behrens created the company's turbine hall in Berlin-Moabit. This construction ranks among the most famous buildings of industrial architecture and is known around the world. But Behrens also developed AEG's logo and corporate design - long before this concept actually existed. He thus established a consistent and standardized visual appearance for all products and marketing materials, ranging from the company's letterhead to its advertisements. In addition, he was an accomplished typographer and designed trademarks which are still extant, not the least of which is the iconic font for the inscription 'Dem deutschen Volke' (To the German People) atop the Reichstag building in Berlin. Themes included within the set: Romana Rebbelmund - Glassware by Peter Behrens; Nuray Amrhein - The Schiedmayer Grand Piano by Peter Behrens; Isabel Brass - Hollowware and Cutlery by Peter Behrens; Romana Rebbelmund and Hans-Martin Zimmermann - Peter Behrens' Shift Towards "New Objectivity"; Tobias Wüstenbecker - Peter Behrens' Design for the Deutz Suspension Bridge in Cologne; Thorsten Scheer - Peter Behrens as Author; Carsten Krohn - The AEG Turbine Factory in Berlin; Holger Klein-Wiele - Architecture of the 1920s; Magdalena Holzhey - The Correspondence Between Peter Behrens and Friedrich Deneken 1898 to 1912; Fabian Peters - Friedrich Deneken as Mentor for Peter Behrens; Sabine Röder - Peter Behrens as Designer for AEG; Thorsten Scheer - Behrens' Design Language Between Eclecticism and Modernism.

Most histories of twentieth-century architecture cite Peter Behrens' influence on three of his protégés--Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier--and mention the turbine factory and arc lamp he designed for the German electrical firm AEG. Now Behrens' full contribution to the history of twentieth-century architecture is finally told, in Stanford Anderson's indispensable guide to one of the great designers of our century.The author was first attracted to Behrens as one of the emblematic figures in the development of architectural modernism. Over the years, he has reflected critically on the growing body of Behrens scholarship that has appeared on both sides of the Atlantic, as well as on the views of such tastemakers as Philip Johnson, who rejected Behrens' AEG Turbine Factory, the signature icon of his early experiments in modernism, in favor of his later conservatively classical work. Anderson now assimilates decades of research into a definitive work that considers Behrens from the most nuanced perspective yet and that clarifies many problematic issues such as Behrens' endorsement of historical determinism and his work on Hitler's proposed monumental axis in Berlin.The book looks at the cultural and architectural context in which Behrens worked, his early career, and the relation of his own house in Darmstadt to his ideal of a society where life is formed as art. It also looks at his directorship of the School of Arts and Crafts in Düsseldorf, where he drew on the work of such brilliant historiographers of art and architecture as Alois Riegl and August Schmarsow. In his conclusion, Anderson considers Behrens' melancholy in the face of modern industrial society and his avoidance of a direct address of life, despite, or rather because of, his professed commitment to express life as art.

Deutsch/Englisch. Hrsg. von Markus Jager. Eine architekturhistorische Würdigung dieses frühen Hauptwerkes von Peter Behrens: Das Buch schildert die Biographie des Gebäudes von der ersten Planungsidee über die unterschiedlichen Nutzungen und baulichen Veränderungen bis hin zu seiner jüngsten Restaurierung. Das einstige Continental-Verwaltungsgebäude in Hannover wurde 1912-1914 nach Plänen von Peter Behrens erbaut, im Zweiten Weltkrieg weitestgehend zerstört, in den 50er Jahren stark modifiziert wieder aufgebaut, unter Denkmalschutz gestellt und wird heute als "Haus der Wirtschaftsförderung" genutzt. Mit Beiträgen von Charlotte Hopf, Markus Jager, Kai Koch, Myriam König, Hans-Achim Körber, Sonja Olschner, Anne Panse, Birte Rogacki-Thiemann. 204 Seiten mit 132 überwiegend farbigen Abb., Großformat, gebunden (Wasmuth & Zohlen Verlag 2020) leichte Lagerspuren. Statt EUR 58,00. Gewicht: 1141 g - Gebunden/Gebundene Ausgabe - Sprachen: Deutsch, Englisch

Stanford Anderson's long-awaited study of the great architect and designer Peter Behrens' contribution to the visual culture of the twentieth century.Most histories of twentieth-century architecture cite Peter Behrens' influence on three of his protégés―Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier―and mention the turbine factory and arc lamp he designed for the German electrical firm AEG. Now Behrens' full contribution to the history of twentieth-century architecture is finally told, in Stanford Anderson's indispensable guide to one of the great designers of our century.The author was first attracted to Behrens as one of the emblematic figures in the development of architectural modernism. Over the years, he has reflected critically on the growing body of Behrens scholarship that has appeared on both sides of the Atlantic, as well as on the views of such tastemakers as Philip Johnson, who rejected Behrens' AEG Turbine Factory, the signature icon of his early experiments in modernism, in favor of his later conservatively classical work. Anderson now assimilates decades of research into a definitive work that considers Behrens from the most nuanced perspective yet and that clarifies many problematic issues such as Behrens' endorsement of historical determinism and his work on Hitler's proposed monumental axis in Berlin.The book looks at the cultural and architectural context in which Behrens worked, his early career, and the relation of his own house in Darmstadt to his ideal of a society where life is formed as art. It also looks at his directorship of the School of Arts and Crafts in Düsseldorf, where he drew on the work of such brilliant historiographers of art and architecture as Alois Riegl and August Schmarsow. In his conclusion, Anderson considers Behrens' melancholy in the face of modern industrial society and his avoidance of a direct address of life, despite, or rather because of, his professed commitment to express life as art.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Book is in acceptable condition. May have shelf wear, edge wear, and spine wear, but a very readable copy. May not come with supplemental materials if applicable. Does not include original dustcover jacket. Possibly Ex Library Copy