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With a wealth of technical detail that distinguishes it from other run-of-the-mill books on the making of an album, this in-depth reference reconstructs the recording of Miles Davis’s Bitches Brew, one of the 20th century’s most revolutionary albums in any genre. Consulting an extensive array of archival material, including recording notes, never-before-published photos, and even the reels at Columbia Records, the authors re-create the legendary three-day recording session that gave rise to the seminal jazz-fusion LP. Davis’s life at the time of the recording during which his artistic vision and the interests of his label were at occasional loggerheads is also examined to provide much-needed context and background. Con una riqueza de detalle técnico que la distingue de otros libros comunes sobre la composición de un álbum, esta referencia reconstruye la grabación de Bitches Brew de Miles Davis, uno de los álbumes más revolucionaros del siglo XX de cualquier género. Consultando un voluminoso material de archivo, incluyendo notas de grabación, fotografías inéditas y hasta las bobinas conservadas en Colombia Records, los autores recrean la legendaria sesión de tres días que resultó en el LP de jazz fusión fundamental. Se examina también la vida de Davis al momento de grabar el álbum durante el cual su visión estética vivía en fructífera tensión con los intereses de su discográfica para proveer el contexto necesario.

Made of natural coir, a dense fiber that is naturally mold and mildew resistant. Coir is a renewable resource that is durable and coarse, excellent for scraping shoes clean. Vinyl backed for increased durability and to help prevent movement, coir doormats are weather tolerant absorb moisture and retain their shape. For best results keep in a sheltered area such as a covered porch, keeping extreme moisture and sunlight to a minimum. Vacuum, sweep or lightly hose clean. Color: Natural/ Black. Pattern: Solid Color.

Bitches and Sad Ladies: An Anthology of Fiction by and About Women by Pat Rotter.

Bitches Brew Live (IMPORT) Miles Davis - LP 8713748981464

With a wealth of technical detail that distinguishes it from other run-of-the-mill books on the making of an album, this in-depth reference reconstructs the recording of Miles Davis’s Bitches Brew, one of the 20th century’s most revolutionary albums in any genre. Consulting an extensive array of archival material, including recording notes, never-before-published photos, and even the reels at Columbia Records, the authors re-create the legendary three-day recording session that gave rise to the seminal jazz-fusion LP. Davis’s life at the time of the recording during which his artistic vision and the interests of his label were at occasional loggerheads is also examined to provide much-needed context and background. Con una riqueza de detalle técnico que la distingue de otros libros comunes sobre la composición de un álbum, esta referencia reconstruye la grabación de Bitches Brew de Miles Davis, uno de los álbumes más revolucionaros del siglo XX de cualquier género. Consultando un voluminoso material de archivo, incluyendo notas de grabación, fotografías inéditas y hasta las bobinas conservadas en Colombia Records, los autores recrean la legendaria sesión de tres días que resultó en el LP de jazz fusión fundamental. Se examina también la vida de Davis al momento de grabar el álbum durante el cual su visión estética vivía en fructífera tensión con los intereses de su discográfica para proveer el contexto necesario.

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.54

Just when things start going well for Agent Clemeny Louvel, a bitch has to make trouble. Since Cyril’s death, an uneasy peace has existed between Alodie and Lionheart. Her brothel closed, her rank in the werewolf pecking order obliterated, and shunned by the Templars, Alodie has been living on the fringes of the dark district. Determined to get vengeance on Lionheart and Clemeny, Alodie hatches a monstrous plan. Just in time to ruin Clemeny and Edwin’s first outing as a couple. Alodie will do anything to see a new alpha rise. Unless Clemeny can stop her first. Badassery and steampunk unite in New York Times bestselling author Melanie Karsak's retelling of the classic Red Riding Hood fairy tale set in gaslamp London. Bitches and Brawlers is book 4 in the Steampunk Red Riding Hood series.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.75

Sergeant Robert Johnson does such a good job training jungle fighters in Vietnam, that the North Vietnamese put a price on his head

A groundbreaking guide for women of all ages that shows women

Diamond, Kennedy and Blair are back in the final edition of the Baller Bitches Series. In Volume 3 the women have to deal with heartbreak, love and letting go.Diamond may have to accept that she'll never have the happy storybook ending she envisioned. Kennedy always put her career first but a second chance at love might change all that. Blair thought being a superstar would fulfill all of her needs, until she discovers her true passion. Can these three women have it all or will their dreams never become reality? Find out in Baller Bitches Volume 3.

Matricidal Sons of Bitches Matthew Friedberger - LP 790377031713

Vinyl LP pressing. 2018 release. Lingua Ignota, the solo project of multidisciplinary artist Kristin Hayter, takes a radical, unflinching approach to themes of violence and vengeance in ways that are moving, brutal, and harrowing. Her music is intentionally situated at specific and strange intersections, incorporating elements of power electronics, death industrial, and black metal alongside baroque classical, spiritual minimalism and folk. Relentless intensity and soaring dramatic arcs are info

Diamond, Kennedy and Blair are back in the final edition of the Baller Bitches Series. In Volume 3 the women have to deal with heartbreak, love and letting go.Diamond may have to accept that she'll never have the happy storybook ending she envisioned. Kennedy always put her career first but a second chance at love might change all that. Blair thought being a superstar would fulfill all of her needs, until she discovers her true passion. Can these three women have it all or will their dreams never become reality? Find out in Baller Bitches Volume 3.

The self-made fashion celebrity recollects his impoverished beginnings, his early days in Hollywood, and his rise to fame

Unread book in perfect condition.

A tale of motorcycle-riding werewolf women in a strange post-apocalyptic wasteland.  They call themselves the Warriors, their enemies call them the Bitches. They are a gang of man-eating, motorcycle-riding, war-hungry werewolf women, and they are the rulers of the wasteland. Following his 2009 Wonderland Book Award-winning novel, Warrior Wolf Women of the Wasteland, Carlton Mellick III returns with Barbarian Beast Bitches of the Badlands, a collection of three interconnected novels that take place before, during, and after the events of the first book. Including: BARBARIAN BEAST BABES OF THE BADLANDS - Talon and a party of warrior biker women must hunt down a pack of giant wolves that have gone rabid. HORRENDOUS HORROR OF THE HATEFUL HAMBURGLAR - A band of mutant soldiers led by the deadly samurai, Hamburglar, investigates an outpost deep in the wasteland that has become plagued by a horde of deranged undead killing machines.FEROCIOUS FEMALE FURRIES IN THE FORBIDDEN ZONE - After Talon is infected with a strange mind-killing parasite, Slayer must lead a party of wolf women into the Forbidden Zone in order to find a cure.

An examination of the cultural values of working class Chicana adolescents with an emphasis on the social, political, and economic factors that shape these cultural values. This book addresses a gap in the literature on youth gangs and youth culture by examining the motivations and issues of gang affiliation, teen pregnancy, and academic failure from the point-of-view of teenage girls. Furthermore, the book emphasizes female participation in gangs as well as the impact that gangs have on non- participating adolescents. The author also discusses how current public policy is based on erroneous assumptions associated with the culture of poverty model.This book attempts to explain what appears to be self-defeating behavior of many Chicana adolescents. It explores the logic underlying their life choices and examines the connection between these choices and larger social processes. This book will be of interest to undergraduate and graduate students, as well as faculty in ethnic studies, multicultural studies, Hispanic Studies, Sociology, and Women's Studies. In addition social service professionals and related professionals will find it helpful.

"This book tries to return to the first obligation of the Christian, that of worshipping God. It argues that contemporary Christian thought and practice, insofar as they are moved away from the center, usually in the name of social action or ecology, have changed the essential meaning and purpose of human life in the Christian tradition. Christianity has always been concerned with the common man. It has not doubted his finiteness and his fallenness, but it has also insisted that this is the kind of person who is called to share in the life of the Triune God. It is therefore uncompromising in insisting that the worship of God comes first, and this enables Christians to transcend any secular ideology which pretends priority to this worship. The mood of thebook is mainly light-hearted. It falls largely into the tradition of sanity and humor that have come to be associated with the particularly English Christianity of such writers as Chesterton and Belloc, C.S. Lewis, Tolkien, and Mascall. Within that tradition it argues that the centrality of the basic dogmas of our faith is precisely what frees us both from the solemnity of contemporary ideologies and for Christian laughter--the Divine Comedy"--

Leading women writers examine the power of the words that are used to diminish womenWords matter. They wound, they inflate, they define, they demean. They have nuance and power. "Effortless," "Sassy," "Ambitious," "Aggressive": What subtle digs and sneaky implications are conveyed when women are described with words like these? Words are made into weapons, warnings, praise, and blame, bearing an outsized influence on women's lives -- to say nothing of our moods.No one knows this better than Lizzie Skurnick, writer of the New York Times' column "That Should be A Word" and a veritable queen of cultural coinage. And in Pretty Bitches, Skurnick has rounded up a group of powerhouse women writers to take on the hidden meanings of these words, and how they can limit our worlds -- or liberate them. From Laura Lipmann and Meg Wolizer to Jennifer Weiner and Rebecca Traister, each writer uses her word as a vehicle for memoir, cultural commentary, critique, or all three. Spanning the street, the bedroom, the voting booth, and the workplace, these simple words have huge stories behind them -- stories it's time to examine, re-imagine, and change.