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Take your streetwear ‘fits to the next level with the Fucking Awesome Blackletter Rugby Shirt. Made from cotton jersey, it’s styled with a classic polo collar for an athletic look. Across the front, the brand name is printed in a gothic font to seal the deal. 100% Cotton, Polo Collar, Printed Branding, Made in Japan. Fucking Awesome Men's Blackletter Rugby Shirt in Dark Grey, Size Medium

Take your streetwear ‘fits to the next level with the Fucking Awesome Blackletter Rugby Shirt. Made from cotton jersey, it’s styled with a classic polo collar for an athletic look. Across the front, the brand name is printed in a gothic font to seal the deal. 100% Cotton, Polo Collar, Printed Branding, Made in Japan. Fucking Awesome Men's Blackletter Rugby Shirt in Dark Grey, Size Small

This book is an updated version of the original Blackletter Statement of Federal Administrative Law (2004), which represents collective views on the interpretation and application of the Administrative Procedures Act. The book is broken into six key topic categories of administrative law:- Adjudication- Informal Rulemaking- Scope of Review- The Availability of Judicial Review of Administrative Action- Freedom of Information, Sunshine, Advisory Committees- Government Management of the Administrative Process

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 0.86

Blackletter type, also known as Fraktur or German Gothic, originated ?with Gutenberg's moveable type, and was based on the contemporary ?calligraphy of that time. From the sixteenth century on, it shared the ?spotlight with roman type in German-speaking countries and was even ?adopted for the printing of Martin Luther's writings. Yet by the ?twentieth century it was increasingly spurned by both commercial ?artists, who embraced roman type for its classical associations, and ?modernist designers, who championed sanserif type for its universal and ?democratic qualities. At the close of the Second World War, the ?identification of blackletter with failed Nazi ideology was inescapable, ?thus effectively ending the four-hundred-year tradition of blackletter ?as a distinctive national script.??The essays in Blackletter investigate the rise and fall of blackletter ?type, examining its uses and cultural significance at various points ?throughout history, including the Reformation, the Weimar Republic, the ?Nazi regime, and the post-Berlin Wall period. This title, illustrated ?with numerous color examples of blackletter typefaces and their ?implementation, is a necessity for anyone interested in the history of ?type.?

Book is in NEW condition. 0.88

Photographic essay that examines the popularity of this letterform in Mexico.

This new Garner title consolidates into one set of covers all the best advice on legislative drafting. Garner elucidates his blackletter principles with statutory rewrites from all 50 states as well as from federal statutes. He demonstrates how legislation can be streamlined, simplified, and clarified. The exmaples show stunning improvements. Commissioned by the Uniform Law Commission, Garner's work here represents another in his string of first-rate reference books. No legislative drafter should be without it. In the back of the book are two model statutes plus a typically poor statute annotated to explain its deficiencies. Also included is a groundbreaking essay on the optimal method for expressing criminal prohibitions. Throughout the book appear shaded boxes containing timeless quotations from leading commentators on legislative drafting from the 18th century to the present day. Together the the book's extensive bibliography, these quotations place Garner's principles into a historical context. They also underscore the degree to which legislative drafters have neglected many long-standing principles of legal drafting. The foreward by Harriet Lansing, president of the Uniform Law Commission, says of Garner's work: "With these Guidelines--with his earlier booklet on court rules--Bryan Garner has made an incomparable contribution to clarity and coherence in the halls of our legislatures, the pages of our statute books, and the everyday world of all people as we try to plan our lives and predict legal consequences."

When was the last time a book on typography made you swoon? Just wait until you feast your eyes on Fraktur MonAmour, Berlin-based graphic designer Judith Schalansky's love letter to Blackletter fonts. Blackletter, also known asFraktur or Gothic type, was commonly used throughout Europe in the Middle Ages. By the end of the Renaissance it had mostly been replaced by the typeface Latin Antiqua. The use of Blackletter type became taboo in Germany after World War II because it was incorrectly associated with the Nazis, who actually banned its use in 1941 because it was falsely believed to be a Jewish invention. Revelations about the true history and meaning of Blackletter type have resultedin a resurgence in usage by graphic designers. Companies such as Nike, Reebok, and Coca-Cola now use Fraktur intheir advertising. It decorates posters, album covers, and even skin in the form of tattoos. But a comprehensive collectionof the most beautiful classic faces, as well as the best new variations, has been missing until now.Fraktur Mon Amour reproduces 300 variations of Blackletter fonts, ranging from historical fonts to contemporary reinventions, in a sensuous, beautifully crafted, hot-pink prayer book-style catalog that is destined to become a fetish object for designers and type enthusiasts. Each Blackletter font is presented on a full page along with its complete alphabet, date of origin, the name of its designer, and its original foundry. On the facing page is a composition created fromthat font that explores the subversive beauty of this unique typeface. In addition, 137 of these fonts—including fourcreated exclusively for this book—are collected on an enclosed CD (Mac and PC) for free private and restricted commercial use. Fraktur Mon Amour is the winner of several awards, including the Type Directors Club of New York's 2007 Award for Typographic Excellence.

This new Garner title consolidates into one set of covers all the best advice on legislative drafting. Garner elucidates his blackletter principles with statutory rewrites from all 50 states as well as from federal statutes. He demonstrates how legislation can be streamlined, simplified, and clarified. The exmaples show stunning improvements. Commissioned by the Uniform Law Commission, Garner's work here represents another in his string of first-rate reference books. No legislative drafter should be without it. In the back of the book are two model statutes plus a typically poor statute annotated to explain its deficiencies. Also included is a groundbreaking essay on the optimal method for expressing criminal prohibitions. Throughout the book appear shaded boxes containing timeless quotations from leading commentators on legislative drafting from the 18th century to the present day. Together the the book's extensive bibliography, these quotations place Garner's principles into a historical context. They also underscore the degree to which legislative drafters have neglected many long-standing principles of legal drafting. The foreward by Harriet Lansing, president of the Uniform Law Commission, says of Garner's work: "With these Guidelines--with his earlier booklet on court rules--Bryan Garner has made an incomparable contribution to clarity and coherence in the halls of our legislatures, the pages of our statute books, and the everyday world of all people as we try to plan our lives and predict legal consequences."

Tony Seddon traces the development of type design and typographic style through a detailed survey of 100 important typefaces, from Nicholas Jensons early use of Roman letterforms in the mid 15th century to Selva, a blackletter typeface designed in 2012. For each design, Seddon describes its creator and its development, and provides examples of the typeface and a large, annotated illustration of a capital and a lower-case letter showing their distinctive typographical elements and innovations.