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Blasphemy Awakes Thorium - LP 5700907265322

Robert M. Price has been the editor of numerous Cthulhu Mythos and Lovecraftian anthologies. Mythos Books is pleased to publish the first collection of Robert Price's own Cthulhu Mythos, Lovecraftian and horror fiction. Contents: Introduction: Fumbler at the Latch / 'Twas the Night / Beneath the Tombstone / Saucers from Yaddith / Black Eons with Robert E. Howard / An Antique Coffin / Wilbur Whatley Waiting / Ashes to Ashes / Midnight Mass / The Deprogrammer / A Thousand Young / The Dweller in the Pot / Exham Priory / The Round Tower / The Strange Fate of Alonzo Typer / Behold, I Stand at the Door and Knock / The Beard of Byatis / Down in Limbo / The Transition of Zadok Allen / Under the Mound / Young Goodwife Doten / The Soul of the Devil-Bought / Dope War of the Black Tong / The Tree-House with W. H. Pugmire / Aquadingen / Annotations for the Book of Night / The Burrower Beneath / Feery's Original Notes / The Green Decay / The Incubus of Atlantis / The Shunpike / The Strange Doom of Enos Harker with Lin Carter/ The Transition of Abdul Alhazred / Wrath of the Wind-Walker with James Ambuehl / The Thing from the Trenches / From the Pits of Elder Blasphemy with Hugh B. Cave / The Ghoul's Tale / The Elephant God of Leng / The Horror in the Genizah / The Mark of Yig / Acute Spiritual Fear / The Devil's Steps / A Mate for the Mutilator / The Prying Investigations of Edwin M. Lillibridge

There is a monster within the dark confines of the technical death metal that emanates with everything that is perfectly not right in this world. That monster is Cryptopsy. Blasphemy Made Flesh shows us an embryonic Cryptopsy that is inexperienced at killing, yet still an able killer. As always old-school Cryptopsy is the epitome of tech death. Flo Mounier, the Jesus of the drum kit, even all those years ago is a thunderstorm. The guitar work is possibly even more interesting than that of later

Box set with hot foil printed cover including 2CD book edition, LP (box exclusive vinyl colour) and art prints. Kayo Dot, the endlessly eclectic project, spearheaded by composer and producer Toby Driver, was formed in 2003 by the members of the legendary aethereal metal band, Maudlin of the Well, marking a giant-inspired evolutionary leap. Since then, Kayo Dot's muse has shown it's face through slow and massive cascades of guitars and violins, and soundscapes spanning from "Bitches Brew"-inspire

LP (180g vinyl, black) incl. Printed inner sleeve and protection sleeve. Kayo Dot, the endlessly eclectic project, spearheaded by composer and producer Toby Driver, was formed in 2003 by the members of the legendary aethereal metal band, Maudlin of the Well, marking a giant-inspired evolutionary leap. Since then, Kayo Dot's muse has shown it's face through slow and massive cascades of guitars and violins, and soundscapes spanning from "Bitches Brew"-inspired tripped-out goth fusion to hyper-fast

Robert M. Price has been the editor of numerous Cthulhu Mythos and Lovecraftian anthologies. Mythos Books is pleased to publish the first collection of Robert Price's own Cthulhu Mythos, Lovecraftian and horror fiction. Contents: Introduction: Fumbler at the Latch / 'Twas the Night / Beneath the Tombstone / Saucers from Yaddith / Black Eons with Robert E. Howard / An Antique Coffin / Wilbur Whatley Waiting / Ashes to Ashes / Midnight Mass / The Deprogrammer / A Thousand Young / The Dweller in the Pot / Exham Priory / The Round Tower / The Strange Fate of Alonzo Typer / Behold, I Stand at the Door and Knock / The Beard of Byatis / Down in Limbo / The Transition of Zadok Allen / Under the Mound / Young Goodwife Doten / The Soul of the Devil-Bought / Dope War of the Black Tong / The Tree-House with W. H. Pugmire / Aquadingen / Annotations for the Book of Night / The Burrower Beneath / Feery's Original Notes / The Green Decay / The Incubus of Atlantis / The Shunpike / The Strange Doom of Enos Harker with Lin Carter/ The Transition of Abdul Alhazred / Wrath of the Wind-Walker with James Ambuehl / The Thing from the Trenches / From the Pits of Elder Blasphemy with Hugh B. Cave / The Ghoul's Tale / The Elephant God of Leng / The Horror in the Genizah / The Mark of Yig / Acute Spiritual Fear / The Devil's Steps / A Mate for the Mutilator / The Prying Investigations of Edwin M. Lillibridge

A New Pristine First Edition in Hardcover Square. Solid. Unmarked

LP (180g vinyl, mint) incl. Printed inner sleeve and protection sleeve. Kayo Dot, the endlessly eclectic project, spearheaded by composer and producer Toby Driver, was formed in 2003 by the members of the legendary aethereal metal band, Maudlin of the Well, marking a giant-inspired evolutionary leap. Since then, Kayo Dot's muse has shown it's face through slow and massive cascades of guitars and violins, and soundscapes spanning from "Bitches Brew"-inspired tripped-out goth fusion to hyper-fast,

A careful study of ancient Jewish views on blasphemy and exaltation that illuminates the charge against Jesus in Mark’s gospel.

Blasphemy--the denial or denigration of God--has a long history. Jesus was tried for blasphemy. Early Christians felt that the Jews in taking such action were themselves guilty of it. But it is not a story confined to the remote past. The publication in 2005 of 12 cartoons in a Danish newspaper linking the prophet Mohammed to terrorism sparked outrage in the global Islamic community. And that was not an instance of blasphemy intruding itself upon a Western society unused to such issues within Christianity. In many societies blasphemy remained an offence in law and the prosecution of artistic productions profaning the sacred was still a possibility. David Nash's new study focuses on the development of blasphemy in the Christian world. Tracing the subject from the Middle Ages to the present, he outlines the history of blasphemy as a concept, from a species of heresy to modern understandings of it as a crime against the sacred and individual religious identity. Investigating its appearance in speech, literature, popular publishing and the cinema, he disinters the likely motives and agendas of blasphemers themselves, as well as offering a glimpse of blasphemy's victims. In particular, he seeks to understand why this seemingly medieval offence has reappeared to become a distinctly modern presence in the West.

Blasphemy--the denial or denigration of God--has a long history. Jesus was tried for blasphemy. Early Christians felt that the Jews in taking such action were themselves guilty of it. But it is not a story confined to the remote past. The publication in 2005 of 12 cartoons in a Danish newspaper linking the prophet Mohammed to terrorism sparked outrage in the global Islamic community. And that was not an instance of blasphemy intruding itself upon a Western society unused to such issues within Christianity. In many societies blasphemy remained an offence in law and the prosecution of artistic productions profaning the sacred was still a possibility. David Nash's new study focuses on the development of blasphemy in the Christian world. Tracing the subject from the Middle Ages to the present, he outlines the history of blasphemy as a concept, from a species of heresy to modern understandings of it as a crime against the sacred and individual religious identity. Investigating its appearance in speech, literature, popular publishing and the cinema, he disinters the likely motives and agendas of blasphemers themselves, as well as offering a glimpse of blasphemy's victims. In particular, he seeks to understand why this seemingly medieval offence has reappeared to become a distinctly modern presence in the West.

Goatblood raise the bar of madness again: 'Adoration of Blasphemy and War' is the first full-length by these satanic Black/Death Metal-disciples. There is no doubt about the band's priorities: low-tuned guitars, a crushing bass, massive drumming and the satanic shouts of Satanic Death Vulva give distinction to the sound. If you're into the war hymns of REVENGE, PROCLAMATION or BLACK WITCHERY

Under the guise of Islamic law, the prophet Muhammad's Islam, and the Qur'an, states such as Pakistan, Afghanistan, Egypt, Saudi Arabia, and Bangladesh are using blasphemy laws to suppress freedom of speech. Yet the Prophet never tried or executed anyone for blasphemy, nor does the Qur'an authorize the practice. Asserting that blasphemy laws are neither Islamic nor Qur'anic, Shemeem Burney Abbas traces the evolution of these laws from the Islamic empires that followed the death of the Prophet Muhammad to the present-day Taliban. Her pathfinding study on the shari'a and gender demonstrates that Pakistan's blasphemy laws are the inventions of a military state that manipulates discourse in the name of Islam to exclude minorities, women, free thinkers, and even children from the rights of citizenship. Abbas herself was persecuted under Pakistan's blasphemy laws, so she writes from both personal experience and years of scholarly study. Her analysis exposes the questionable motives behind Pakistan's blasphemy laws, which were resurrected during General Zia-ul-Haq's regime of 1977–1988—motives that encompassed gaining geopolitical control of the region, including Afghanistan, in order to weaken the Soviet Union. Abbas argues that these laws created a state-sponsored "infidel" ideology that now affects global security as militant groups such as the Taliban justify violence against all "infidels" who do not subscribe to their interpretation of Islam. She builds a strong case for the suspension of Pakistan's blasphemy laws and for a return to the Prophet's peaceful vision of social justice.

Limited 180gm black vinyl LP pressing. 2018 release, the 12th studio album from the death metal icons and their first in five years. Overtures Of Blasphemy was produced by Jason Suecof (The Black Dahlia Murder, Trivium) at Audio Hammer Studios and comes with a brilliant artwork by Zbigniew Bielak (Watain, Ghost, Paradise Lost). Bassist/vocalist Glen Benton states: "This album came together over time, meaning we didn't want to rush it. A few people might remember an interview where Steve Asheim (

The Other Side Of Blasphemy Coffins - LP 3663663002414

Under the guise of Islamic law, the prophet Muhammad's Islam, and the Qur'an, states such as Pakistan, Afghanistan, Egypt, Saudi Arabia, and Bangladesh are using blasphemy laws to suppress freedom of speech. Yet the Prophet never tried or executed anyone for blasphemy, nor does the Qur'an authorize the practice. Asserting that blasphemy laws are neither Islamic nor Qur'anic, Shemeem Burney Abbas traces the evolution of these laws from the Islamic empires that followed the death of the Prophet Muhammad to the present-day Taliban. Her pathfinding study on the shari'a and gender demonstrates that Pakistan's blasphemy laws are the inventions of a military state that manipulates discourse in the name of Islam to exclude minorities, women, free thinkers, and even children from the rights of citizenship. Abbas herself was persecuted under Pakistan's blasphemy laws, so she writes from both personal experience and years of scholarly study. Her analysis exposes the questionable motives behind Pakistan's blasphemy laws, which were resurrected during General Zia-ul-Haq's regime of 1977–1988—motives that encompassed gaining geopolitical control of the region, including Afghanistan, in order to weaken the Soviet Union. Abbas argues that these laws created a state-sponsored "infidel" ideology that now affects global security as militant groups such as the Taliban justify violence against all "infidels" who do not subscribe to their interpretation of Islam. She builds a strong case for the suspension of Pakistan's blasphemy laws and for a return to the Prophet's peaceful vision of social justice.

Book is in NEW condition. 0.93

Curling Flame Of Blasphemy Profanatica - LP 827166287324

A Season In Blasphemy Mayhem - CD 822603137828

An impassioned defense of the freedom of speech, from Stéphane Charbonnier, a journalist murdered for his convictionsOn January 7, 2015, two gunmen stormed the offices of the French satirical newspaper Charlie Hebdo. They took the lives of twelve men and women, but they called for one man by name: "Charb." Known by his pen name, Stéphane Charbonnier was editor in chief of Charlie Hebdo, an outspoken critic of religious fundamentalism, and a renowned political cartoonist in his own right. In the past, he had received death threats and had even earned a place on Al Qaeda's "Most Wanted List." On January 7 it seemed that Charb's enemies had finally succeeded in silencing him. But in a twist of fate befitting Charb's defiant nature, it was soon revealed that he had finished a book just two days before his murder on the very issues at the heart of the attacks: blasphemy, Islamophobia, and the necessary courage of satirists. Here, published for the first time in English, is Charb's final work. A searing criticism of hypocrisy and racism, and a rousing, eloquent defense of free speech, Open Letter shows Charb's words to be as powerful and provocative as his art. This is an essential book about race, religion, the voice of ethnic minorities and majorities in a pluralistic society, and above all, the right to free expression and the surprising challenges being leveled at it in our fraught and dangerous time.