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Early Netherlandish Painting will be equally welcome to the art lover , the museum and the reference library, giving access to the last major collection early Netherlandish painting to remain in private posession.It includes over forty masterpieces by Robert Campin, Petrus Chritus, Jacques Daret, Jan van Eyck, Hans Memling and Rogier van der Weyden. The collection is also rich in works by the painters of the new generation of the early 16th century.An extensive introduction to the period precedes the catalogue of 43 paintings by masters including Jan van Eyck, Rogier van der Weyden, Robert Campin and Hans Memling.A very substantial introduction by Colin Eisler illuminates the background to early Netherlandish art and traces its development through the paintings. The extensively illustrated catalogue was prepared with the collaboration of graduate students at the Intsitute of Fine Arts, New York. Dr Emil Bosshardt, Conservator at the Villa Favorita, and Elizabeth Ardrery contribute to the paintings' technical examination. Infra-red reflectography has been used to examine each work and the results are published alongside the finished painting.

Early Netherlandish Painting will be equally welcome to the art lover , the museum and the reference library, giving access to the last major collection early Netherlandish painting to remain in private posession.It includes over forty masterpieces by Robert Campin, Petrus Chritus, Jacques Daret, Jan van Eyck, Hans Memling and Rogier van der Weyden. The collection is also rich in works by the painters of the new generation of the early 16th century.An extensive introduction to the period precedes the catalogue of 43 paintings by masters including Jan van Eyck, Rogier van der Weyden, Robert Campin and Hans Memling.A very substantial introduction by Colin Eisler illuminates the background to early Netherlandish art and traces its development through the paintings. The extensively illustrated catalogue was prepared with the collaboration of graduate students at the Intsitute of Fine Arts, New York. Dr Emil Bosshardt, Conservator at the Villa Favorita, and Elizabeth Ardrery contribute to the paintings' technical examination. Infra-red reflectography has been used to examine each work and the results are published alongside the finished painting.

In the 1920s, the Thyssen-Bornemisza family began amassing an art collection which now comprises almost 1,000 works, from the thirteenth century through the close of the twentieth. Herein, works from Madrid's Thyssen-Bornemisza Museum--with works by Holbein, Titian, Rembrandt, Monet, Picasso, Hopper and others.

In the 1920s, the Thyssen-Bornemisza family began amassing an art collection which now comprises almost 1,000 works, from the thirteenth century through the close of the twentieth. Herein, works from Madrid's Thyssen-Bornemisza Museum--with works by Holbein, Titian, Rembrandt, Monet, Picasso, Hopper and others.

364 pages : colour illustrations, plan ; 24 cm. Revised and updated translation of: Sammlung Thyssen-Bornemisza.

Cloth, 2 vols. Vol. 1. Old Masters, 813 pages, by Jose Manuel Pita Andrade and Maria del Mar Borobia Guerrero; Vol. 2. Modern Masters, 707 pages, by Jose Alvarez Lopera. Both volumes are in very good condition.. Dust jackets are scuffed, with no tears.

German painting from the fourteenth to the early sixteenth century, under the influence first of Netherlandish art and next of the Italian Renaissance, attained a high point unsurpassed in later times. Nearly all the most important artists of the period are represented here, from Albrecht Dürer and Lucas Cranach the Elder to Hans Maler. Ninety-one works are featured in total.A wide range of artistic production is covered: panels from altarpieces large and small, devotional pictures, mythological allegories, royal and burgher portraits, painted in most major centres from Saxony to the Rhine, Hamburg to the Tyrol. Each painting is reproduced in colour, with paintings on reverses and details also shown in colour.Almost all the most important artists of the period are represented in the Thyssen-Bornemisza Collection by work of their own or at least of their circle, among them Master Bertram, Johann Koerbecke, Derick Baegert, Michael Wolgemut, Albrecht Durer, and his leading followers Hans Baldung Grien and Hans Suess von Kulmbach, Hans Holbein the Elder and the Younger, Lucas Cranach the Elder and his sons, Bernhard Strigel and Christoph Amberger.Detailed bibliographies and lists of exhibitions of each painting and artists' biographies complete the volume, which will be welcomed not only by all museum and reference libraries, but by everyone involved in study of the subject at all levels.

plastificado editorial,ilustrado color y bn,gran formato , nº interno 600.209

The Thyssen-Bornemisza Collecion is, along with the Getty Museum, one of the most important private collections in western art, including 800 works from medieval times to the present day. Amassed over two generations by the Baron Heinrich Thyssen-Bornemisza and his son, Hans-Heinrich, this knockout collection was permanently installed in Madrid in 1992 and has since enjoyed great success and critical acclaim. So comprehensive is the collection that it provides an encyclopedic overview of western painting from the 13th century through the 1970s. The Baron and his son certainly had excellent taste. Did someone say Picasso? Yes, and Bellini, van Eyck, Rubens, Rembrandt, Delacroix, Renoir, Toulouse-Lautrec, Matisse, Schiele, Rauschenberg, Hockney, Pollack, and de Kooning as well - just to name a few. Presented chronologically and categorized by schools, more than 300 artists and over 400 works are featured in this new volume. The pictures are accompanied by short descriptive texts, with a portrait of each artist and biographical information. Highlights of Art provides a summary of the most important art movements of the past eight centuries, highlighted by some of the most treasured paintings of all time. An absolutely stunning collection!

95 objects are described and illustrated in black and white.

Cloth, 2 vols. Vol. 1. Old Masters, 813 pages, by Jose Manuel Pita Andrade and Maria del Mar Borobia Guerrero; Vol. 2. Modern Masters, 707 pages, by Jose Alvarez Lopera. Both volumes are in very good condition.. Dust jackets are scuffed, with no tears.

Barbara Novak has written an introduction to this catalogue that provides a theoretical framework for looking at this collection in the philosophical context of nineteenth-century American culture. The works of Thomas Cole and the luminists are seen in relation to Transcendentalism as embodied in the writings of Emerson and Thoreau; the later realism of Winslow Homer is seen in relation to the influence of Darwin, and throughout, the domineering influence of nature and the unpastoralized American landscape is seen as a major factor in leading artists trained in European traditions to modify accepted solutions in a way that led to the development of a distinct national identity. Barbara Novak's essay is followed by a detailed and extensive catalogue of the 109 paintings by 55 artists, in which all the paintings in the collection are illustrated in color. The notes on each painting incorporate meticulous original research by a group of young American scholars, and in addition provide provenance and exhibition information and an account of citations in previous literature. A number of comparative illustrations are also included. Brief biographies of the artists, again using new material and accompanied by a bibliography, follow the catalogue section.

used hardcover in dust jacket. jacket is somewhat worn about the edges, with a number of small chips and tears at the extremeties, though still largely intact. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

During his lifetime the late Baron Thyssen-Bornemisza acquired a collection of over fifty drawings - largely of set and costume designs - reflecting the theatre of the first half of the twentieth century, and particularly the ballet, during what was surely its most exciting and innovative period. Twenty-two of these drawings are by Leon Bakst, perhaps the most famous of all theatrical designers, whose revolutionary designs for Diaghilev's Ballet Russes played such a major part in the impact that company made during the years 1909-1929.In addition to works by Bakst, the collection includes drawings by George Barbier, Alexandre Benois, Erte, Alexandra Exter, Nathalie Gontcharova, Michel Larionov, Jose de Zamora and others.

The Art of Cartier is published to coincide with the exhibition of more than 400 pieces from the historic collection of the legendary French jeweler Cartier at the Thyssen-Bornemisza Museum in Madrid. Cartier was founded in Paris in 1847 by Louis-François Cartier, although it was his three grandsons--Jacques, Louis and Pierre--who were responsible for launching the brand name worldwide. Indeed, so successful were they that we can read across from the story of Cartier to the wider history of the twentieth century: a Panther clip brooch bought by Wallis Simpson in 1949; the now-infamous Ruby Suite presented to Elizabeth Taylor by her third husband, Mike Todd, in 1957. The Art of Cartier offers a comprehensive selection of the finest jewels that Cartier has repurchased over the years, in an attempt to assemble a representative collection of the Maison’s production and to show the evolution of its style during the first half of the twentieth century. The items on exhibit range from the great tiaras in the so-called “garland” style of the early twentieth century to Art Deco jewels and others inspired by exotic places (including the famous Tutti Frutti bracelet of diamonds, emeralds, rubies and sapphires all nestled in a frieze of foliage), gold jewelry of the 1930s and 1940s and one-off commissions for leading personalities of the century such as Coco Chanel, María Félix and Grace Kelly. This sumptuous volume includes 950 color photographs and introduces us to one of the world’s finest jewelry collections, allowing us to appreciate the creativity and mastery of Cartier’s designers and artist-jewelers over the course of more than 100 years.

309 pages, colour illustrations; 29 cm. Text in Spanish and English. Catalogue published in conjunction with an exhibition held at the Museo Thyssen-Bornemisza, Madrid, Spain, October 20, 2009 to January 31, 2010. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. Size: 4to

Antonio López--also known as Antonio López García--is hyper-realism’s greatest living exponent, and one of the finest painters of the past hundred years. Published on the occasion of the artist’s landmark exhibition at the Museo Thyssen-Bornemisza in Madrid, this generous overview constitutes a self-portrait of a genuine icon of contemporary painting. It spans the years from 1953 to the present, placing an emphasis on works made after 1993 (the year of the artist’s last retrospective exhibition in Spain, at the Reina Sofia Museum). These more recent pieces include masterworks such as “View of Madrid from the Vallecas Fire Tower” (1990–2006) and the monumental heads “Day,” “Night” and “Woman, Coslada” (2010). The artist himself has selected the works and structured their presentation here into eight thematic groupings: “Memory,” “Surroundings,” “Madrid,” “Gran Vía,” “Tree,” “Nude,” “Characters” and “Interiors.” Full-color reproductions are complemented by a wealth of archival documentary photographs of the artist at work. Antonio López García was born in Tomelloso, in the heart of Spain, a few months before the outbreak of the Spanish Civil War in 1936. He studied at the School of Art in Madrid in the early 1950s, where he soon proved himself a brilliant student, and quickly became part of a nucleus of realist painters, such as Francisco López Hernández, Amalia Avia and Isabel Quintanilla. López García was the subject of Víctor Erice’s 1992 film El Sol del Membrillo (The Quince Tree of the Sun), which closely chronicles the artist’s attempts to paint a quince tree.

Baron Thyssen-Bornemisza's collection of Medieval sculpture and works of art is wide-ranging in its scope. It includes fine Gothic sculptures on a large and small scale, ivories and enamels from major European centres, and works of art in other media. In this catalogue every object is illustrated in full colour, often with several different views, and there are many illustrations of comparative detail.The author, Paul Williamson, in addition to discussing the pieces themselves in detail, also addresses himself to wider issues of interest to the student of Medieval art. In a lengthy introduction, he writes two informative essays: one on the collecting of Medieval works of art and the other on the materials and techniques of the Medieval artist.

Catálogo de la exposición antológica celebrada en el Museo Thyssen-Bornemisza de Madrid del 28 de junio al 25 de septiembre de 2011 y en el Museo de Bellas Artes de Bilbao de octubre de 2011 a enero de 2012 269 pp. 25x27

Antonio López--also known as Antonio López García--is hyper-realism’s greatest living exponent, and one of the finest painters of the past hundred years. Published on the occasion of the artist’s landmark exhibition at the Museo Thyssen-Bornemisza in Madrid, this generous overview constitutes a self-portrait of a genuine icon of contemporary painting. It spans the years from 1953 to the present, placing an emphasis on works made after 1993 (the year of the artist’s last retrospective exhibition in Spain, at the Reina Sofia Museum). These more recent pieces include masterworks such as “View of Madrid from the Vallecas Fire Tower” (1990–2006) and the monumental heads “Day,” “Night” and “Woman, Coslada” (2010). The artist himself has selected the works and structured their presentation here into eight thematic groupings: “Memory,” “Surroundings,” “Madrid,” “Gran Vía,” “Tree,” “Nude,” “Characters” and “Interiors.” Full-color reproductions are complemented by a wealth of archival documentary photographs of the artist at work. Antonio López García was born in Tomelloso, in the heart of Spain, a few months before the outbreak of the Spanish Civil War in 1936. He studied at the School of Art in Madrid in the early 1950s, where he soon proved himself a brilliant student, and quickly became part of a nucleus of realist painters, such as Francisco López Hernández, Amalia Avia and Isabel Quintanilla. López García was the subject of Víctor Erice’s 1992 film El Sol del Membrillo (The Quince Tree of the Sun), which closely chronicles the artist’s attempts to paint a quince tree.