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The Politics of Irish Drama analyzes some twenty-five of the best-known Irish plays from those of Dion Boucicault to Sebastian Barry, including works by Shaw, Yeats, Lady Gregory and Beckett. The book looks at political contexts for these plays and, in arguing for the outward-directed nature of dramatic representation of Ireland, shows Irish drama to be an international as much as national phenomenon.

This is a unique edition of four "high society" Victorian comedies, currently enjoying revival on the London stage. The volume includes: Dion Boucicault's London Assurance, W. S. Gilbert's Engaged, Edward Bulwer-Lytton's Money, and Henry James's The High Bid. Each of the plays deals with marriage, tests of affection, and the power of money. A critical introduction, a wide-ranging annotation, and an informative bibliography illuminate the plays' cultural contexts and theatrical potential for reader and performer alike.

Regarded by Bernard Shaw as a master of the theatre, Dion Boucicault was arguably the most important figure in drama in North America and in Britain during the second half of the nineteenth century. He was largely forgotten during the twentieth century―though he continued to influence popular culture (the iconic image of a woman tied to railway tracks as a train rushes towards her, for example, originates in a Boucicault melodrama). In the twenty-first century the gripping nature of his plays is being discovered afresh; when The Octoroon was produced as a BBC Radio play in 2012, director and playwright Mark Ravenhill described Boucicault’s dramas as “the precursors to Hollywood cinema.” In The Octoroon―the most controversial play of his career―Boucicault addresses the sensitive topic of race and slavery. George Peyton inherits a plantation, and falls in love with an octoroon―a person one-eighth African American, and thus, in 1859 Louisiana, legally a slave. The Octoroon opened in 1859 in New York City, just two years prior to the American Civil War, and created a sensation―as it did in its subsequent British production. This new edition includes a wide range of background contextual materials, an informative introduction, and extensive annotation.